File:Manning the Navy RMG BHC1283.tiff

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George Bernard O'Neill: Manning the Navy  wikidata:Q50851198 reasonator:Q50851198
Artist
George Bernard O'Neill  (1828–1917)  wikidata:Q2593685
 
Alternative names
George Bernard O'Neil
Description Irish painter
Date of birth/death 17 July 1828 Edit this at Wikidata 23 September 1917 Edit this at Wikidata
Location of birth/death Dublin London
Authority file
creator QS:P170,Q2593685
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
Manning the Navy Edit this at Wikidata
title QS:P1476,en:"Manning the Navy Edit this at Wikidata"
label QS:Len,"Manning the Navy Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Description
English: Manning the Navy

A highly stylized portrayal of a naval recruiting party driving across London Bridge following a Thames regatta. A cart positioned in the centre holds several volunteers. The man in naval uniform on the left holds out the bounty notice, while his companion holds an orange and a knife. A naval recruiter stands to the left in front of the white horses, holding enrolment papers. He looks towards a wide-eyed, young Thames waterman in his dress uniform. The narrative of the painting invites us to read him as a potential recruit. Two women flank the young man and appear to be presenting the oarsman to the recruiter. The young woman on the left wears a bonnet and yellow shawl, and on the right an old woman in black holds a rolled-up umbrella. Behind the waterman another recruit similarly coaxes him towards the recruiter. On the right are two orange sellers with baskets of oranges; one looks at her companion while the other glances towards the recruit on the cart, holding the orange. Behind them, on the bridge, a sandwich-board man in an ancient top hat carries boards inscribed 'THAMES REGATTA'. Further on the bridge, built between 1823 and 1831, other figures convey a sense of the variety and force of the crowd. In the distance to the far right some of the buildings of the north bank, such as the Monument, are implied. Below, the tops of masts suggest the presence of the River Thames.

The painting was exhibited at the Royal Academy in 1860. There is some pictorial evidence that it may have been altered between 1864 and 1869 although the reasons for this remain unclear. The recruiter wears chin-encircling side-whiskers that were not introduced until this date. The white ensign flying from the waggon was not adopted as the Royal Navy's flag until 1864, and so the earlier flag was probably depicted as the Union, appropriate to setting up a base for 'raising and entering' men. The artist has also changed the collar style of the seaman sitting on the waggon holding out the bounty notice. The style on the left side of the collar reflects a new standardization post-1860, yet the right side of the collar has remained unaltered. The text on the sandwich-board to the right uses a wording that was not introduced until 1863, since between 1856 and 1862 the event was known as the 'Thames National Regatta'. The coat and badge of the young waterman shows the uniform of the Temple Rowing Club, which first rowed in 1863, two years after the painting was exhibited at the Royal Academy.

Manning the Navy
Date circa 1860
date QS:P571,+1860-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 762 mm x 1168 mm; Frame: 938 mm x 1345 mm x 90 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC1283
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/12774
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Other versions
Identifier
InfoField
Acquisition Number: OP1955-48
id number: BHC1283
Collection
InfoField
Oil paintings

Licensing[edit]

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Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Date/TimeThumbnailDimensionsUserComment
current10:26, 14 September 2017Thumbnail for version as of 10:26, 14 September 20173,510 × 2,302 (23.14 MB)Offnfopt (talk | contribs)adjusted colors until alternative solution is available
09:05, 14 September 2017Thumbnail for version as of 09:05, 14 September 20173,510 × 2,302 (23.12 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1860), http://collections.rmg.co.uk/collections/objects/12774 #601

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