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Create the page "Copperplate Etching" on this wiki!
File:Klementiner-Jacob-Adam.jpg org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse English Copperplate etching of Kelmendi in Syrmia by Jacob Adam (1748-1811)(700 × 809 (155 KB)) - 05:16, 27 February 2022File:Reitschule 1760.jpg Prospect eines Turnier Saal. Prospectus atri Catadromi", c. 1760 Copperplate etching, presumably after Ridinger, Source: http://www.schmidt-auktionen(800 × 589 (139 KB)) - 16:39, 16 April 2021File:Palladio-1dup.jpg (category 1740s etchings) Lumal 1024×597× (163269 bytes) {{Information |Description=scan OF COPPERPLATE etching 1742 of Andrea Palladio |Source=self-made |Date=1742 |Location= |Author=~~~(1,024 × 597 (159 KB)) - 00:07, 7 November 2020File:Synagoge Endingen.jpg hereby publish it under the following license: English 18th century copperplate etching of the Endingen synagogue. In the Jewish Museum of Switzerland’s(770 × 768 (214 KB)) - 21:55, 26 March 2022File:B047 Rembrandt, copperplate.jpg English B047 Rembrandt, copperplate(6,200 × 4,224 (7.39 MB)) - 12:03, 28 March 2022File:'Front of the fangwaiguan' copperplate etching, 1786.jpg Description'Front of the fangwaiguan' copperplate etching, 1786.jpg English: 'Front of the fangwaiguan' copperplate etching, 1786 Date 1786 Source a set of(1,920 × 1,120 (1.89 MB)) - 06:14, 30 August 2021File:'Western Gate of Yangquelong', Copperplate etching.jpg Description'Western Gate of Yangquelong', Copperplate etching.jpg English: Eastern Gate of Yangquelong, copper engraving from a set of twenty depicting(2,372 × 1,340 (2.54 MB)) - 16:41, 29 June 2022File:'Xianfahua on the east side of lake', copperplate etching, 1786.jpg on the east side of lake', copperplate etching, 1786.jpg English: 'Xianfahua on the east side of lake', copperplate etching, 1786 Date 1786 Source a set(3,775 × 2,142 (3.93 MB)) - 06:03, 30 August 2021File:Maria Klementyna Sobieska Funeral.jpg Princess Maria Klementyna Sobieska, Santi XII Apostoli, Rome, 1735 Copperplate print and etching by Baldassare Gabbuggiani, 1736 Dimensions: 64 x 47.5 cm Source:(500 × 684 (149 KB)) - 17:29, 15 February 2015File:Trade card for John Wetzel, Copperplate Printer MET DP884972.jpg English Trade card for John Wetzel, Copperplate Printer, print (MET, 62.661.2)(2,044 × 2,645 (2.04 MB)) - 14:06, 16 March 2022File:Plate 2 for "Treatise on Etching" MET DP837320.jpg English Plate 2 for "Treatise on Etching", print, Maxime-François-Antoine Lalanne (MET, 59.500.790) determination method: Metropolitan Museum of Art Tagging(2,495 × 3,934 (3.04 MB)) - 21:04, 31 January 2022File:Plate 1 for "Treatise on Etching" MET DP837319.jpg English Plate 1 for "Treatise on Etching", print, Maxime-François-Antoine Lalanne (MET, 59.500.789) determination method: Metropolitan Museum of Art Tagging(2,526 × 3,933 (3.37 MB)) - 12:49, 1 February 2022File:Plate 1 for "Treatise on Etching" Met DP888050.jpg English Plate 1 for "Treatise on Etching", print, Maxime-François-Antoine Lalanne (MET, 59.500.789) determination method: Metropolitan Museum of Art Tagging(1,838 × 2,868 (2.06 MB)) - 16:02, 26 April 2022File:Plate 2 for "Treatise on Etching" Met DP888051.jpg English Plate 2 for "Treatise on Etching", print, Maxime-François-Antoine Lalanne (MET, 59.500.790) determination method: Metropolitan Museum of Art Tagging(1,859 × 2,885 (1.91 MB)) - 16:02, 26 April 2022File:La Sirène et le Poète (gravure).png English Etching by Emile Jean Sulpice from a painting by Gustave Moreau(421 × 783 (381 KB)) - 07:56, 12 July 2020File:Etching and Etchers (IA dli.granth.93416).pdf Etching and Etchers ( ) Author Hammerton, Philip Gilbert Title Etching and Etchers Publisher Macmillan and Co. (London) Description Source: Asiatic(850 × 1,302 (18.42 MB)) - 17:05, 26 June 2022File:Etching and Etchers (IA dli.granth.93766).pdf Etching and Etchers ( ) Author Hammerton, Philip Gilbert Title Etching and Etchers Publisher Macmillan and Co. (London) Description Source: Asiatic(850 × 1,302 (18.42 MB)) - 06:46, 8 June 2021File:Ni l'un ni l'autre (etching by Fleischmann after Desoras).jpg Commons Public Domain Mark 1.0falsefalse English ''Ni l'un, ni l'autre'', etching by Friedrich Fleischmann after a painting by Jenny Desoras French ''Ni(2,397 × 3,375 (2.1 MB)) - 14:37, 21 July 2020File:No. I. ETCHING GROUND FOR ENGRAVERS (IA jstor-41325682).pdf No. I. ETCHING GROUND FOR ENGRAVERS ( ) Title No. I. ETCHING GROUND FOR ENGRAVERS Volume 43 Publisher Transactions of the Society, Instituted at London(975 × 1,500 (506 KB)) - 02:49, 8 April 2021File:Rembrandt - The Return of the Prodigal Son - WGA19074.jpg (category 17th-century etchings) English operator: Web Gallery of Art described at URL: https://www.wga.hu/html/r/rembran/graphics/etching/prodigal.html(337 × 427 (37 KB)) - 21:02, 4 June 2022File:Sebald Beham Joseph und Potiphars Weib 1544.jpg Deutsch: Sebald Beham: Joseph und Potiphars Weib, 1544 English: Copperplate print, 8.1 x 5.6 cm. Note: This print has been defaced: Joseph's private parts(500 × 721 (159 KB)) - 10:41, 11 March 2021File:On the making of etchings (IA gri 33125008235836).pdf the making of etchings ( ) Author Short, Frank, Sir, 1857-1945 Ball, Wilfrid, 1853-1917 Start this Book Title On the making of etchings Publisher London(1,091 × 1,412 (3.4 MB)) - 16:09, 18 March 2022File:On the making of etchings (IA onmakingofetchin00shor).pdf On the making of etchings ( ) Author Short, Frank, Sir, 1857-1945 Start this Book Title On the making of etchings Publisher London : R. Dunthorne Description(993 × 1,254 (2.94 MB)) - 21:02, 22 June 2022File:Cuirass and Tassets (Torso and Hip Defense) MET DP258634.jpg Cuirass and Tassets (Torso and Hip Defense), German, Augsburg, attributed to Kolman Helmschmid, Etching attributed to Daniel Hopfer (MET, 38.143b–d)(2,920 × 3,894 (1.6 MB)) - 19:29, 17 February 2022File:Close Helmet for a Boy MET DP22401.jpg a Boy, German, Augsburg, attributed to Kolman Helmschmid, attributed to Desiderius Helmschmid, Etching in the style of Daniel Hopfer (MET, 14.25.621)(1,862 × 1,781 (472 KB)) - 19:23, 17 February 2022File:Cuirass and Tassets (Torso and Hip Defense) MET DP255788.jpg Tassets (Torso and Hip Defense), German, Augsburg, attributed to Kolman Helmschmid, Etching attributed to Daniel Hopfer, tasset, detail (MET, 38.143b–d)(3,875 × 2,604 (2.51 MB)) - 19:24, 17 February 2022File:Dietrich Kurzwarenhändler 1741.jpg (category 18th-century etchings) Christian Wilhelm Dietrich, genannt Dietricy (1712–1774): Der Kurzwarenhändler, 1741 Etching creator QS:P170,Q536581 Source: http://www.zeller.de/(662 × 800 (470 KB)) - 17:11, 11 May 2020File:Etchings of Van Dyck (IA etchingsofvandyc00newb).pdf Etchings of Van Dyck ( ) Author Newbolt, Francis, Sir, 1863-1940 Start this Book Title Etchings of Van Dyck Publisher London, G. Newnes, limited; New(1,383 × 1,975 (6.16 MB)) - 05:14, 21 December 2021File:Cuirass and Tassets (Torso and Hip Defense) MET DP-13162-005.jpg Cuirass and Tassets (Torso and Hip Defense), German, Augsburg, attributed to Kolman Helmschmid, Etching attributed to Daniel Hopfer (MET, 38.143b–d)(2,961 × 4,000 (2.4 MB)) - 19:29, 17 February 2022File:Cuirass and Tassets (Torso and Hip Defense) MET DP255784.jpg Tassets (Torso and Hip Defense), German, Augsburg, attributed to Kolman Helmschmid, Etching attributed to Daniel Hopfer, overall, front (MET, 38.143b–d)(2,920 × 3,894 (1.58 MB)) - 19:24, 17 February 2022File:Close Helmet for a Boy MET DP22400.jpg a Boy, German, Augsburg, attributed to Kolman Helmschmid, attributed to Desiderius Helmschmid, Etching in the style of Daniel Hopfer (MET, 14.25.621)(1,787 × 1,718 (337 KB)) - 19:23, 17 February 2022File:Cuirass and Tassets (Torso and Hip Defense) MET DP258633.jpg Tassets (Torso and Hip Defense), German, Augsburg, attributed to Kolman Helmschmid, Etching attributed to Daniel Hopfer, tasset, detail (MET, 38.143b–d)(3,881 × 2,175 (2.29 MB)) - 19:24, 17 February 2022File:Cuirass and Tassets (Torso and Hip Defense) MET DP-13162-003.jpg Cuirass and Tassets (Torso and Hip Defense), German, Augsburg, attributed to Kolman Helmschmid, Etching attributed to Daniel Hopfer (MET, 38.143b–d)(3,925 × 4,000 (5.09 MB)) - 19:29, 17 February 2022File:Bosse Printing.jpg (category Etchings) Français : Les Imprimeurs en taille-douce Date: 1642 Source: http://pratt.edu/~giannini/private-libraries.html Etching, 28,7 x 19,7 cm creator QS:P170,Q326215(942 × 650 (142 KB)) - 14:35, 3 March 2018File:Cuirass and Tassets (Torso and Hip Defense) MET DP255785.jpg Tassets (Torso and Hip Defense), German, Augsburg, attributed