File:1928-03-11 Tripoli Maserati Tipo 26 Brunori.jpg
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Captions
Captions
Maserati Tipo 26 at Tripoli GP in 1928
Summary[edit]
| Description |
English: Maserati Tipo 26 at Tripoli GP on Saturday 11 March 1928, where entry #34 was driven by Pietro Brunori of Roma, he did not finish the 419,2 km long race.[1] One historian[2] claims Maserati made two that debuted in this race, the other for Carlo Tonini. These cars had a larger tank, because of the rather long race (however: Tonini did not participate in this race, so something is wrong; Guiseppe Vittoria did participate, though, so maybe that was "the other one"). Snellman claims this car had a 1,5 litre engine, and so should be a regular Tipo 26 (not Tipo 26 B). He also claims that Brunori had to stop and quit the race after 12 rounds, as he had exceeded the time limit, partially as he had to stop several times to replace the spark plugs. [3] |
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| Source | [4] |
| Author | Unknown photographer |
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Licensing[edit]
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The country of origin of this photograph is Italy. It is in the public domain there because its copyright term has expired. According to Law for the Protection of Copyright and Neighbouring Rights n.633, 22 April 1941 and later revisions, images of people or of aspects, elements and facts of natural or social life, obtained with photographic process or with an analogue one, including reproductions of figurative art and film frames of film stocks (Art. 87) are protected for a period of 20 years from creation (Art. 92). This provision shall not apply to photographs of writings, documents, business papers, material objects, technical drawings and similar products (Art. 87). Italian law makes an important distinction between "works of photographic art" and "simple photographs" (Art. 2, § 7). Photographs that are "intellectual work with creative characteristics" are protected for 70 years after the author's death (Art. 32 bis), whereas simple photographs are protected for a period of 20 years from creation.
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This may not apply in countries that don't apply the rule of the shorter term to works from Italy. In particular, these are in the public domain in the United States only if:
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This work is in the public domain in the United States because it meets three requirements:
 For background information, see the explanations on Non-U.S. copyrights.
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