Landscape. 1916. oil on canvas. 31.5 × 26.5 cm (12.4 × 10.4 in). Whereabouts unknown.
Composition III (Still Life). 1916. oil on canvas. 53 × 39 cm (20.9 × 15.4 in). Minneapolis, Curtis galleries inc.
Design for a book cover. 1916. Indian ink and watercolor on paper. 35.5 × 24 cm (14 × 9.4 in). Utrecht, Centraal Museum.
Still Life. 1916. Indian ink on paper. 20 × 15 cm (7.9 × 5.9 in), Utrecht, Centraal Museum.
Composition IV (Still life). . oil on canvas. Ca. 90 × 65 cm (35.4 × 25.6 in). Lost.
Sphere. 1916 (?). oil on canvas mounted on panel. 27 × 37 cm (10.6 × 14.6 in). Leiden, Museum De Lakenhal.
Tree. circa . oil on canvas. 68.5 × 54 cm (27 × 21.3 in). Portland, Oregon, Portland Art Museum.
Stained-Glass Composition I. -. stained glass. 100 × 67.5 cm (39.4 × 26.6 in). Leiden, Museum De Lakenhal.
Krishna playing a flute. 1916. pencil and ink on transparent paper. 19.5 × 55.5 cm (7.7 × 21.9 in). Utrecht (city), Centraal Museum.
Two sketches of Krishna playing a flute, seen from the front. 1916. pencil and Indian ink on transparent paper. 19 × 17 cm (7.5 × 6.7 in). Utrecht, Centraal Museum.
Female Nude on a Chair. 1917. charcoal, ink and white chalk on paper. 65 × 50 cm (25.6 × 19.7 in). Utrecht (city), Centraal Museum.
English:Nude.
Nederlands:Naakt.
1917.
Female nude with Hand on Her Head. 1917. pen and Indian ink and brush and Indian ink on paper. 22.8 × 15.9 cm (9 × 6.3 in). Amsterdam, Rijksmuseum Amsterdam.
Study for Stained Glass Composition III. 1917. ink on transparent paper. 5 × 5.5 cm (2 × 2.2 in). Utrecht, Centraal Museum.
English:Stained Glass Composition III.
Nederlands:Glas-in-loodcompositie III.
1917.
Design for Stained-glass Composition Female Head. . gouache on paper. 36.5 × 24.5 cm (14.4 × 9.6 in). Budapest, Museum of Fine Arts.
English:Stained-glass Composition Female Head.
Nederlands:Glas-in-loodcompositie Vrouwenkop.
May 1917.
English:Composition VI (on black fond).
Nederlands:Compositie VI (op zwart fond).
1917 (?).
English:Composition VII (the three graces).
Nederlands:Compositie VII (de drie gratiën).
1917.
Stained-Glass Composition IV. 1917. stained glass. 287 × 56.5 cm (113 × 22.2 in) (each window). Otterlo, Kröller-Müller Museum.
Sjabloon voor ornamentrand Huis de Lange. 1917. Paper. 20.5 × 37.5 cm (8.1 × 14.8 in). Rotterdam, Netherlands Architecture Institute.
Design for Stained-Glass Composition V. 1917-1918 (?). heliography on paper. 108 × 66 cm (42.5 × 26 in). Rotterdam, Netherlands Architecture Institute.
Color designs for Stained-Glass Composition V. 1917-1918 (?). ink and gouache on paper. 85.5 × 50 cm (33.7 × 19.7 in). Zürich, Kunsthaus Zürich.
English:Stained Glass Composition V.
Nederlands:Glas-in-loodcompositie V.
1917-1918.
Design for a monument in Leeuwarden. 1917. Photo. 50.5 × 39 cm. Eindhoven, Van Abbemuseum.
Press card. -. printed matter. 9 × 9 cm (3.5 × 3.5 in). Various collections.
Portrait of J.J.P. Oud. 1917 (?). ink on paper. 21.5 × 15.5 cm (8.5 × 6.1 in). Leiden, Museum De Lakenhal.
Girl Knitting on the Harbor 1918 (?). charcoal and gouache on paper. 45.5 × 38 cm (17.9 × 15 in). Rotterdam, Netherlands Architecture Institute.
Cow. 1918 (?). pencil on paper. 11.5 × 16 cm (4.5 × 6.3 in). Utrecht, Centraal Museum.
Lena in interior. 1918 (?). pencil and gouache on paper. 25 × 18.5 cm (9.8 × 7.3 in). Oberhofen am Thunersee , Switzerland, Stiftung Sammlung Karl und Jürg Im Obersteg.
