File:Susan Peters 1944 color portrait.jpg

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Susan_Peters_1944_color_portrait.jpg(451 × 504 pixels, file size: 183 KB, MIME type: image/jpeg)

Summary[edit]

Description
English: Susan Peters in a 1944 portrait.
Date
Source Modern Screen, d. April 1944
Author Unknown
Permission
(Reusing this file)
English: This is a publicity still taken and publicly distributed to promote the subject or a work relating to the subject.
  • As stated by film production expert Eve Light Honathaner in The Complete Film Production Handbook (Focal Press, 2001, p. 211.):
    "Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary."
  • Nancy Wolff, in The Professional Photographer's Legal Handbook (Allworth Communications, 2007, p. 55.), notes:
    "There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them."
  • Film industry author Gerald Mast, in Film Study and the Copyright Law (1989, p. 87), writes:
    "According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible."
  • Kristin Thompson, committee chairperson of the Society for Cinema and Media Studies writes in the conclusion of a 1993 conference of cinema scholars and editors[1], that:
    "[The conference] expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... [and] some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs."
  • A renewal search was done in publications for the years 1967 and 1968. There were no listings for Modern Screen; there's no evidence of continuing copyright.
  • Licensing[edit]

    Public domain
    This work is in the public domain because it was published in the United States between 1923 and 1963 and although there may or may not have been a copyright notice, the copyright was not renewed. Unless its author has been dead for the required period, it is copyrighted in the countries or areas that do not apply the rule of the shorter term for US works, such as Canada (50 pma), Mainland China (50 pma, not Hong Kong or Macao), Germany (70 pma), Mexico (100 pma), Switzerland (70 pma), and other countries with individual treaties. See Commons:Hirtle chart for further explanation.

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    Date/TimeThumbnailDimensionsUserComment
    current05:25, 6 August 2017Thumbnail for version as of 05:25, 6 August 2017451 × 504 (183 KB)Drown Soda (talk | contribs)Cropping for focus on head
    05:23, 6 August 2017Thumbnail for version as of 05:23, 6 August 2017451 × 615 (224 KB)Drown Soda (talk | contribs)Crop
    05:21, 6 August 2017Thumbnail for version as of 05:21, 6 August 2017530 × 709 (279 KB)Drown Soda (talk | contribs)User created page with UploadWizard
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