File:CordierColor.jpg

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Summary[edit]

Description

Score of Baude Cordier's chanson "Belle, bonne, sage," from The Chantilly Manuscript, Musée Condé 564. The manuscript is one of the classic examples of ars subtilior, which requires red notes, or "coloration" to indicate changes in note lengths from their normally written values. This chanson, a dedicatory piece on the love of a lady and a lord written in the shape of a heart, opens the corpus. Note the heart of notes within the larger heart.

Date between circa 1350 and circa 1400
date QS:P,+1500-00-00T00:00:00Z/6,P1319,+1350-00-00T00:00:00Z/9,P1326,+1400-00-00T00:00:00Z/9,P1480,Q5727902
Source Chantilly Manuscript
Author Baude Cordier
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GNU head Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled GNU Free Documentation License.
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current06:07, 23 January 2008Thumbnail for version as of 06:07, 23 January 2008504 × 644 (53 KB)Shlishke (talk | contribs){{Information |Description=Score of Baude Cordier's rondeau "Belle, Bonne, Sage," from The Chantilly Manuscript, Musée Condé 564. The manuscript is one of the classic examples of ars subtillior, which requires red notes, or "coloration" to
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