to Kolman Helmschmid, Etching attributed to Daniel Hopfer, overall, back (MET, 38.143b–d)(2,920 × 3,894 (1.43 MB)) - 19:25, 17 February 2022File:Cuirass and Tassets (Torso and Hip Defense) MET DP255710.jpg (Torso and Hip Defense), German, Augsburg, attributed to Kolman Helmschmid, Etching attributed to Daniel Hopfer, breastplate, detail of upper third of etched(3,893 × 2,364 (3.64 MB)) - 19:17, 17 February 2022File:Cuirass and Tassets (Torso and Hip Defense) MET DP255715.jpg (Torso and Hip Defense), German, Augsburg, attributed to Kolman Helmschmid, Etching attributed to Daniel Hopfer, backplate, detail of upper third of etched(3,911 × 2,478 (3.78 MB)) - 19:17, 17 February 2022File:Merian Feuerwerk Nürnberg.jpg kayserlichen Feuerwercks (das Schwedische Feuerwerk vor Nürnberg, 15. Juni 1649) Etching, 26,4 x 37,8 cm creator QS:P170,Q57968 Source: http://www.bassenge.com/(500 × 351 (70 KB)) - 20:35, 15 January 2015File:How prints are made (IA howprintsaremade00curtrich).pdf (matches file content) ETCHING A COPPERPLATE is generally used, though etching may be done on zinc, iron, and other materials. The plate is heated, and a ball of etching-ground(591 × 989 (1.03 MB)) - 17:12, 8 February 2021File:Merian Feuerwerk.jpg sächsisches Feuerwerk zu nachts bei der Vestung Pleissenburg 1667, den 8. July Etching, 30 x 35,4 cm; From „Theatrum Europeum“, Frankfurt, c. 1670 Source: http://www(500 × 427 (88 KB)) - 06:44, 11 December 2020File:Engraving and Printing on Copper (IA jstor-20537983).pdf (matches file content) we conclude is is called what in which of the manner account etching FIG. 7.?COPPERPLATE PRESS.?TAKING FIG. 6.?INKING THE PLATE. THE IMPRESSION FROM(1,027 × 1,593 (4.06 MB)) - 21:18, 23 May 2022File:Getty Research Institute (IA gri 33125008739464).pdf modes of operation, under the following different divisions ; etching, soft-ground etching, line engraving, chalk and stipple, aquatint, mezzotint, lithography(1,043 × 1,583 (7.71 MB)) - 08:30, 8 February 2022- Jerzego" label QS:Lnl,"De Sint-Joriskermis" 1557-1561. engraving and etching print. 33.6 × 52 cm (13.2 × 20.4 in). Amsterdam, Rijksmuseum Amsterdam2 KB (638 words) - 15:30, 6 May 2021
- Amsterdam, 1640" circa 1725 date QS:P,+1725-00-00T00:00:00Z/9,P1480,Q5727902 . etching print. Amsterdam, Stadsarchief Amsterdam (010097005163). Huis Buren, 17192 KB (402 words) - 14:23, 31 January 2022
- Jerzego" label QS:Lnl,"De Sint-Joriskermis" 1557-1561. engraving and etching print. 33.6 × 52 cm (13.2 × 20.4 in). Amsterdam, Rijksmuseum Amsterdam2 KB (904 words) - 16:59, 27 April 2021
- by Daniel Meisner Copperplate print by Matthäus Merian (1646) Map by Nicolas de Fer (1692): Trier under French occupation Etching by Johann Jakob Tanner:15 KB (1,327 words) - 09:48, 1 January 2022
File:Cuirass and Tassets (Torso and Hip Defense) MET DP-13162-004.jpg (Torso and Hip Defense), German, Augsburg, attributed to Kolman Helmschmid, Etching attributed to Daniel Hopfer (MET, 38.143b–d) determination method: Metropolitan(2,717 × 4,000 (1.98 MB)) - 19:29, 17 February 2022- collections. Satire on the Bishop of Munster 1644 or 1672. engraving, etching print and letterpress print. 39.5 × 30.7 cm (15.5 × 12 in). Amsterdam,841 bytes (216 words) - 23:49, 6 May 2021
File:Jacob Neefs, Abraham meets Melchizedek, etching after Peter Paul Rubens.jpg Artist etching by: artist QS:P170,Q2418563 after a tapestry design by: artist QS:P170,Q5599 the etching was printed by Gilles Hendricx (d. 1677) Description(2,736 × 2,004 (1.02 MB)) - 23:21, 8 June 2020File:The Print collector's quarterly (IA printcollectorsq3419unse).pdf (matches file content) . *"v -'»V .J t* . Frederick Keppel & Co. RARE ENGRAVINGS AND ETCHINGS FINE PICTURE FRAMING m 4 EAST THIRTY-NINTH STREET NEW YORK (OPPOSITE(1,152 × 1,693 (13.2 MB)) - 22:43, 24 February 2022File:Plate printing and die stamping; how to operate a department for copperplate and steel-die engraving and printing (IA plateprintingdie00sala).pdf Plate printing and die stamping; how to operate a department for copperplate and steel-die engraving and printing ( ) Author Salade, Robert Francis(706 × 997 (3.38 MB)) - 04:16, 15 August 2021File:Yuanmingyuan Haiyantang east.jpg DescriptionYuanmingyuan Haiyantang east.jpg English: 'East side of the Haiyantang', copperplate etching, 1786 Date 1786 Source a set of twenty depicting the Xiyanglou in(3,782 × 2,130 (5.91 MB)) - 12:28, 12 February 2022File:Yuanmingyuan yuanyingguan.jpg DescriptionYuanmingyuan yuanyingguan.jpg English: 'Front of the Yuanyingguan' copperplate etching, 1786 Date 1786 Source a set of twenty depicting the Xiyanglou in(2,360 × 1,346 (2.7 MB)) - 06:08, 30 August 2021File:Yuanmingyuan guanshuifa.jpg DescriptionYuanmingyuan guanshuifa.jpg English: After Yi Lantai, Guanfa copperplate etching from "Xiyang shuifa tu (Pictures of the Western-style Buildings and(2,328 × 1,320 (2.31 MB)) - 12:29, 12 February 2022File:'The Supply Train' by Edwin Forbes 1876.jpg Train' by Edwin Forbes 1876.jpg English: "The Supply Train", 1876, copperplate etching by Edwin Forbes (1839 – 1895). Date 1876 Source [1] Author creator(1,000 × 737 (191 KB)) - 01:29, 5 September 2020File:'Front of the Xianfashan', 1786.jpg Description'Front of the Xianfashan', 1786.jpg 中文:'Front of the Xianfashan' copperplate etching, 1786 Date 1786 Source a set of twenty depicting the Xiyanglou in(2,352 × 1,335 (2.35 MB)) - 05:59, 30 August 2021File:Menorca ca 1770.jpg of Menorca and a part of the town and harbour of Mahón (= Maó); copperplate etching, colorized, 30 x 40,6 cm Date circa 1770 date QS:P,+1770-00-00T00:00:00Z/9(500 × 371 (55 KB)) - 00:11, 17 June 2013- QS:Lnl,"Landhuis en boomgaard van Jan Daimen, bij Sloterdijk" 1596-1630. etching print. 15 × 20.8 cm (5.9 × 8.1 in). Amsterdam, Rijksmuseum Amsterdam. Nieuwezijds2 KB (591 words) - 23:10, 6 May 2021
File:'A Watched Pan Never Boils' by Edwin Forbes 1876.jpg Edwin Forbes 1876.jpg English: "A Watched Pan Never Boils", 1876, copperplate etching by Edwin Forbes (1839 – 1895). Date 1876 Source [1] Author creator(1,000 × 673 (118 KB)) - 21:19, 4 September 2020File:'North Side of the Zhuting', 1786.jpg of the Zhuting', 1786.jpg English: 'North Side of the Zhuting', copperplate etching, 1786 Date 1786 Source a set of twenty depicting the Xiyanglou in(1,900 × 1,086 (1.91 MB)) - 06:17, 30 August 2021File:'North Side of the Haiyantang', 1786.jpg the Haiyantang', 1786.jpg English: 'North Side of the Haiyantang', copperplate etching, 1786 Date 1786 Source a set of twenty depicting the Xiyanglou in(3,792 × 2,150 (5.81 MB)) - 23:02, 25 May 2022File:'Front of the Xianfashan gate', 1786.jpg the Xianfashan gate', 1786.jpg 中文:'Front of the Xianfashan gate' copperplate etching, 1786 Date 1786 Source a set of twenty depicting the Xiyanglou in(2,350 × 1,336 (2.44 MB)) - 06:19, 30 August 2021File:'South Side of the Haiyantang', 1786.jpg the Haiyantang', 1786.jpg English: 'South Side of the Haiyantang', copperplate etching, 1786 Date 1786 Source a set of twenty depicting the Xiyanglou in(3,788 × 2,150 (5.71 MB)) - 23:02, 25 May 2022File:'The east of the Reservoir building', 1786.jpg building', 1786.jpg English: 'The east of the Reservoir building', copperplate etching, 1786 Date 1786 Source a set of twenty depicting the Xiyanglou in(2,360 × 1,340 (2.54 MB)) - 23:02, 25 May 2022File:'North Side of Garden Gate', 1786.jpg of Garden Gate', 1786.jpg English: 'North Side of Garden Gate', copperplate etching, 1786 Date 1786 Source a set of twenty depicting the Xiyanglou in(1,900 × 1,086 (1.73 MB)) - 10:03, 30 August 2021- 圆明园 (section 西洋楼铜版画 Copperplate etching of Xiyang Lou)institution QS:P195,Q907894 English: Yuanmingyuan (pinyin: Yuanmingyuan, 圆明园), or the old Summer Palace in Peking. It was one of the largest and most beautiful12 KB (1,404 words) - 08:59, 22 January 2022
