File:2006AY0603 jpg lajanta Gill.jpg

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2006AY0603_jpg_lajanta_Gill.jpg(544 × 472 pixels, file size: 72 KB, MIME type: image/jpeg)

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Description
English: Copy of painting inside the caves of Ajanta (cave 1); Copy of painting inside the caves of Ajanta, by Robert Gill. V&A Museum as IS.55-1885. White patches are over sections in need of conservation. Original dates to the 470s. V&A page says: Height: 2305 mm, Width: 2740 mm, Height: 2350 mm with frame, Width: 2770 mm with frame, Depth: 40 mm with frame

Object history note

Commissioned by the Government of India between 1844-1863 and deposited in the India Museum, London.

Historical significance: The paintings inside the Ajanta caves tell stories from the lives of the Buddha. The main part of this painting depicts scenes from the Janaka jataka. The narrative continues onto painting IS.53-1885.

Narrative: King Janaka of Videha is seen sitting in his palace with his wife. He announces to her that he intends to renounce his worldly life. Scene depicted in the centre of IS.55-1885.

In order to persuade him against this course she organises a music and dance performance. Scene depicted in left hand side of IS.53-1885.

Despite the pleasure of viewing the dancers, the king confirms his decision to live alone. According to Schlingloff, he is persuaded to do this by the sight of women preparing cotton as the two bangles that one of them is wearing clash together and resound, whereas the single bangle of the other women remains silent. Scene depicted in bottom centre of IS.55-1885.

The king renounces his kingdom and rides out through the city gates on his elephant, accompanied by a retinue which includes his son. Scene depicted in the centre of IS.53-1885.

Once they have left the city the king and his retinue visit a hermit in the mountains and listen to his sermons. Here the hermit reassures him that only a life of solitude can lead to salvation. Scene depicted in the top right hand corner of IS.53-1885

In the top left hand corner is a scene from the Sankhapala jataka. A Bodhisattva, having witnessed the splendour of the Naga king wished to be reborn into the Naga kingdom. In his next birth he was born as the Naga king Sankhapala. He soon grew weary of the good life and as a penance for his desires he lay on an ant hill and offered his body to passers by.

A party of men found him, they tied a rope around him and as they dragged him along Sanhkapala did not resist. A kind-hearted cattle dealer who saw what was happening and offered the men some of his cows in exchange for the serpent. Scene depicted in top left hand corner. The grateful Sankhapala took the cattle dealer to his splendid palace under the lotus-lake where he stayed for a year after which he decided to become an ascetic.
Date
Source https://collections.vam.ac.uk/item/O115446/copy-of-painting-inside-the-oil-painting-gill-robert/
Author
Robert Gill  (1804–1875)  wikidata:Q7344773
 
Robert Gill
Alternative names
Robert, Captain Gill; Robert, Major Gill
Description British photographer, military personnel, antiquarian, drawer and archaeologist
British antiquarian, painter and photographer
Date of birth/death 26 September 1804 Edit this at Wikidata 10 April 1875 Edit this at Wikidata
Location of birth/death London Borough of Hackney Bhusawal
Authority file
creator QS:P170,Q7344773
Other versions Derivative works of this file:  2006AY0603 jpg lajanta Gill (cropped).jpg

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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Date/TimeThumbnailDimensionsUserComment
current21:53, 24 October 2012Thumbnail for version as of 21:53, 24 October 2012544 × 472 (72 KB)Johnbod (talk | contribs)User created page with UploadWizard

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