File:Carlos V en Mühlberg, by Titian, from Prado in Google Earth-x1-y2.jpg

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Titian: Equestrian Portrait of Charles V  wikidata:Q1123378 reasonator:Q1123378
Artist
Titian  (1490–1576)  wikidata:Q47551 s:it:Autore:Tiziano q:en:Titian
 
Titian
Alternative names
Tiziano Vecelli; Tiziano Vecellio
Description Italian painter, drawer, architectural draftsperson and printmaker
Date of birth/death between 1485 and 1490
date QS:P,+1450-00-00T00:00:00Z/7,P1319,+1485-00-00T00:00:00Z/9,P1326,+1490-00-00T00:00:00Z/9
 27 August 1576 Edit this at Wikidata
Location of birth/death Pieve di Cadore Venice
Work location
Venice (1498), Ferrara, Mantua, Padua (1511), Milan (1540), Rome (1545–1546), Florence (1546), Augsburg (1548, 1550–1551), Constantinople (today Istanbul) (1555-1557)
Authority file
artist QS:P170,Q47551
image of artwork listed in title parameter on this page
Title
Spanish:
Carlos V en la batalla de Mühlberg Edit this at Wikidata

label QS:Leu,"Karlos V.a Mühlbergen"
Object type painting Edit this at Wikidata
Genre equestrian portrait Edit this at Wikidata
Description
English: Portrait of Charles V on horseback, painted by Titian in Augsburg (1548) to celebrate the Battle of Mühlberg, located in the Museo del Prado of Madrid.
Español: Retrato ecuestre del mperador Carlos V (1500-1558), que aparece llevando la armadura que usó en la batalla de Mühlberg, que se libró en 1547 y en la que el emperador derrotó aplastantemente a los protestantes alemanes.
Depicted people Charles V Edit this at Wikidata
Date 1548
date QS:P571,+1548-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 335 cm (10.9 ft); width: 283 cm (111.4 in)
dimensions QS:P2048,335U174728
dimensions QS:P2049,283U174728
institution QS:P195,Q160112
Current location
Sala 027
Accession number
P00410
Place of creation Augsburg Edit this at Wikidata
Notes
Deutsch: Dieses Porträt von Kaiser Karl V. (1500-1558) zu Pferde entstand im Gedenken an den Sieg der kaiserlichen Truppen über die Protestanten bei Mühlberg. Die scheinbare Schlichtheit der Komposition birgt eine vielschichtige Symbolik, die Karl V. in seiner Eigenschaft als christlicher Ritter und Erbe der römischen Kaisertradition zeigt. Ein Beispiel hierfür ist die Lanze, die der Kaiser in seiner rechten Hand hält und die nicht nur ein Machtsymbol der Cäsaren war, sondern auch auf die Waffe des Heiligen Georg und die Lanze des Longinus während der Passion Christi anspielt (Longinus war ein römischer Soldat, der seine Lanze in den Leib Christi stieß und später zum Christentum übertrat.).

Als formale Vorläufer der Komposition werden die Darstellungen der Reiterstatue von Kaiser Mark Aurel (121-180) in verschiedenen Stichen Albrecht Dürers, wie „Ritter, Tod und Teufel“, sowie Werke von Hans Burgkmair genannt.

Die kaiserliche Rüstung ist Teil der Waffensammlung des Madrider Königspalastes.

Das Werk wurde für Maria von Ungarn geschaffen und geriet zum dynastischen Innbild schlechthin des österreichischen Königshauses. Im Jahr 1827 wurde es in die Sammlung des Prado-Museums aufgenommen.
References [1]
Source/Photographer The Prado in Google Earth: Home - cropped from maximum level of zoom, JPEG compression quality: Photoshop 9.
Other versions
  • Reproduction from The Yorck Project
    Reproduction from The Yorck Project

Licensing:[edit]

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