File:Huson on photo-acquatint & photogravure - a practical treatise with illustrations and a photo-acquatint plate (IA gri 33125013853342).pdf (matches file content) through the various thicknesses of which the etching solution slowly percolates, attacking the , copperplate underneath, and biting in gradation it corresponding(818 × 1,150 (4.95 MB)) - 17:01, 20 December 2020File:A brief description of the Bureau of Printing plant, its productions and apprentice instruction (microform) (IA bbn0287.0001.001.umich.edu).pdf (matches file content) pencil drawings, etchings, and steel or copperplate prints). 21 Photographing, (o) Spotting. ia) Adjusting mechanitoi. 4. 22. Etching line print Retouching(747 × 1,193 (1.8 MB)) - 00:16, 7 October 2020File:Exhibition of etchings by Rembrandt from the J. Pierpont Morgan collection (by Frank Weitenkampf) Held at the New York Public Library November 1, 1917 to March 31, 1918 (IA exhibitionofetch00morgrich).pdf Exhibition of etchings by Rembrandt from the J. Pierpont Morgan collection Frank Weitenkampf Held at the New York Public Library November 1, 1917 to March(1,070 × 1,545 (1.27 MB)) - 01:34, 3 April 2021File:Engravings & etchings (IA b14679863).pdf Engravings & etchings ( ) Author S. Leigh Sotheby & John Wilkinson (Firm) Title Engravings & etchings Description Watson Library copy 1: annotated(420 × 679 (2.96 MB)) - 00:14, 15 June 2021File:Axel Herman Haig and his work; (IA axelhermanhaighi00arms).pdf (matches file content) etching, and but ill plates, however, are too large for direct suited for the use of such apparatus. graver could take a large copperplate, as(1,387 × 1,789 (21.41 MB)) - 12:33, 19 December 2020File:With Whistler in Venice (IA gri 33125009839883).pdf (matches file content) BACKER ILLUSTRATED WITH MANY REPRODUCTIONS OF WHISTLER'S WORK, AND OF ETCHINGS AND PHOTOGRAPHS BY THE AUTHOR NEW YORK THE CENTURY 1909 CO. Copyright(1,272 × 1,731 (15.62 MB)) - 22:30, 18 December 2020File:With Whistler in Venice (IA cu31924014881894).pdf (matches file content) 167 etching by Whistler — Finished From an State etching' by Whistler — Early From an Nocturne — Early etching by Whistler Plate etching by(991 × 1,454 (6.07 MB)) - 23:23, 17 December 2020File:Engravings & etchings (IA b14679863a).pdf Engravings & etchings ( ) Author Sotheby's (Firm) Title Engravings & etchings Description Watson Library copy 2: annotated with names and prices. Place(433 × 656 (3.23 MB)) - 00:14, 15 June 2021File:Photo-lithography (IA photolithography00frit).pdf (matches file content) faint relief is generally noticeable, which is never so high as with copperplate printing, and which is no important obstacle to. making a photographic(833 × 1,289 (11.61 MB)) - 20:22, 8 December 2020File:Albrecht Altdorfer - 1519 etching - Interior of Regensburg Synagogue.JPG DescriptionAlbrecht Altdorfer - 1519 etching - Interior of Regensburg Synagogue.JPG English: Albrecht Altdorfer - 1519 etching - Interior of Regensburg Synagogue(622 × 856 (343 KB)) - 19:17, 19 October 2020File:Photo-lithography (IA photolithography00frit 0).pdf (matches file content) asphalt stand well even with strong etching, whereas with lean or hard inks only a weak etching should be used. An etching solution which is at the limit of(1,283 × 2,127 (8.72 MB)) - 16:17, 20 October 2021File:Th. Aman - Lăpuşneanu arătând soţiei sale capetele boierilor.jpg (category 19th-century etchings of men) Lăpuşneanu Showing His Wife the Severed Heads of Boyars He Murdered"), copperplate etching. Inspired by the short story Alexandu Lăpuşneanu of Constantin (Costache)(1,002 × 1,564 (1.85 MB)) - 08:47, 27 January 2021File:William Hogarth, his original engravings and etchings (IA williamhogarthhi00hind).pdf engravings and etchings ( ) Author Hind, Arthur Mayger, 1880-1957 Start this Book Title William Hogarth, his original engravings and etchings Publisher(856 × 1,179 (13.83 MB)) - 07:27, 22 December 2020File:Axel Herman Haig and his work; (IA axelhermanhaighi00armsrich).pdf (matches file content) looking-glass. etching, and but ill plates, however, are too large for direct suited for the use of such apparatus. graver could take a large copperplate, as(1,195 × 1,587 (13.08 MB)) - 15:33, 9 December 2020File:Thin-walled aluminum beta-ray tube counters (IA jresv35n2p147).pdf (matches file content) them to stand complete evacuation without a tendency to collapse. By copperplating the aluminum it is possible to soft-solder fittings to the tube to construct(827 × 1,347 (4.08 MB)) - 16:58, 29 October 2021File:Frommel Karlsruhe Etching.jpg Karl Frommel Description German landscape painter, university teacher, copperplate engraver, painter, drawer and graphic artist Date of birth/death 29 April(739 × 531 (131 KB)) - 07:42, 2 November 2021File:California Digital Library (IA catalogueexhibit00cartrich).pdf (matches file content) Inventor; copperplate Schowman, 135. engraving J. Houbraken; Laurentius Costerus (Laurent Jean Coustre) ; A. surnomme Le De Larmens- copperplate engraving(604 × 1,100 (2.4 MB)) - 06:03, 10 October 2020File:Philippine craftsman (IA acw9599.0001.005.umich.edu).pdf (matches file content) Photographing, half-tone, special (reproduction of pencil drawings, etchings, and steel or copperplate prints ) 108. 109. Corrections, oflice. Instructing apprentices(962 × 1,406 (4.91 MB)) - 17:48, 5 October 2020File:Montecatina Terme, Tuscany, Italy. Etching by C. Zocchi afte Wellcome V0014742.jpg terme; Antonio Terreni; zocchi, cosimo fl. 18th cent; Health; bath Medium etching print Credit line References Library reference: ICV No 15046 Photo number:(3,252 × 2,280 (3.04 MB)) - 00:51, 19 May 2022File:Practical lithography (IA practicallithogr00seymrich).pdf (matches file content) Transfer Paper . . . . CHAPTER . . . 12-16 IV COPPERPLATE TRANSFER PRINTING The Copperplate Press The Operation Charging the Engraved Plate Making(766 × 1,254 (19.79 MB)) - 09:31, 10 April 2021File:The American builder's companion; or, A system of architecture, particularly adapted to the present style of building ... Illustrated with fifty nine copperplate engravings (IA americanbuilders00benj 0).pdf adapted to the present style of building ... Illustrated with fifty nine copperplate engravings ( ) Author Benjamin, Asher, 1773-1845 Fox, Gilbert, 1776-1807(633 × 837 (11.86 MB)) - 03:32, 21 February 2021File:The Print collector's quarterly (IA printcollectorsq2119unse).pdf (matches file content) recognized great masters of engraving and etching, both old and modern, and attention is paid to such contemporary etchings as seem worthy of the serious consideration(1,145 × 1,718 (14.05 MB)) - 22:50, 24 February 2022File:Aquatint engraving; a chapter in the history of book illustration (IA aquatintengravin00pridiala).pdf (matches file content) from stone is it a copperplate on every impression taken But the beginner may occasionally has no plate mark. ground etching, especially as aquatint(987 × 1,420 (22.68 MB)) - 07:50, 30 March 2021File:The Sleep of Reason produces monsters. Etching by Goya 1796 Wellcome V0025828.jpg The Sleep of Reason produces monsters. Etching by Goya 1796 Title The Sleep of Reason produces monsters. Etching by Goya 1796 Description El sueño de la(1,188 × 1,720 (509 KB)) - 12:09, 4 October 2020File:Finding list of unclassified art and miscellaneous books - California state library (IA cu31924029539990).pdf (matches file content) studies of the great army; a historical Foester, E. work of art, in copperplate etching, containing forty plates, illustrating the life of the Union army(868 × 1,347 (1.7 MB)) - 16:40, 21 April 2021File:Dyck Anthonis van - Etching of Joost de Momper the Younger, fifth state - circa 1632 to 1641.jpg Medium etching print Collection institution QS:P195,Q1421440 Inscriptions Caption bottom center Notes fifth state (of five) printed from the copperplate after(398 × 615 (92 KB)) - 06:49, 14 December 2021File:No. I. MENSTRUUM FOR BITING-IN ON STEEL PLATES (IA jstor-41315561).pdf (matches file content) nerelativeto etchinguponcopper. facts a few to state cessary cover the copperplate witha is to method usual The coat of varnish,commonlycalled etchingground;(975 × 1,500 (474 KB)) - 17:14, 20 May 2022File:Artgate Fondazione Cariplo - Canova Antonio, Insegnare agli ignoranti.jpg engraving by Antonio Banzo (engraver) and Giovanni Demin (draughtsman): copperplate etching retouched with burin; 300 x 278 mm. Regarding the Rezzonico bas-reliefs(800 × 744 (146 KB)) - 22:57, 6 September 2020File:Artgate Fondazione Cariplo - Canova Antonio, Socrate beve la cicuta.jpg Tommaso Piroli (engraver) and Vincenzo Camuccini (draughtsman): copperplate etching retouched with burin; 228 x 505 mm. Regarding the Rezzonico bas-reliefs(800 × 363 (89 KB)) - 22:57, 6 September 2020File:Artgate Fondazione Cariplo - Canova Antonio, Dar da mangiare agli affamati.jpg engraving by Antonio Banzo (engraver) and Giovanni Demin (draughtsman): copperplate etching retouched with burin; 300 x 278 mm. Regarding the Rezzonico bas-reliefs(800 × 786 (159 KB)) - 22:57, 6 September 2020File:Finding list of unclassified art and miscellaneous books - California state library (IA findinglistofunc00calirich).pdf (matches file content) Edwin. Life studies of the great army; a historical work of art, in copperplate etching, containing forty plates, illustrating the life