Composition XIII (Woman in studio). 1918.
English:Landscape (study for Composition XII).
Nederlands:Landschap (studie voor Compositie XII).
1918 (?).
Composition XII in black and white. 1918.
Composition X. 1918.
Composition XIII. June 1918.
English:Study for Rhythm of a Russian Dance.
1917-1918 (?).
English:Study for Rhythm of a Russian Dance.
1917-1918 (?).
English:Study for Rhythm of a Russian Dance.
1917-1918 (?).
English:Study for Rhythm of a Russian Dance.
1917-1918 (?).
English:Study for Rhythm of a Russian Dance.
1917-1918 (?).
English:Study for Rhythm of a Russian Dance.
1917-1918 (?).
English:Study for Rhythm of a Russian Dance.
1917-1918 (?).
Rhythm of a Russian dance. .
Study for L’Enfant mécanique. 1918 (?). pencil and Indian ink on transparent paper. 13 × 20 cm (5.1 × 7.9 in). Utrecht, Centraal Museum.
L’enfant mécanique. 1918 (?). Indian ink on transparent paper. 12 × 14 cm (4.7 × 5.5 in). Utrecht, Centraal Museum.
Composition based on L’Enfant mécanique. 1918 (?). pencil on transparent paper. 11.5 × 15.5 cm (4.5 × 6.1 in). Utrecht, Centraal Museum.
The Blauwpoortsbrug with horse and carriage. 1917-1918. gouache on paper. 36.5 × 85.5 cm (14.4 × 33.7 in). Leiden, Museum De Lakenhal.
The Blauwpoortsbrug with horse and carriage. 1917-1918. gouache on transparent paper. 40 × 82 cm (15.7 × 32.3 in). Leiden, Museum De Lakenhal.
Cityscape with boat (Leiden). 1917-1918. gouache on paper. 44.5 × 65 cm (17.5 × 25.6 in). Leiden, Museum De Lakenhal.
English:Stained Glass Composition VIII.
Nederlands:Glas-in-loodcompositie VIII.
1918-1919.
Typeface (rereleased in 1997 as Architype Van Doesburg). c 1919.
Ontwerp belettering voor Lettergieterij Amsterdam. 1919. Oost-indische inkt op kalkeerpapier. 16 × 65 cm. Utrecht, Centraal Museum.
Color design for a room in Bart de Ligt's house in Katwijk aan Zee. 1919-1920. pencil, Indian ink and gouache on transparent paper. 60.5 × 43 cm (23.8 × 16.9 in). Rotterdam, Netherlands Architecture Institute.
English:Room in House Bart de Ligt.
Nederlands:Kamer in Huis Bart de Ligt.
1919-1920.
Cover design for Klei. 1920. Pencil, gouache, Indian ink, and collage on transparent paper. 80 × 57 cm. Utrecht, Centraal Museum.
Design for a poster for the exhibition La Section d'Or. c 1920.
Cover for Klassiek-Barok-Modern. 1920. printed matter. 22.5 × 14.5 cm (8.9 × 5.7 in). Various collections.
Composition XVIII in three parts. 1920.
Diagram for Composition XVIII in three parts. 1920-1923. Technique, dimensions and whereabouts unknown.
Composition XX. 1920.
Peinture pure. May-July 1920.
Cover for De theorie van het syndicalisme by Clara Wichmann. 1920. printed matter. 19 × 36 cm (7.5 × 14.2 in). Various collections.
Still life with statuette, vase and ginger pot. 1920. Watercolor on paper. 21.5 × 27.5 cm. Utrecht, Centraal Museum.
Definitive design for the Sower, stained-glass windows Large Pastorale and Small Pastorale. from until . pencil and gouache on paper. 74.5 × 70.5 cm (29.3 × 27.8 in). Drachten, Museum Drachten.
Definitive design for the Reaper, stained-glass windows Large Pastorale and Small Pastorale. from until . pencil and gouache on paper. 74.5 × 70.5 cm (29.3 × 27.8 in). Drachten, Museum Drachten.
Large Pastoral. 1922. stained glass. 300 × 70 cm (118.1 × 27.6 in) (each window). Drachten, former Landbouwwinterschool.
Designs for Principles of sculpture. 1922. collage and gouache. 20.6 × 9.7 cm (8.1 × 3.8 in). Rijswijk, the Netherlands Cultural Heritage Agency.
Principles of sculpture. 1922. printed matter. From Theo van Doesburg () ‘Voorwaarden tot een nieuwe architectuur’, Architectura, vol. 27, no. 27, pp. 200-204.
