File:Il Brasile e gli Italiani 1188.tif

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Summary[edit]

Il Brasile e gli Italiani  s:it:Index:Il Brasile e gli Italiani.djvu
Author
image of artwork listed in title parameter on this page
Editor
Vitaliano Rotellini (18??-19??)
Title
Subtitle pubblicazione del "Fanfulla"
Publisher
R. Bemporad & Figlio Editori
Printer
Tipografia della S. A. Gia Fratelli Ari
Description
Language Italian
Publication date 1906
publication_date QS:P577,+1906-00-00T00:00:00Z/9
Place of publication Florence
Source ICIB - Instituto Cultural Ítalo-Brasileiro
Other versions Single file for Wikisource proofread purposes available at File:Il Brasile e gli Italiani.djvu

Licensing[edit]

This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
Public domain in its source of origin country, Brazil, on the URAA date, because don't have any Pessoa Física being identifiable. It includes anonymous works, pseudonymous works without enough data to identify the real creator, and corporate works without data that allows identifying the persons who made it and falls to at least one of the following criteria:
  • Is a general work (book, magazine, journal, report etc.) published prior to 1 January 1936 or
  • Is a general work with enough verifiable data establishing its finishment prior to 1 January 1936 even if it never got formally published.

The current Brazilian copyright law is Lei 9610/1998: Art. 43 specifies 70 years of protection for anonymous or pseudonymous works while case law related to Art. 11 + Art. 22 + Art. 24 + Art. 27 recognizes only Pessoas Físicas being as creator of intellectual works; Parágrafo único from Art. 40 sets the protection term for posthumous works. The effective law at URAA date was Lei 5988/1973, with Art. 44 setting 60 years of protection for anonoymous or pseudonymous works; the wording on corporate authorship was ambiguous: Art. 15 allows institutions or groups being credited for a work but articles such Art. 21 and Art. 25 states the irrevocability of moral rights; § 3º from Art. 42. was the responsible for setting the protection term for posthumous works.

See also the explanations on Non-U.S. copyrights.


Notes: for photo, video or sound reproductions, you should use the {{PD-BR-1935}} or {{PD-Brazil-media}} tag instead. For general works with Pessoa Física being the identifiable creator, you should use the {{PD-BR-URAAwriter}} tag instead.



This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag.


Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag.

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current23:54, 26 August 2014Thumbnail for version as of 23:54, 26 August 20142,423 × 3,358 (9.4 MB)555.bot (talk | contribs)

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