of the Union army(929 × 1,439 (3.06 MB)) - 04:16, 23 May 2022File:Artgate Fondazione Cariplo - Canova Antonio, Critone chiude gli occhi a Socrate.jpg by Pietro Fontana (engraver) and Joseph Collingnon (draughtsman): copperplate etching retouched with burin; 264 x 500 mm. Regarding the Rezzonico bas-reliefs(800 × 392 (95 KB)) - 22:57, 6 September 2020File:Artgate Fondazione Cariplo - Canova Antonio, Uccisione di Priamo.jpg Tommaso Piroli (engraver) and Vincenzo Camuccini (draughtsman): copperplate etching retouched with burin; 242 x 460 mm. Regarding the Rezzonico bas-reliefs(800 × 409 (102 KB)) - 22:57, 6 September 2020File:Artgate Fondazione Cariplo - Canova Antonio, Socrate congeda la propria famiglia.jpg Tommaso Piroli (engraver) and Vincenzo Camuccini (draughtsman): copperplate etching retouched with burin; 240 x 498 mm. Regarding the Rezzonico bas-reliefs(800 × 373 (88 KB)) - 22:57, 6 September 2020File:Artgate Fondazione Cariplo - Canova Antonio, Offerta del peplo a Pallade.jpg engraving by Pietro Fontana (engraver) and Silvano Bossi (draughtsman): copperplate etching retouched with burin; 307 x 572 mm. Regarding the Rezzonico bas-reliefs(800 × 364 (88 KB)) - 22:57, 6 September 2020File:The print collector - an introduction to the knowledge necessary for forming a collection of ancient prints (IA printcollectintro00mabe).pdf of contemporary etching and etchers, and a bibliography of engraving, by Robert Hoe, jr." Also includes catalogues of Dürers etchings and woodcuts and(681 × 1,041 (16.41 MB)) - 21:24, 24 February 2022File:Artgate Fondazione Cariplo - Canova Antonio, Danza dei figli di Alcinoo.jpg Tommaso Piroli (engraver) and Vincenzo Camuccini (draughtsman): copperplate etching retouched with burin; 241 x 440 mm. Regarding the Rezzonico bas-reliefs(800 × 404 (94 KB)) - 22:57, 6 September 2020File:Artgate Fondazione Cariplo - Canova Antonio, Briseide consegnata da Achille agli araldi di Agamennone.jpg Tommaso Piroli (engraver) and Vincenzo Camuccini (draughtsman): copperplate etching retouched with burin; 240 x 423 mm. Regarding the Rezzonico bas-reliefs(800 × 422 (97 KB)) - 22:57, 6 September 2020- QS:Lpl,"Ratusz, Vlissingen" label QS:Lnl,"Stadhuis, Vlissingen" . 1747. etching print on paper. 17.7 × 20.8 cm (6.9 × 8.1 in). Various collections. Summer3 KB (583 words) - 21:42, 3 May 2021
- label QS:Lnl,"Huis De Ehze bij Almen" 1743. copper engraving print and etching print. 6.8 × 9.9 cm (2.6 × 3.8 in). Arnhem, Gelders Archief. Self-portrait1 KB (653 words) - 21:57, 3 May 2021
File:Catalogue of a collection of engravings, etchings, and woodcuts (IA catalogueofcolle00fish).pdf engravings, etchings, and woodcuts ( ) Author Fisher, Richard Start this Book Title Catalogue of a collection of engravings, etchings, and woodcuts(1,170 × 1,764 (22.69 MB)) - 20:07, 13 December 2020File:A View of Mimeguri Shrine from the Sumida River WDL2928.png Western-style painter of the late Edo period (1600-1867), is the first copperplate etching by a Japanese artist. It depicts the landscape of Mimeguri Shrine(1,310 × 1,024 (1.26 MB)) - 23:29, 22 March 2021File:California Digital Library (IA bibliographyofam00levirich).pdf (matches file content) Illustrated. . Ex essays of a collector. Libris, Boston and copperplate prints. {See Odd New Volumes, Club York. With twenty-one 1896.(831 × 1,310 (5.26 MB)) - 15:55, 15 December 2020File:Catalogue of a collection of engravings and etchings formed by the late George Campbell Cooper and presented by him to the Cooper Union Museum for the Arts of Decoration (IA catalogueofcolle00coop 0).pdf Catalogue of a collection of engravings and etchings formed by the late George Campbell Cooper and presented by him to the Cooper Union Museum for the(804 × 1,345 (7.52 MB)) - 14:18, 16 December 2020File:The essentials of illustration, a practical guide to the reproduction of drawings & photographs for the use of scientists & others (IA essentialsofillu00hillrich).pdf (matches file content) Intaglio Printing i Intaglio plates 2 Line engraving 2 Etching 5 Soft-ground etching 6 Mezzotint Photogravure 7 8 Plane Surface Printing 15(883 × 1,433 (6.07 MB)) - 07:02, 4 January 2022File:Lithography in India; being a Few Practical Hints for the Indian Amateur (IA dli.granth.77609).pdf (matches file content) prepared paper at a copperplate press. The transfer is effected in the ordinary way, and subjected to the same preparation for printing. Etching ( or Engraving)(700 × 1,089 (1.12 MB)) - 06:16, 10 March 2022File:The Print collector's quarterly (IA printcollectorsq3319unse).pdf (matches file content) . *—f "• ’ '■ / Frederick Keppel & Co. RARE ENGRAVINGS AND ETCHINGS FINE PICTURE FRAMING 4 EAST THIRTY-NINTH STREET NEW YORK (OPPOSITE THE(1,152 × 1,737 (15.7 MB)) - 22:51, 24 February 2022File:Some masters of lithography (IA somemastersoflit00curt).pdf (matches file content) of be deplored because lithography has in sources peculiar to copperplate mediums, one who it ical has a knowledge of drawing. details ;(1,266 × 1,827 (13.31 MB)) - 20:21, 3 March 2022- "Cudowny połów ryb" label QS:Lnl,"De wonderbare visvangst" 1616-1657. etching print. 24.7 × 33.2 cm (9.7 × 13 in). Various collections. attributed to1,008 bytes (685 words) - 14:41, 4 May 2021
- Maurits, prins van Oranje, bij de landing te Philippine" 1600. engraving and etching print. 35.2 × 46.8 cm (13.8 × 18.4 in). Amsterdam, Rijksmuseum Amsterdam2 KB (710 words) - 00:14, 4 May 2021
File:The Print collector's quarterly (IA printcollectorsq1319unse).pdf (matches file content) great masters of engraving and etching, both old and modern, and attention will be paid to such contem¬ porary etchings as seem worthy of the serious con¬(1,170 × 1,729 (12.35 MB)) - 22:49, 24 February 2022File:The printer's dictionary of technical terms; a handbook of definitions and information about processes of printing; with a brief glossary of terms used in book binding (IA printersdictiona00stewrich).pdf (matches file content) ing Methods of Printing This method includes copperplate and steel- engraving, copperplate etching, drj'point engraving, aquatint engraving, mezzotint(470 × 754 (10.56 MB)) - 22:18, 26 March 2021File:Milanese 18th Century, and Francesco Londonio, Trompe l'Oeil - Landscapes and Sheep, Using Original Copperplates, c. 1790, NGA 133367.jpg Original Copperplates ( ) Artist Milanese 18th Century, and Francesco Londonio Title Trompe l'Oeil: Landscapes and Sheep, Using Original Copperplates Date(4,000 × 2,788 (10.09 MB)) - 10:50, 20 September 2020File:The printer's dictionary of technical terms; a handbook of definitions and information about processes of printing; with a brief glossary of terms used in book binding (IA printersdictiona00stew).pdf (matches file content) vi Methods of Printing This method includes copperplate and steel- engraving, copperplate etching, drypoint engraving, aquatint engraving, mezzotint(704 × 1,239 (19.64 MB)) - 05:49, 29 March 2022File:The functions of the book club; (IA functionsofbookc00harprich).pdf (matches file content) in the reproduction of which he has combined the two arts of copperplate etching and engraving. In the Andre Journal and the Lamb Letters we(841 × 1,416 (1.74 MB)) - 12:02, 20 October 2020File:The Print collector's quarterly (IA printcollectorsq4219unse).pdf (matches file content) E. 40th St., New York Frederick Keppel & Co. RARE ENGRAVINGS AND ETCHINGS FINE PICTURE FRAMING m 4 EAST THIRTY-NINTH STREET NEW YORK (OPPOSITE(1,187 × 1,737 (13.31 MB)) - 22:44, 24 February 2022- mostu" label QS:Lnl,"Winterlandschap met schaatsers bij een brug" 1616. etching print. 12 × 19 cm (4.7 × 7.4 in). Amsterdam, Rijksmuseum Amsterdam. Attributed2 KB (817 words) - 23:27, 6 May 2021