Portrait of Nelly van Doesburg. 1922.
Theo van Doesburg 043.jpg
Portrait of Pétro (Nelly van Doesburg). circa . oil on cardboard mounted on panel. 64.5 × 48 cm (25.4 × 18.9 in). Leiden, Museum De Lakenhal.
Portrait of Pétro (Nelly van Doesburg). circa . pencil and watercolor on transparent paper. 64 × 45 cm (25.2 × 17.7 in). Leiden, Museum De Lakenhal.
Composition XXII. June-July 1922.
Cover for Wat is Dada? late . printed matter. 68.5 × 54 cm (27 × 21.3 in). Various collections.
Poster Small Dada Soirée. 1922. lithograph, proof. 30 × 30 cm (11.8 × 11.8 in). Various collections.
Poster Small Dada Soirée. 1922. lithograph. 30 × 30 cm (11.8 × 11.8 in). Various collections.
Poster Dada Matinée. . printed matter. 62 × 85 cm (24.4 × 33.5 in). Various collections.
I.K. Bonset. La matière denaturalisée. Destruction 2. 1923 (?). Collage, ink and gouache on cardboard. 59.4 × 44 cm. Leeuwarden, Fries Museum.
Theo van Doesburg Composition XXI 1923.jpg
English:Composition XXI.
Nederlands:Compositie XXI.
1923.
Principles of painting. . printed matter. From Theo van Doesburg () ‘Voorwaarden tot een nieuwe architectuur’, Architectura, vol. 27, no. 27, pp. 200-204.
Study for the floor and various other sketches. 1923. Pencil and gouache on graph paper. 16 × 20 cm. Rotterdam, The Netherlands Architecture Institute.
Study for the floor. 1923. Pencil, Indian ink and gouache on graph paper. 31 × 32 cm. Rotterdam, The Netherlands Architecture Institute.
Study for the roof. 1923. Pencil and gouache on graph paper. 57 × 52 cm. Rotterdam, The Netherlands Architecture Institute.
English:Colour composition roof.
Nederlands:Kleurcompositie plafond.
1923.
Perspective view of the color design for the floor, walls and balustrade roof seen towards the staircase. 1923. Pencil, Indian ink and watercolor on graph paper. 4 × 21.5 cm. Rotterdam, The Netherlands Architecture Institute.
Nelly van Doesburg seen from behind and View of a Harbor. . pencil and watercolor on paper. 22 × 14 cm (8.7 × 5.5 in). Utrecht (city), Centraal Museum.
Study for Counter-composition XI. 1925. pencil and gouache on paper mounted on cardboard. 11.5 × 12 cm (4.5 × 4.7 in). Otterlo, Kröller-Müller Museum.
English:Study for Counter-composition X.
Nederlands:Studie voor Contra-compositie X.
1924.
Theo van Doesburg Counter-composition X 1924.jpg
Counter-composition X. 1924.
Theo van Doesburg 082 version 02.jpg
Counter-composition V. 1924. Oil on canvas. 100 × 100 cm. Amsterdam, Stedelijk Museum Amsterdam.
Theo van Doesburg Counter-composition IV.jpg
Counter-composition IV. 1924.
Theo van Doesburg 018.jpg
Counter-composition VII. 1924.
Theo van Doesburg Counter-composition XII.JPG
Counter-composition XII. 1924.
I.K. Bonset. Composition. circa 1921-1925. collage on paper. 32.5 × 32 cm (12.8 × 12.6 in). Otterlo, Kröller-Müller Museum.
I.K. Bonset. Construction I. Ca. 1925. Collage and ink on paper. 31 × 15.5 cm. Zurich, Kunsthaus.
Réconstruction. circa 1921-1925. collage on paper. 29.5 × 21 cm (11.6 × 8.3 in). Otterlo, Kröller-Müller Museum.
Design for stained-glass window for the Abstract Cabinet in Hanover. 1925. Indian ink and gouache on graph paper. 31.5 × 29 cm (12.4 × 11.4 in). Otterlo, Kröller-Müller Museum.
Projet pour studio avec habitation, plan. 1925. pencil and ink on paper. 32.5 × 37.5 cm. Rotterdam, The Netherlands Architecture Institute.
Design for two studios with two apartments, plans and axonometric view. 1925 (?). Pencil, chalk, East Indian ink on transparent paper. 32.5 × 50 cm. Rotterdam, The Netherlands Architecture Institute.
Theo van Doesburg Counter-composition VIII 2.jpg
Counter-composition VIII. 1924-1925 (?).
Theo van Doesburg 022.jpg
Counter-composition VI. 1925.
