File:Biblioteca Marciana-Sala sansoviniana-10.jpg

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Summary[edit]

Artist
Giulio Licinio  (1527–1591)  wikidata:Q2013006
 
Alternative names
Giulio Licinio Da Pordenone; Giulio Licinio da Pordenone
Description Italian painter
Date of birth/death 1527 Edit this at Wikidata 28 April 1591 Edit this at Wikidata
Location of birth/death Venice Venice
Authority file
artist QS:P170,Q2013006
Title
Italiano: La vigilia, il digiuno, la patientia & altre cose che si ricercano a gli amatori della virtù
(Sansovino, Francesco, Venetia città nobilissima et singolare descritta in 14 libri, 1581, Venetia, Iacomo Sansovino, c. 114v)
English: Vigil, fasting, patience & other things that followers of virtue seek
Alternative titles
InfoField
"Allegory of Time" (Ivanoff-1967), "Vigil and Sacrifice" (Vertova-1976),[1] "Vigil and Exercise" (Broderick-2016)
Object type painting
object_type QS:P31,Q3305213
Date 1556–1557
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions diameter: 230 cm (90.5 in)
dimensions QS:P2386,230U174728
institution QS:P195,Q578460
Place of creation Venice
Object history One of two surviving roundels by Giulio Licinio commissioned in 1556 by the procurators of Saint Mark de supra for the ceiling of the Reading Room of the Biblioteca Marciana. All of the roundels (21) were removed by the Austrians at the end of the second period of Austrian occupation (1815–1866) and transported to Vienna. The roundels were restituted as per the Treaty of Vienna of 3 October 1866 between Italy and Austria.
Notes
  1. ↑ Luisa Vertova’s reinterpretation is based on a visual error. She construes the male figure as pointing to a dolphin with his left hand.
References Sansovino, Francesco, Venetia città nobilissima et singolare descritta in 14 libri, 1581, Venetia, Iacomo Sansovino, c. 114v; Lorenzetti, Giulio, Venezia e il suo estuario: guida storico-artistica, 1926, Venezia, Bestetti & Tuminelli, p. 161; Ivanoff, Nicola, La libreria Marciana: arte e iconologia, «Saggi e Memorie», 6, 1967, Firenze, L. S. Olschki, p. 41; Vertova, Luisa, Giulio Licinio in I Pittori Bergamaschi. Il Cinquecento, ii, Bergamo, Bolis, 1976, p. 563–564; Paolucci, Antonio, La sala della libreria e il ciclo pittorico in Da Tiziano a El Greco: per la storia del Manierismo a Venezia 1540–1590, 1981, Milano, Electa, pp. 293–294; Hope, Charles, The Ceiling Paintings in the Libreria Marciana in Nuovi Studi su Paolo Veronese, 1990, Venezia, Arsenale Editrice, p. 295–296; Broderick, Jarrod, M., Custodian of Wisdom: The Marciana Reading Room and the Transcendent Knowledge of God, «Studi veneziani», LXXIII, 2016, pp. 44–47
Source/Photographer Biblioteca Nazionale Marciana Prot. 191-23.01.20
Permission
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Italy-MiBAC-disclaimer Further authorizations required by the Italian "Code of Cultural Heritage and Landscape" (Codice Urbani), under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments, regarding the reuse of the picture.
This image reproduces a property belonging to the Italian cultural heritage as entrusted to the Italian government. Such images are regulated by Articles 106 et seq. of the Italian Code of Cultural Heritage and Landscape under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments. These regulations, unrelated to copyright regulations, establish a system for the protection of Italy’s historic and artistic heritage and its standards of dignity. Among other things, these regulations provide for the payment of a concession fee by those who intend to benefit economically from reproductions of property belonging to the Italian cultural heritage. Reproduction of this image is permitted for personal use or study. A further authorization by the Italian Ministry of Heritage and Culture is required for reproduction for any other purpose, and particularly for commercial use. Such commercial use includes, but is not limited to, use in (a) any form of advertising, and (b) any company name, logo, trademark, image, activity, or product. 		Italy

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