File:Corot and Millet; with critical essays by Gustave Geffroy & Arsène Alexandre (IA corotmilletwithc00holm 0).pdf (matches file content) SELECTED DRAWING PAPERS in all thicknesses and surfaces ALL MATERIALS FOR ETCHING, BLACK AND WHITE, &c. DRAWING BOARDS AND T-SQUARES OF BEST MAKES Catalogue(1,235 × 1,720 (29.38 MB)) - 02:08, 21 May 2022File:Francisco Goya - a study of the work and personality of the eighteenth century Spanish painter and satirist (IA franciscogoyastu00stokiala).pdf (matches file content) org/details/franciscogoyastuOOstokiala FRANCISCO GOYA BY THE SAME AUTHOR THE ETCHINGS OF CHARLES MERYON BENOZZO GOZZOLI SIR ANTHONY VAN DYCK THE ART TREASURES(941 × 1,377 (22.46 MB)) - 13:18, 29 March 2021File:Milanese 18th Century and Michelangelo Mercoli, Trompe l'Oeil - Prints with Maria Teresa, Using Original Copperplates, c. 1790, NGA 133368.jpg Copperplates ( ) Artist Milanese 18th Century and Michelangelo Mercoli Title Trompe l'Oeil: Prints with Maria Teresa, Using Original Copperplates Date(4,000 × 2,789 (10.25 MB)) - 11:59, 8 October 2020File:Milanese 18th Century and Francesco Londonio, Trompe l'Oeil - Prints with Men and Sheep, Using Original Copperplates, c. 1790, NGA 133370.jpg Copperplates ( ) Artist Milanese 18th Century and Francesco Londonio Title Trompe l'Oeil: Prints with Men and Sheep, Using Original Copperplates Date(4,000 × 2,797 (9.28 MB)) - 13:22, 28 September 2020File:The Print collector's quarterly (IA printcollectorsq2319unse).pdf (matches file content) 260 FIFTH AVENUE Between 28th and 29th Streets IMPORTANT EXHIBITION OF ETCHINGS BY FRANK BRANGWYN, A.R.A. OCTOBER 14th TO NOVEMBER 2d PAINTINGS BY WHISTLER(1,156 × 1,650 (17.86 MB)) - 22:50, 24 February 2022File:Corot and Millet; (IA cu31924014896363).pdf (matches file content) From Drawing the Original Etching From A the Original Etching Reproduction in Photogravure the Original Etching Shepherdess Seated." Shepherdess(1,043 × 1,568 (15.77 MB)) - 02:07, 21 May 2022File:The Polygraphic Apparatus.djvu (matches file content) scarcely distinguish a lithographic production from a wood-cut, from a copperplate-engraving etc., and yet no tech- nical employment deserves more the(2,550 × 3,300 (868 KB)) - 01:34, 3 January 2021File:Essex Institute historical collections (IA essexinstitutehiv43esse).pdf (matches file content) quite remarkable. In May, 1906, I learned that the original copperplate of the Hiller etching of Washington was in existence. That it had been found lying(872 × 1,362 (26.13 MB)) - 19:02, 8 January 2021File:Whitman's Print-collector's handbook (IA whitmansprintcol00whit).pdf (matches file content) suggesting that there are con- temporary examples of original expression on copperplate, stone, and woodblock, which are not only worthy to take their places(950 × 1,325 (47.14 MB)) - 17:37, 8 February 2021File:Milanese 18th Century, Francesco Londonio, and Benigno Bossi, Trompe l'Oeil - Prints with Londonio's Calling Card, Using Original Copperplates, c. 1790, NGA 133369.jpg l'Oeil: Prints with Londonio's Calling Card, Using Original Copperplates Date c. 1790 Medium etching and engraving printed in black and brown with ochre watercolor(4,000 × 2,789 (9.88 MB)) - 03:14, 28 April 2022File:Memories of James McNeill Whistler, the artist (IA memoriesofjamesm00wayt).pdf (matches file content) original direct), the proof, work, good or In an original etching on the copperplate bad. is is his long and same, no more and no the an original(970 × 1,327 (10.55 MB)) - 21:55, 12 December 2020File:List of mezzotint engravings by S. Arlent-Edwards on exhibition at the Knoedler Galleries (IA listofmezzotinte00edwa).pdf (matches file content) proof-paper is then laid on the plate and is passed through a heavy copperplate hand-press, the paper being thus pressed into the engraved work in the(1,266 × 1,904 (1.62 MB)) - 07:09, 18 December 2020File:My uncle Barbassou (IA cu31924027376700).pdf (matches file content) By Claude Joseph Doeat, Musketeer of the King. Illustrated with 47 Copperplate Engravings from designs by Eisen and Makillier. DELIA BATHING. By the(812 × 1,393 (7.17 MB)) - 19:31, 23 December 2020- Renaissance art (section Etchings)(featured) Main category: Renaissance engravings Main category: Renaissance etchings Palazzo Medici Riccardi, Michelozzo, 1449-1464 Palazzo Rucellai (Florence)10 KB (821 words) - 20:45, 17 May 2022
File:Annual report (IA annualreport1962bost).pdf (matches file content) and dating from the period 1825-1845. fifty-five prints Mostly small copperplate or steel engravings of English scenes. Also, a few small early Boston(816 × 1,331 (5.09 MB)) - 02:31, 20 April 2021File:Old coloured books (IA oldcolouredbooks00pastiala).pdf (matches file content) to their joint-productions were executed. According to Delaborde, the copperplate engravings printed in colour at the close of the eighteenth century(566 × 958 (2.64 MB)) - 14:02, 19 December 2020File:Ex bibliotheca Hugh Frederick Hornby. Catalogue of the art library bequeathed by Hugh Frederick Hornby, esq., of Liverpool, to the Free public library of the city of Liverpool (IA exbibliothecahug00live).pdf (matches file content) Cousins, Bartolozzi (. In etching, there are examples of the work of Diirer, and his school, iVc. modern masters. The modern etchings include fine old and(764 × 1,433 (51.85 MB)) - 02:51, 17 November 2020File:Getty Research Institute (IA gri 33125015064773).pdf (matches file content) THK ART OF THK OLD I'NOLISH J’OTIICK,'' II LUSTRATED WITH 23 COPPERPLATE ETCHINGS AND 210 ILLUSTRATIONS IN TEXT. DRAWN RY THE AUTHOR. VoL. H.(1,154 × 1,500 (9.61 MB)) - 17:14, 11 December 2020File:The library and art collection of Henry de Pène du Bois, of New York (IA cu31924101214637).pdf (matches file content) the best etchings. There are: a set of " Original Etchings by American Artists," India paper proofs, with duplicates on Japan paper; the etchings of the(764 × 1,254 (15.6 MB)) - 19:53, 1 January 2021File:Cantor lectures on the recent improvements in photo-mechanical printing methods (IA cantorlectureson00bola).pdf (matches file content) thus obtained, and when this is transferred to a copperplate, it serves as a resist to the etching fluid, a solution of perchloride of iron in water(862 × 1,337 (977 KB)) - 14:11, 25 December 2020File:The Magazine of art (IA magazineofart16unse).pdf (matches file content) Charles Ricketts.) Co NT ENTS. PAGE “After the Festa.” Note on the Etching- by David Law, R.P.-E. ......... Allegri’s “ Night ” and “Day.” By Leader(1,343 × 1,795 (109.62 MB)) - 14:53, 3 March 2021File:American engravers upon copper and steel (IA americanengraver00fielrich).pdf (matches file content) restruck from the original copperplate. Oeorge Washington Engraved by Gideon Fairman and restruck from the original copperplate. 250 FOREWORD General(666 × 1,193 (26.04 MB)) - 20:45, 23 February 2022File:Suppressed plates, wood engravings, etc., together with other curiosities germane thereto; being an account of certain matters peculiarly alluring to the collector (IA suppressedplates00laya).pdf (matches file content) " Taste," and 7. . 26 "Pic" . 43 some further Suppressed Plates, Etchings, and Wood 6. 7 Martin "The Strange Gentleman," tures from Italy,"(900 × 1,210 (17.19 MB)) - 22:34, 10 June 2022File:Type lore - popular fonts of today, their origin and use; the history of the art of typography succinctly related for practical men (IA typelorepopularf00fraz).pdf (matches file content) to copy letters such as were engraved on metal as titles for copperplate etchings and engravings. While the kind named "modern" is the later development(1,106 × 1,593 (6.46 MB)) - 07:56, 1 May 2021File:Accelerated weathering tests of soldered and tinned sheet copper (IA acceleratedweath8336kost).pdf (matches file content) kg/mm 2 ). The specimens for metallographic examination were first copperplated and then mounted for polishing in one of the following: Wood's metal(833 × 1,343 (3.43 MB)) - 12:35, 30 July 2021File:The International studio (IA internationalst5220unse 1).pdf (matches file content) Aug. de St. Aubin, B. A. Nicollet and William Marshall. An original copperplate by Leech and one by Cruikshank call attention to a number of such plates(1,216 × 1,716 (19.57 MB)) - 10:23, 12 December 2020File:Modern methods of illustrating books (IA b2486478x).pdf (matches file content) inked, is carefully wiped, so that the ink remains ^ See Appendix ii. Etching, only in the lines, and is 3 removed from the which is left perfectly(1,106 × 1,808 (10.85 MB)) - 03:50, 24 December 2020File:Early English water-colour. With a frontispiece in colour and thirty-six other illus (IA earlyenglishwate00hughiala).pdf (matches file content) Water. Here his brother Paul joined him, and began the production of copperplate etchings, an art wliich he had first practised during his residence in Scotland(618 × 897 (7.82 MB)) - 18:47, 31 December 2021File:The library and art collection of Henry de Pène du Bois, of New York (IA libraryartcollec00pene).pdf (matches file content) Gallery,” three volumes, Paris, 1792-96, and with two hundred and one copperplates; “Art Treasures of America,” limited edition and India proofs; an original(841 × 1,372 (25.52 MB)) - 03:24, 20 December 2020File:Getty Research Institute (IA bartolozzihiswor22tuer).pdf (matches file content) portion of it, from a plate ; and were Bartolozzi and his hVirks. a copperplate to change hands, and the publisher’s imprint be taken out and re-engraved(1,643 × 2,237 (13.47 MB)) - 04:36, 13 December 2020File:The wonders of engraving (IA wondersofengravi00dupliala).pdf (matches file content) Engraving on Wood, Camai'eu Line-Engraving, Etching, Copperplate Engrav- Dry Point, Combination of Etching and Line-Engraving, Mezzotint, Aquatint, Chalk(662 × 1,004 (14.05 MB)) - 07:22, 15 June 2022File:Cornell University Library digitization (IA cu31924027361546).pdf (matches file content) THE MONTH OF MAY. Clattde Joseph Doeat, Musketeer of the King. 47 Copperplate Engravings from designs Illustrated with by Bisen and Marillieb. On(862 × 1,314 (4.5 MB)) - 10:58, 23 December 2020File:The bibliographer's manual of English literature - containing an account of rare, curious, and useful books, published in or relating to Great Britain and Ireland (IA bibliographersma 02lown).pdf (matches file content) 1586. 