Illustration Counter-Composition VI. 1926. Indian ink and pencil on tracing paper. 21 × 27 cm (8.3 × 10.6 in). Utrecht, Centraal Museum.
Illustration Counter-Composition VI. 1926. Indian ink and pencil on tracing paper. 27 × 21 cm (10.6 × 8.3 in). Utrecht, Centraal Museum.
Illustration Counter-Composition VI. 1926. Indian ink and pencil. 27 × 21 cm (10.6 × 8.3 in). Utrecht, Centraal Museum.
Illustration Counter-Composition VI. 1926. Indian ink and pencil on tracing paper. 13.1 × 12.1 cm (5.2 × 4.8 in). Utrecht, Centraal Museum.
Poster. 1925.
English:Study for Counter-Composition XIV.
Nederlands:Studie voor Contra-compositie XIV.
1925.
Theo van Doesburg 023.jpg
Counter-composition XIV. 1925.
Diagram of Counter-Composition XIV. 1925-1926. printed matter. 12.6 × 4.8 cm (5 × 1.9 in). Utrecht, Centraal Museum.
Study for Counter-composition XV. 1925 (?). gouache on paper. 50.7 × 50 cm (20 × 19.7 in). Utrecht, Centraal Museum.
Theo van Doesburg 021.jpg
Counter-composition XV. 1925.
English:Study for Counter-composition XVI.
Nederlands:Studie voor Contra-compositie XVI.
1925.
Theo van Doesburg Contra-Composition XVI.jpg
Counter-composition XVI. 1925.
Theo van Doesburg 026.jpg
Counter-composition XVII. 1926 (?).
Theo van Doesburg 025.jpg
Counter-composition XIII. 1925-1926.
Nederlands:Simultaanportret van Nelly-Pétro.
1926 (?).
Propriété Arp-Doesburg, basement plan. May 1927. Hand-colored heliography. 49 × 29.5 cm. Rotterdam, Netherlands Architecture Institute.
English:Interior of the Café-brasserie of the Aubette.
Nederlands:Interieur van de Café-brasserie in de Aubette.
1926.
Color design for the Café-brasserie ceiling. January 1927 (?). Pencil, Indian ink, gouache and collage on cardboard. 24 × 38 cm. Paris, National Museum of Modern Art.
English:Color design for walls and ceiling of the Ciné-dancing of the Aubette.
Nederlands:Kleuronywerp voor wanden en plafond van de ciné-dancing in de Aubette.
1926-1927.
Final color design for wall with gallery of the Ciné-dancing of the Aubette. 1927. pencil, gouache and Indian ink on heliography. 45 × 93.5 cm (17.7 × 36.8 in). Rotterdam, Netherlands Architecture Institute.
Final color design for ceiling of the Ciné-dancing of the Aubette. 1927. pencil, gouache and Indian ink on heliography. 72.5 × 110 cm (28.5 × 43.3 in). Rotterdam, Netherlands Architecture Institute.
Design for numbers 2 to 9. October 1927 (?). Heliography on paper. 40.5 × 40.5 cm. Rotterdam, The Netherlands Architecture Institute.
Ashtray for Café Aubette. 1927. ceramic. Diameter: 13 cm (5.1 in). . Various collections.
Composition of Proportions. 1929. oil on canvas. 30 × 30 cm (11.8 × 11.8 in). Philadelphia, Philadelphia Museum of Art.
English:Study for Simultaneous compositions XXII.
Nederlands:Studie voor Simultane composities XXII.
1929.
Simultaneous Counter-Composition 1929 Theo van Doesberg.jpg
English:Simulaneous Compositions XXII.
Nederlands:Simultane composities XXII.
1929.
Cover of the introduction number of Art Concret. 1930. Printed matter. 18.5 × 28 cm. Various collections.
Six Moments in the Development of Plane to Space. or . pencil, Indian ink and enamel paint on transparent paper. 155.5 × 27 cm (61.2 × 10.6 in). Otterlo, Kröller-Müller Museum.
English:Study for Arithmetic Composition.
Nederlands:Studie voor Aritmetische compositie.
1929-1930 (?).
Theo van Doesburg Arithmetic Composition (1930).jpg
Deutsch:Arithmetische komposition.
English:Arithmetic Composition.
Français :Composition arithmétique.
Nederlands:Aritmetische compositie.
1929-1930.
Atelierwoning Bertalan Pór. 1930.
Portrait of Louis Peter Milius. 1929.
Nederlands:Compositie (studie).
1930 (?).
Simultaneous Counter-Composition 1929-30 Theo van Doesburg.jpg