File:The political champion turned resurrection man! (BM 1868,0808.8476).jpg
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Captions
Summary
[edit]The political champion turned resurrection man! ( ) | ||||||||||||||||||||||||
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Artist |
Print made by: Isaac Robert Cruikshank
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Title |
The political champion turned resurrection man! |
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Description |
English: Cobbett, astride the neck of a diabolical monster, and followed by demons, is about to land on the English coast, where a crowd hails his return. Below is the sea, and on the right the American shore. Cobbett (a good portrait) holds out a pen in his right hand; the left hand grasps vertebrae supporting a skull and projecting from a box which rests on the monster's back and is inscribed: 'Cobbett's long hidden Treasures or the Relicts of Paine'. The skull wears a bonnet rouge, Cobbett a top-hat with tricolour cockade; he says: "How to delude the Populace.—An advantageous distribution of the Words Liberty, Tyranny, Slavery &c does wonders with the populace Cobb Vol 2. p. 114—I now say Water Water-Water!!!" The monster breathes fiery smoke, and grips Cobbett's gaitered legs with its talons; it has webbed and barbed wings and a long scaly barbed tail. The two demons immediately behind Cobbett carry large papers inscribed respectively: 'Paines [Age of] Reason' [see No. 13274] and 'Cobbetts Pol. Reg'. The third carries a sheaf of spears and excretes fire inscribed 'Revolution', and smoke inscribed 'Corruption'. The last, a bird-like creature, has a body inscribed 'Plague'; other monsters are advancing from a distance.
Hand-coloured etching |
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Depicted people | Representation of: William Cobbett | |||||||||||||||||||||||
Date |
1819 date QS:P571,+1819-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1868,0808.8476 |
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Notes |
(Description and comment from M. Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', IX, 1949) Cobbett (cf. No. 12878) landed at Liverpool on 21 Nov., bringing with him the bones of Tom Paine. He received an enthusiastic welcome from the Radicals, and on reaching London was given (3 Dec.) a public dinner at the Crown and Anchor, here satirized. Only water was drunk, Cobbett preaching abstinence to defeat the tax-collector, cf. No. 13244, &c., and on other grounds. Wooler, with whom he had quarrelled, took a prominent part, and Hunt, whom he had once attacked, and was shortly to neglect, took the chair. Cobbett in his speech explained that he brought Paine's bones to atone for the injustice he had done him; he had found that he had been refused interment in a quakers' burial ground, 'he intended to erect a colossal statue, in bronze, in honour of his memory'. Wooler said he would like Cobbett side by side on the same pedestal. 'Black Dwarf', iii. 801-4. The references are to the edition of Cobbett's 'Works' published in 1801, reprints of pamphlets issued in America, including a scurrilous 'Life of Thomas Paine', 1796. For 'Cobbett's Political Register' see (e.g.) No. 11049. Cobbett writes (1 Jan.) to his son in New York: 'I will send you a caricature . . . representing me as flying over the sea and old Isaac Wright dancing with 'the Devil' on the American shore, rejoicing at my departure!' 'Pol. Reg.', 6 Jan. 1820. The first allusion in these prints to the Resurrection men who traded in bodies; see vol. x; but cf. No. 11800. For Cobbett and Paine see also Nos. 13314, 13339. Listed by Broadley. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1868-0808-8476 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
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current | 03:30, 12 May 2020 | 1,600 × 1,204 (471 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Prints about plague in the British Museum 1819 #184/190 |
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Width | 6,021 px |
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Height | 4,529 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Image width | 6,021 px |
Image height | 4,529 px |
Color space | Uncalibrated |
Date and time of digitizing | 08:25, 12 December 2016 |
File change date and time | 08:39, 12 December 2016 |
Date metadata was last modified | 08:39, 12 December 2016 |
Unique ID of original document | xmp.did:0180117407206811AB08A7EDF368B236 |