4to. Tho. et J. Fell. Keriun An- to be the first specimen of copperplate ; — inaccuracies, are very precious to tlie historical antiquarv, particularly(781 × 1,304 (72.98 MB)) - 00:09, 31 December 2020File:Getty Research Institute (IA britishmezzotint42smit).pdf (matches file content) extraordinary and hitherto unseen work of Art. work has been done, no copperplate engraver or artist can explain or imagine, for, as your Grace is aware(995 × 1,508 (19.67 MB)) - 05:15, 31 March 2021File:Modern methods of illustrating books (IA modernmethodsofi00wood).pdf (matches file content) copper-plate engraving) incise the lines with a graver, or he may (in etching) merely trace them on the plate, and afterwards cause them to be eaten(693 × 1,156 (11.06 MB)) - 15:51, 17 December 2020File:Classification of the World's Columbian exposition (IA classificationof03unit).pdf (matches file content) processes — Producing intaglio plates for printing in the copperplate press; photo-gravure. Etching processes, heliotypes, heliogravures, etc. Woodbury(793 × 1,245 (6.9 MB)) - 21:38, 28 July 2020File:Catalogue of the private library of the late I.T. Hunt of Charleston, Mass., comprising rare Americana and early almanacs, 1690-1800 ... sold Oct. 17-20, 1905 (IA cu31924031352143).pdf (matches file content) small engraving until the ascription is disproved by the production of a copperplate print bearing his name as engraver." ' ; ' ' ' ' ' No. 96.(906 × 1,441 (5.75 MB)) - 16:21, 1 January 2021File:Animate creation; popular edition of "Our Living World" a natural history (IA animatecreationp06woodrich).pdf (matches file content) to crustacea. We have elsewhere spoken of the excellence of the copperplate etching. Binney has since republished this work, with some additional colored(1,354 × 1,860 (29.46 MB)) - 09:53, 30 March 2021File:Federal Register 1943-11-13- Vol 8 Iss 226 (IA sim federal-register-find 1943-11-13 8 226).pdf (matches file content) paragraph exempts copperplate en¬ gravers from the provisions of Order M-9-b relating to the acceptance, deliv¬ ery and use of old copperplate engrav¬ ings(1,375 × 1,868 (4.32 MB)) - 10:18, 31 December 2020File:Practical text book of lithography - a modern treatise on the art of printing from stone (IA practicaltextboo00browiala).pdf (matches file content) Covering CHAPTER XXII Preparation of the Stone Preparation of the Work Etching for Machine Printing Inking Distribution Refreshening the Roller's Surface(647 × 1,041 (14.09 MB)) - 17:20, 8 February 2021File:Structure of the coating on tinned sheet copper in relation to a specific case of corrosion (IA structureofcoati00meri).pdf (matches file content) to observe it in cross section, samples of the sheet were carefully copperplated, and then mounted in ordinary solder, care being taken not to heat the(1,208 × 1,825 (2.49 MB)) - 03:43, 2 January 2022File:Structure of the coating on tinned sheet copper in a specific case of corrosion. (IA structureofcoat191790meri).pdf (matches file content) In order to observe it in cross samples of the sheet were carefully copperplated, and then care being taken not to heat the solder much above its melting(925 × 1,402 (4.62 MB)) - 23:26, 26 January 2022- Category:Les Conquêtes de l'Empereur de Chine (category 1770s etchings)Jean-Denis Attiret, Ignace Sichelbart and Jean Damascene. As a reduction, 16 copperplates (4 + 12) were designed between 1766 and 1771 by Charles-Nicolas Cochin15 members (3 subcategories, 12 files) - 22:59, 7 June 2018
File:Mémoirs of the Count de Grammont - containing the amorous history of the English Court under the reign of Charles II (IA cu31924088005891).pdf (matches file content) Illus- 15 with a Copperplate Le Barbier. paper, \os. 6d. DAPHNIS AND CHLOE. By Longus. Illustrated with numerous Copperplate Engravings from designs(618 × 1,029 (8.89 MB)) - 19:53, 30 December 2020File:The kisses = ( Les baisers) - preceded by The month of May (IA kisseslesbaisers00doraiala).pdf (matches file content) Illustrated with Copperplate Engravings from designs by LECLERC. 10 In Two Volumes, large 8vo, price 32s. Illustrated with Fifteen Etchings by C. COURTRT(922 × 1,429 (6.8 MB)) - 12:31, 19 December 2020File:A treatise on wood engraving, historical and practical (IA gri 33125008682177).pdf (matches file content) their knowledge. Independent of the difference of the material on which copperplate engraving and wood engraving are executed, the grand distinction between(1,164 × 1,652 (53.39 MB)) - 18:44, 8 February 2022File:Technical terms used in bibliographies and by the book and printing trades (IA t00echnicaltermsusmothrich).pdf (matches file content) dry point, (e.) A fine etching-needle used (1.) to incise copperplate in fine lines without the use of acid or etching ground. Work thus engraved(866 × 1,256 (8.48 MB)) - 22:16, 26 March 2021File:Technical terms used in bibliographies and by the book and printing trades (IA technicaltermsus00mothrich).pdf (matches file content) dry point, (e.) ( 1 .) A fine etching-needle used to incise copperplate in fine lines without the use of acid or etching ground. (2.) Work thus engraved(877 × 1,270 (10.94 MB)) - 22:13, 26 March 2021File:California Digital Library (IA manualofbritisht00daniiala).pdf (matches file content) Views LONDON WALTER NIELD. V. DANIELL, 53, 1909. from early copperplates. : MORTIMER STREET, W. CATALOGUE OF TOPOGRAPHICAL LITERATURE, COUNTY(793 × 1,281 (23.47 MB)) - 01:22, 24 December 2020File:Technical terms used in bibliographies and by the book and printing trades (IA cu31924029544438).pdf (matches file content) dry point, (e.) ( 1 .) A fine etching-needle used to incise copperplate in fine lines without the use of acid or etching ground. (2.) Work thus engraved(806 × 1,208 (4.01 MB)) - 22:09, 26 March 2021File:Getty Research Institute (IA bartolozzihiswor02tuer).pdf (matches file content) authorities, ; — ; — ; VOL. II. C — Bartolozzi and his IVorks. a copperplate to change hands, and the publisher’s imprint be taken out and re-engraved(1,362 × 1,893 (10 MB)) - 02:57, 13 December 2020File:The work of Walter Crane (IA gri 33125012663791).pdf (matches file content) gravure and Half-Tone. Binding designed by Glkeson Wiiitb. G. and one Copperplate. trations, including futrr in Colour 10». fid. net. By . By Decorative(1,168 × 1,500 (6.11 MB)) - 22:04, 13 December 2020File:A reading and reference list on costume (IA readingreference00broo).pdf (matches file content) l391F37 (In his Costume. 1817. Asie. v. 3 [v. 3]. p. 351-81.) Colored copperplate of Assyrian costume. 913G678 Gosse, P. H. Assyria. 1852. "Costume(847 × 1,254 (3.49 MB)) - 19:44, 23 January 2022File:Medical Heritage Library (IA 2561008R.nlm.nih.gov).pdf and human physiognomy, from the Italian of Porta : embellished with 44 copperplate heads ( ) Author Lavater, Johann Caspar, 1741-1801 Porta, Giambattista(516 × 829 (3.47 MB)) - 06:53, 15 June 2022File:Animate creation - popular edition of "Our living world" - a natural history (IA animatecreationp61898wood).pdf (matches file content) to crustacea. We have elsewhere spoken of the excellence of the copperplate etching. Binney has since republished this work, ^vith some additional colored(1,214 × 1,772 (38.37 MB)) - 06:43, 4 February 2022File:Autobiographical notes of the life of William Bell Scott - and notices of his artistic and poetic circle of friends, 1830 to 1882 (IA autobiographical01scotiala).pdf (matches file content) Poetic Circle of Friends 1830 to 1882 Edited by W. MINTO Illustrated by Etchings by Himself and Reproductions of Sketches by Himself and Friends VOL(868 × 1,341 (15.88 MB)) - 14:03, 22 December 2020File:Prints and their makers - essays on engravers and etchers, old and modern (IA printstheirmaker00carriala).pdf (matches file content) difficulties (or double labor) the printers experienced in combining copperplate impressions with type led soon after this and a few other experiments(904 × 1,427 (25.57 MB)) - 08:03, 17 June 2022File:Catalogue of an exhibition illustrative of a centenary of artistic lithography, 1796-1896 (IA groilerclubexhibit00grolrich).pdf (matches file content) substitute for types. INTRODUCTION. 