<nowiki>Abu'l-Fazl ibn Mubarak; Abu'l-Fazl ibn Mubarak; અબુલ ફઝલ; Abu-l-Fadl Al·lamí; Abu'l-Fazl ibn Mubarak; Abu'l-Fazl ibn Mubarak; ابوالفضل علامی; 阿布·法茲爾; Abu l-Fadl 'Allami; Ebü'l-Fazl el-Allami; アブル・ファズル; Abu'l-Fazl ibn Mubarak; Абу-л-Фазл; Абулфазли Алломӣ; अबुल फजल; అబుల్ ఫజల్ ఇబ్న్ ముబారక్; ਅਬੁਲ ਫ਼ਜ਼ਲ; Әбіл-Фазыл ибн Мүбарак; Mubárak Abú; அபுல் ஃபசல்; Abu l-Fadl 'Allami; আবুল ফজল ইবনে মুবারক; Abul al-Fazl ibn Mubarak; अबुल फझल; ابوالفضل; Abu'l-Fazl ibn Mubarak; აბუ ლ-ფაზლი; Abu 'l-Fazl; ابو الفضل ابن مبارک; അബുൽ ഫസ്ൽ; Abu'l-Fazl ibn Mubarak; अबुल फजल; Abu'l-Fazl ibn Mubarak; ابو الفضل بن مبارك; ابو الفضل; Abu l-Fadl 'Allami; Abu l-Fadl 'Allami; Abu 'l-Fazl ibn-Mubarak; Abu'l-Fazl ibn Mubarak; Abulfazl allomiy; ابو الفضل; Абу-ль-Фадль Аллами; Abu'l-Fazl ibn Mubarak; أبو الفضل بن مبارك; Αμπούλ Φαζλ; אבו אל-פאזל; historiador, Imperio mogol; történész, Mogul Birodalom; historialari, Mogol Inperioa; historiador, Imperiu mogol; historiador, Imperi Mogol; cyfieithydd, bardd, hanesydd, gwleidydd a llenor (1551-1602); staraí, Impireacht na Mógal; نویسنده، شاعر، و تاریخنگار هندی; историк, Моголска империя; indisk politiker; ისტორიკოსი, დიდ მოგოლთა იმპერია; indisk politiker; історик, Імперія Великих Моголів; मुगल दरबारी (1551-1621); historioitsija, Suurmogulien valtakunta; historyk, Wielcy Mogołowie; Vezír mughalského vládce Akbara, kronikář a historiograf.; historičar, Mogulsko carstvo; politico indiano; মুঘল সম্রাট আকবরের প্রধানমন্ত্রী (১৫৭৯-১৬০২); écrivain persan; συγγραφέας, ιστορικός, πολιτικός, Μεγάλος Βεζίρης της Μογγολικής αυτοκρατορίας της Ινδίας; ajaloolane, Suurmogulite riik; ލިޔުންތެރިއެއް; 1579'dan 1602'ye kadar Babür imparatoru Ekber'in sadrazamı; Grand vizier of Mughal emperor Akbar from 1579 to 1602; Chronist und Historiograf im indischen Mogulreich; मुघल साम्राज्याचे एक वजीर; historik, Mughali; historiador, Império Mogol; istoric, Imperiul Mogul; vēsturnieks, Mogulu impērija; tarixçi, Böyük Moğol imperiyası; историчар, Могулско царство; zgodovinar, Mogulski imperij; povjesničar, Mogulsko Carstvo; vizir do grande imperador mogol Aquebar; historian, Mughal Empire; պատմաբան, Մեծ Մողոլների կայսրություն; indisk politikar; indisk politiker; Grootvizier van de Mogolkeizer Akbar; istorikas, Mogolų imperija; историчар, Могулско Царство; Великий визирь могольского императора Акбара; historian, Perandoria Mogule; historiador, Imperio Mogol; كاتب، وشاعر، ومؤرخ، وسياسي من سلطنة مغول الهند; istorour, Impalaeriezh Voghol; istorian, Empèri Mogòl; Abu-l Fazl; Abul Fazl; Aboul-Fazel; Абу-л Фазл; Абу аль-Фазл ибн Мубарак; Абу-л-Фазл; Абу-л Фазл Аллами; Абу-ль-Фадль ибн Мубарак; अबुल फजल; अबुल फज्ल; अबुल फझ्ल; Abu l-Fazl Allami; Abul Fazl; Abul Fasl; Abu'l-Fadl 'Allami; Abu'l-Fazl; Abu'l Fadl; Abu al-Fazl ibn Mubarak; Abu al-Fadl 'Allami; Abul Fazl; ابوالفضل ابن مبارک; Ebü’l-Fazl bin Mübârek; Abū-'l-Faḍl ʿAllāmī; ʿAllāmī, Abū-ʾl-Faḍl; Abul-Fazl-i-ʿAllámí; Abul-Fazl ʿAllami; Abul-Fazl-i-ʿĀllami; Abul-Fazl; Abu-ʿl-Faẓl; Abu-'l-Faḍl Ibn-Mubarak ʿAllāmī; Fazl, Abul; Abū-'l-Faḍl; ʿAllāmī, Abū al-Faẓl; Aboul Fadl ibn Moubarak; Abul Fazl; Abul Fazal; Ab-'l-Faẕl ʿAllāmī; Abu al-Faẕl ʿAllāmī; Abu al-Faḍl ibn Mubārak; Abu-al-Faẕl ebn Mobārak; Abu al-Faẕl ibn Mubārak; Abu al-Faḍl ʿAllāmī; Abulfazl Mubarak; Abu l Fazl ibn Mubarak; Abu l-Fadl 'Allami; Abu'l-Fazl ibn Mubarak; Абулфазл ибни Муборак; अबुल फज़ल; Abu l-Fazl Allami; Abū-l-Fadl; Abu l-Fadl Allami; Abulfazl Allomiy; Abu l-Fadl 'Allami; Abul-fazel; Αμπούλ Φαζλ ιμπν Μουμπάρακ; Aμπού αλ-Φαντλ; Αμπούλ-Φαντλ Αλαμί; Abú'l-Fazl ibn Mubarak; Abū al-Faẕl ibn Mubārak; Abū al-Faḍl ibn Mubārak; Aboul Fadl ibn Moubarak; Abū al-Faẕl 'Allāmī; Abu'l Faẓl; அபுல் பசல்</nowiki>
- "European conventions began to permeate Mughal painting: fabrics appeared to billow, the human form seemed to have three-dimensional weight, and compositions suggested depth and recession, though they never conformed to Renaissance scientific principles of perspective. Crucially, the way in which faces were depicted began to change. Abu'l Fazl commented: "Painters, especially those of Europe [farang], succeed in drawing figures expressive of the conceptions which the artist has of any of the mental states, so much so, that people may mistake a picture for a reality." The transition towards more naturalistic portraiture may be seen in the illustrations to the Akbarnama now in the Victoria and Albert Museum, done between about 1590 and 1595." in The Indian Portrait, 1560-186, p.27
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