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creator QS:P170,Q1345186
Spanish: El Gran Capitán recorriendo el campo de la batalla de Ceriñola
label QS:Les,"El Gran Capitán recorriendo el campo de la batalla de Ceriñola"
or Spanish: El Gran Capitán tras la batalla de Ceriñola encuentra el cadáver de Luis de Armagnac
label QS:Les,"El Gran Capitán tras la batalla de Ceriñola encuentra el cadáver de Luis de Armagnac"
The Great Captain After the Battle of Cerignola
label QS:Len,"The Great Captain After the Battle of Cerignola"
Object type painting
object_type QS:P31,Q3305213
Español: El lienzo muestra a Gonzalo Fernández de Córdoba (1453-1515), conocido como "el Gran Capitan", contemplando el cadáver del Duque de Nemours, comandante del ejército francés en la batalla de Ceriñola, en la que el ejército francés resultó derrotado y el Duque de Nemours perdió la vida.
Date 1835
date QS:P571,+1835-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q4259259,P518,Q861259
Dimensions Height: 134 cm (52.7 ″); Width: 187 cm (73.6 ″)
dimensions QS:P2048,134U174728;P2049,187U174728
institution QS:P195,Q160112
Accession number


M. Victoria Alonso Cabezas; Jennifer Evans (series ed.); Alun Withey (series ed.) () "Beardless Young Men? Facial Hair and the Construction of Masculinity in Nineteenth-Century Spanish Self-Portraits" in New Perspectives on the History of Facial Hair: Framing the Face, Genders and Sexualities in History, Springer International Publishing, pp. 98–101 Retrieved on . ISBN: 978-3-319734-9-72. OCLC: 1028637328.
Source/Photographer [2]


This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

The author died in 1894, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or less.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1924.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.
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current12:43, 26 April 2015Thumbnail for version as of 12:43, 26 April 20152,952 × 2,082 (1.12 MB)Hohum (talk | contribs)Without blown highlights
02:35, 1 April 2013Thumbnail for version as of 02:35, 1 April 20133,043 × 2,146 (6.16 MB)Escarlati (talk | contribs)higher resolution, source:
23:51, 3 June 2012Thumbnail for version as of 23:51, 3 June 2012750 × 522 (165 KB)Águila bambata (talk | contribs)
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