5 He began his experiments by etching on copperplate ; and was led, for economy's sake, to practise the necessary reverse-(581 × 918 (3.61 MB)) - 10:45, 4 November 2021File:Ornamental fillet.jpg (category 16th-century etchings) DescriptionOrnamental fillet.jpg Hopfer, Daniel (ca 1470-1536): Ornamental fillet. Etching. B.107, Holl. 118 ii/ii, with the Funck number: 155. 8.3 x 13.6 cm, trimmed(755 × 502 (710 KB)) - 03:30, 20 September 2020File:Prints and their makers; essays on engravers and etchers old and modern (IA cu31924020506022).pdf (matches file content) difficulties (or double labor) the printers experienced in combining copperplate impressions with tj'^pe led soon after this and a few other experiments(895 × 1,262 (16.57 MB)) - 08:03, 17 June 2022File:Cornell University Library digitization (IA cu31924031351491).pdf (matches file content) (John).] With many the World, viz. Asia, Africa, Europe and America. copperplate maps. Oblong 12mo, vellum, title soiled. London Printed by M. F. for(875 × 1,312 (9.1 MB)) - 03:29, 31 December 2020File:Saint Anne, the Virgin and Child.jpg (category Etchings of Christian saints) and Child: Mary as Queen of Heaven, within ornamented circular frame. Etching. B.36, Holl.39, with Funck number: 211. 9.4 x 6.9 cm. A fair impression(740 × 1,138 (1.22 MB)) - 23:06, 20 September 2020File:Autobiographical notes of the life of William Bell Scott ... and notices of his artistic and poetic circle of friends, 1830 to 1882 (IA autobiographywbs01scott).pdf (matches file content) 260 . „ 288 S. Photogravure . Etching by W. B. B. S. . . Etching by W. B. S. Frontispiece . . Etching by W. B. etc. V David . . S.(722 × 1,312 (18.91 MB)) - 13:10, 19 December 2020File:Getty Research Institute (IA gri 33125015064716).pdf (matches file content) AUTHOR OF “the ART OF THE OLD ENGLISH POTTER.” ILLUSTRATED WITH 25 COPPERPLATE ETCHINGS AND 210 ILLUSTRATIONS IN TEXT, DRAWN BY THE AUTHOR. VoL. I. LONDON:(1,150 × 1,500 (12.71 MB)) - 16:03, 7 December 2020File:Two Arab Lancers.jpg (category Etchings of horses) Hopfer, Daniel (ca 1470-1536): Drei arabische Lanzenreiter. Radierung, etching. 23 x 15,8 cm. B. 60, Hollstein 68 I (von II). Ausgezeichneter, sehr schön(435 × 648 (328 KB)) - 10:00, 23 December 2020File:The Art journal (IA gri 33125006187336).pdf (matches file content) camel-hair pencil. Copperplate prints may also be imitated by an etching process, but, by taking an impression from a copperplate upon transfer-paper(1,216 × 1,500 (62.2 MB)) - 14:22, 4 June 2022File:Daniel hopfer 05.jpg (category 16th-century etchings) DescriptionDaniel hopfer 05.jpg Monogramm -detail - Etching “Mary and St. Anne (St. Elisabeth ?) “ from Daniel Hopfer Date between 1470 and 1536 date(306 × 248 (81 KB)) - 05:05, 1 May 2022File:A new form of direct-reading candlepower scale and recording device for precision photometers (IA newfor711431911144144midd).pdf (matches file content) being photographed down to the correct size, it was transferred to a copperplate etching from which it was printed, cm of white paper about 35 in olive(1,056 × 1,660 (3.05 MB)) - 21:04, 7 September 2020- verloren zoon" circa 1510 date QS:P,+1510-00-00T00:00:00Z/9,P1480,Q5727902 . etching print. 18 × 24.3 cm (7 × 9.5 in). Various collections. Esau returning from27 KB (6,394 words) - 10:35, 31 May 2022
File:Daniel hopfer 06.jpg (category 16th-century etchings) DescriptionDaniel hopfer 06.jpg English: Etching “Mary and St. Anne (St. Elisabeth ?) “ from Daniel Hopfer Date between 1470 and 1536 date QS:P,+1500-00-00T00:00:00Z/6(608 × 886 (291 KB)) - 05:05, 1 May 2022File:Shakspere to Sheridan; a book about the theatre of yesterday and to-day (IA shaksperetosheri00thal).pdf (matches file content) 4I) by W. Dolle in Elkanah The Empress of Morocco, quarto, 1673. a copperplate (7 1 Settle's tragedy, stage direction (act ii, scene i) reads: "The(789 × 1,277 (19.51 MB)) - 09:37, 6 January 2021File:Daniel hopfer 03.jpg (category 16th-century etchings) DescriptionDaniel hopfer 03.jpg Detail - Etching “Altar tabernacle with the adulterous woman “ from Daniel Hopfer Date between 1470 and 1536 date QS:P(318 × 298 (59 KB)) - 05:04, 1 May 2022File:Catalogue of the valuable library of the late George Gebbie, esq. of Philadelphia ... - to be sold ... Nov. 20th, 21st and 22d, 1894 ... (IA cu31924032181491).pdf (matches file content) Britain; accompanied with descriptions. Illustrated with numerous fine copperplate engravings. — 6 vols. 8vo, half morocco. — London, 1815 Large(1,079 × 1,558 (2.5 MB)) - 08:58, 26 December 2020File:The American Bookmaker - Volume 15.djvu (matches file content) Women, 136 Consolidation of Type Bar Casting Machine Companies, 30 Copperplate Half 188 ' | | Cover Designs, 13, 48, 79 Book, 153, 186 Original(2,915 × 3,773 (136.67 MB)) - 14:32, 16 August 2021File:Design for a Monstrance.jpg (category 16th-century etchings) Judgement at top. (B. VIII, 122, Holl.133, i/ii, before the Funck number), etching, a good impression, trimmed on or just within the platemark on three sides(511 × 1,134 (638 KB)) - 17:41, 31 October 2020File:Daniel hopfer 04.jpg (category 16th-century etchings) DescriptionDaniel hopfer 04.jpg Detail - Etching “Altar tabernacle with the adulterous woman “ from Daniel Hopfer Date between 1470 and 1536 date QS:P(629 × 514 (190 KB)) - 05:04, 1 May 2022File:Manual of British topography, a catalogue of county and local histories, pamphlets, views, drawings, maps (IA manualofbritisht00daniuoft).pdf (matches file content) Vteivs London WALTER NIELD. V. DANIELL, 53, 1909. from early copperplates. : MORTIMER STREET, W. CATALOGUE OF TOPOGRAPHICAL LITERATURE, Including-(858 × 1,335 (27.25 MB)) - 13:36, 10 February 2021File:Ornamental fillet 2.jpg (category Etchings by Daniel Hopfer) DescriptionOrnamental fillet 2.jpg Hopfer, Daniel (ca 1470-1536): Ornamental fillet. Etching. B.107, Holl. 118 ii/ii, with the Funck number: 155. 8.3 x 13.6 cm, trimmed(748 × 504 (675 KB)) - 02:32, 12 September 2020File:The British lithographer (IA britishlithograp03unse).pdf (matches file content) 63 Artists and Printers and the Franco81-83 Russian Fetes 126 Asphaltum Etching on Stone no A Strike in Five Acts Grinding Litho Stone for n Substitute(1,066 × 1,475 (28 MB)) - 18:16, 25 December 2020File:The Art journal (IA artjournal1618unse).pdf (matches file content) camel-hair pencil. Copperplate prints may also be imitated by an etching process, but, by taking an impression from a copperplate upon transfer-paper(1,322 × 1,900 (97.28 MB)) - 21:24, 10 June 2022File:Reliquary with Pieta.jpg (category Etchings by Daniel Hopfer) 1470-1536): Reliquary with Pieta, the resurrected Christ at upper centre. Etching. B.17, Holl. 23 ii/iii, with the Funck number: 109. 15.3 x 23.0 cm (sheet)(414 × 567 (282 KB)) - 18:32, 23 September 2020File:(untitled) The North American Review, (1839-07-01), pages 118-145 (IA jstor-25104134).pdf (matches file content) to be the first book ever embellished with engravings ; though this copperplate notion has The been works Andrea engraver, false proved of Baldini(700 × 1,112 (2.62 MB)) - 02:36, 19 March 2021File:The Lovers.jpg (category 16th-century etchings) embracing a woman, both knee-high, standing behind table, a tree at left), etching, 23,6 x 15,5 cm. B. 70, Hollstein 78 ii/ii, with Funck number 7. Wz. Löwe(797 × 1,181 (820 KB)) - 08:48, 1 January 2021File:The art-journal (IA artjournal1854lond).pdf (matches file content) they outstrip the best hand printer at the Copperplate prints may also be imitated by an to the stone. etching process, but, by taking an impression Autographic(1,556 × 2,125 (88.73 MB)) - 22:56, 30 December 2020File:Ornamental fillet with candelabre ornament.jpg (category Etchings by Daniel Hopfer) fillet with candelabre ornament: two satyrs with a flaming fire at centre), etching, 27 X 7.9 cm. B. 97, Holl 108 ii/ii, with Funck number 7. Ausgezeichneter(504 × 1,674 (1.27 MB)) - 02:32, 12 September 2020File:Daniel hopfer 01.jpg (category Etchings by Daniel Hopfer) DescriptionDaniel hopfer 01.jpg Etching “Altar tabernacle with the adulterous woman “ from Daniel Hopfer Date between 1470 and 1536 date QS:P,+1500-00-00T00:00:00Z/6(592 × 842 (278 KB)) - 05:04, 1 May 2022File:Daniel hopfer 02.jpg (category Etchings by Daniel Hopfer) DescriptionDaniel hopfer 02.jpg Detail - Etching “Altar tabernacle with the adulterous woman “ from Daniel Hopfer Date between 1470 and 1536 date QS:P(626 × 458 (152 KB)) - 05:04, 1 May 2022File:Daniel Hopfer01.jpg (category Etchings by Daniel Hopfer) http://bibliodyssey.blogspot.com/2007/04/armour-to-paper-on-origins-of-etching.html Author creator QS:P170,Q548407 Permission (Reusing this file) Public(1,379 × 945 (535 KB)) - 03:30, 20 September 2020File:A Trophy of Arms.jpg (category Etchings by Daniel Hopfer) Victory stretches her right arm towards Jupiter, in form of an eagle. Etching. Bartsch VIII, 130, Holl.140 ii/ii, with Funck number 104. A late rather(850 × 1,181 (1.47 MB)) - 10:21, 19 September 2020File:Three old women beating a Devil on the ground.jpg (category 16th-century etchings) Dämon (Three old women beating a Devil on the ground). Eisenradierung/etching, ca. 22,3 : 15,6 cm. Bartsch 71; Hollstein 80/I (von II). Guter Druck vor(845 × 1,181 (1.19 MB)) - 11:46, 28 September 2020File:Christus Köpfe (IA christuskopfe00junk).pdf Signatures: a-b⁸ A-E⁸ "Anhang. Marien Köpfe"--P. [53]-77 Illustrations: 24 copperplate etchings by the author Subjects: Jesus Christ; Mary, Blessed Virgin, Saint;(589 × 935 (6.99 MB)) - 17:34, 10 October 2020File:Journal of the Society of Arts, Vol. 18, no. 890 (IA jstor-41323951).pdf (matches file content) Autotype. process was engagedin workwithMr.Woodbury, impres-taneously copperplate,fromwhichthe firstsatisfactory in gelatineand carbon. inkwereproduced(1,050 × 1,500 (3.28 MB)) - 00:06, 8 April 2021File:Autobiographical notes of the life of William Bell Scott - and notices of his artistic and poetic circle of friends, 1830 to 1882 (IA autobiographical01scot).pdf (matches file content) Circle of Friends 1830 1882 to Edited by W. 111It St rated MINTO by Etchings by Himself and Reproductions of Sketches by Himself and Friends VOL.(845 × 1,316 (17.54 MB)) - 13:59, 17 December 2020File:Daniel Hopfer00.jpg (category Etchings by Daniel Hopfer) http://bibliodyssey.blogspot.com/2007/04/armour-to-paper-on-origins-of-etching.html Author creator QS:P170,Q548407 Permission (Reusing this file) Public(1,333 × 982 (507 KB)) - 03:30, 20 September 2020File:Geometric design for a coffered ceiling.jpg (category Etchings by Daniel Hopfer) Geometric design for a coffered ceiling. Ornamententwurf für eine Vertäfelung. Etching/Radierung auf Bütten. 22,5 x 15,5 cm. In der Platte monogrammiert und mit(750 × 1,063 (993 KB)) - 20:54, 19 September 2020File:Phil May's Gutter-snipes; 50 original sketches in pen and ink (IA guttersnipes00mayp).pdf (matches file content) On the principle that nobody keeps what everybody else has, so an etching or a print, which by its time. published thousands, often becomes(1,168 × 1,516 (4.68 MB)) - 00:11, 31 December 2020File:The Spencer Collection of modern book bindings (IA spencercollectio00newyrich).pdf (matches file content) 1826. tor under title: St. James royal magazine. Illustrations: 72 copperplates, etched, aquatinted, and colored by Cruikshank. Binding by Riviere and(906 × 1,475 (5.51 MB)) - 18:25, 18 December 2020File:Engraving- its origin, processes, and history (IA cu31924031228434).pdf (matches file content) example of the while to the second belongs metal-work first method or copperplate engraving, which we now call engraving with the burin, or line engraving(681 × 1,068 (9.41 MB)) - 15:43, 26 June 2022File:Journal of the Society of Arts, Vol. 4, no. 179 (IA jstor-41323597).pdf (matches file content) sufficient ofthelight.After for fluence ofetched totheproduction exposure, copperplate-printing, plates ofthe totheintensity suchaszinc-isexceedingly variable(1,050 × 1,500 (2.74 MB)) - 00:25, 8 April 2021File:William Bernard Cooke - Margate - B1977.14.6655 - Yale Center for British Art.jpg (category Etchings in the Yale Center for British Art) en:"Margate " label QS:Len,"Margate " Object type etching print / print Date 1822 Medium Etching; open etching on medium, slightly textured, cream wove paper(1,920 × 1,387 (462 KB)) - 13:33, 12 April 2022File:Biographical notes of XVIII & XIX century mezzotinters not mentioned in our two previous brochures (IA biographicalnote00mkno).pdf (matches file content) the present day it is the cusfine prints. tom to " steel face " the copperplates by means far an electrolytic process, wbcreb}^ they are enabled to(700 × 908 (1.11 MB)) - 10:35, 16 December 2020File:William Bernard Cooke - Plymouth Citadel - B1977.14.13252 - Yale Center for British Art.jpg (category Etchings in the Yale Center for British Art) label QS:Len,"Plymouth Citadel " Object type etching print / print Date 1815 Medium Etching; open etching on medium, slightly textured, cream wove paper(1,920 × 1,429 (554 KB)) - 13:35, 12 April 2022File:William Bernard Cooke - Crowhurst, Sussex - B1977.14.13248 - Yale Center for British Art.jpg (category Etchings in the Yale Center for British Art) label QS:Len,"Crowhurst, Sussex " Object type etching print / print Date 1816 Medium Etching; open etching on medium, slightly textured, cream wove paper(1,920 × 1,471 (524 KB)) - 13:44, 12 April 2022File:William Bernard Cooke - Margate - B1977.14.6656 - Yale Center for British Art.jpg (category Etchings in the Yale Center for British Art) en:"Margate " label QS:Len,"Margate " Object type etching print / print Date 1822 Medium Etching; open etching on medium, slightly textured, cream wove paper(1,920 × 1,392 (434 KB)) - 13:34, 12 April 2022File:William Bernard Cooke - Margate - B1977.14.6657 - Yale Center for British Art.jpg (category Etchings in the Yale Center for British Art) en:"Margate " label QS:Len,"Margate " Object type etching print / print Date 1822 Medium Etching; open etching on medium, slightly textured, cream wove paper(1,920 × 1,447 (450 KB)) - 13:34, 12 April 2022File:On art in its relation to anatomy (IA b22465443).pdf (matches file content) that stamped the cuts in Yesal had vanished. In the seventeenth century copperplate engravings, which had been applied to anatomical illustrations in the(687 × 1,189 (2.19 MB)) - 14:02, 9 December 2020File:William Bernard Cooke - Bridport, Dorsetshire - B1977.14.6643 - Yale Center for British Art.jpg (category Etchings in the Yale Center for British Art) QS:Len,"Bridport, Dorsetshire " Object type etching print / print Date 1820 Medium Etching; open etching on medium, slightly textured, cream wove paper(1,920 × 1,457 (483 KB)) - 13:44, 12 April 2022File:A geographical view of the world, embracing the manners, customs, and pursuits, of every nation; (IA geographicalview00philrich).pdf (matches file content) Oopnph/, EDITION, AND IMPROVED, BY PERCIVAL, M. ILLUSTRATED BY EIGHT COPPERPLATE VIEWS. NEW-YORK B, j HOPKINS APfD W. REED. D. District of Connecticut(545 × 1,002 (54.96 MB)) - 20:57, 16 December 2020File:A manual of photography (IA manualofphotogra00hunt).pdf (matches file content) the di-a"«dng was completed by the action of nitric the parts of the copperplate proacid in the usual manner tected by the varnish remained, of course(741 × 1,122 (20.48 MB)) - 20:52, 11 December 2020File:Bosse La Dame Reformee.jpg (category 17th-century etchings) DescriptionBosse La Dame Reformee.jpg La Dame réformée (Lady in Reformed Dress). Etching portaying a woman in the sober dress demanded by the Edict of 1633. Date(412 × 600 (60 KB)) - 20:42, 27 May 2020File:Biographical notes of XVIII & XIX century mezzotinters not mentioned in our two previous brochures (IA biographicalnote00mkno 0).pdf (matches file content) fine prints. At the present day it is the cus¬ tom to “ steel face” the copperplates by means 3 of an electrolytic process, whereby they are enabled to(1,093 × 1,468 (1.95 MB)) - 02:13, 16 December 2020File:Phil May's ABC; fifty-two original designs forming two humorous alphabets from A to Z (IA philmaysabcfifty00mayp).pdf (matches file content) as is Mav allowed to waste. else has, On the principle so an etching or a Manv of them are well worth worth the framing, and well worth(1,204 × 1,581 (4.02 MB)) - 21:17, 13 December 2020File:Edward Williams - Law Terms, Ejectment (Plate 2) - B1981.25.1625 - Yale Center for British Art.jpg (category Etchings in the Yale Center for British Art) QS:Len,"Law Terms: Ejectment (Plate 2) " Object type etching print / print Date 1823 Medium Etching, hand-colored Dimensions height: 22.4 cm (8.8 in) ;(1,561 × 1,920 (722 KB)) - 05:23, 24 May 2022