User talk:Hubertl

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Was ihr den Geist der Zeiten heißt,
Das ist im Grund der Herren eigner Geist,
In dem die Zeiten sich bespiegeln. (Faust I: 575-577)

 Gerhard, a close friend and Wikipedian since 2004, has gone on January 22, 2016.




Contents

Quality Image Promotion[edit]

Chartres VITRAIL DE LA VIE DE JÉSUS-CHRIST Motiv 18 Le retour d’Égypte (la Sainte Famille).jpg
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Chartres VITRAIL DE LA VIE DE JÉSUS-CHRIST Motiv 19 Les idoles d’Égypte tombant à l’arrivée de Jésus en ce pays.jpg
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Europa (Kundmann) at the main risalit of the Naturhistorisches Museum 5135.jpg
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Kolaios of Samos, figure at the Naturhistorisches Museum, Vienna 8940.jpg
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Heinrich von Ferstel - bust in the vestibule of the big ballroom - 2069-HDR.jpg
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--QICbot (talk) 05:22, 1 April 2016 (UTC)

Quality Image Promotion[edit]

Karl Popper (1902-1994), Nr. 104 bust (bronce) in the Arkadenhof of the University of Vienna-2481.jpg
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Karl Popper (1902-1994), Nr. 104 bust (bronce) in the Arkadenhof of the University of Vienna-2485.jpg
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Plaque of the Institute of History in the Arkadenhof of the University of Vienna-2491.jpg
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Plaque of the Institute of History in the Arkadenhof of the University of Vienna-2492.jpg
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Leopold Schrötter von Kristelli (1837-1908), Nr. 101basrelief (bronce) in the Arkadenhof of the University of Vienna 2519.jpg
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--QICbot (talk) 05:18, 2 April 2016 (UTC)

Quality Image Promotion[edit]

Chartres VITRAIL DE LA VIE DE JÉSUS-CHRIST Motiv 20 Le baptême de Jésus-Christ par saint Jean.jpg
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AT 119587 Jesuitenkirche Wien Innenansicht 9234.jpg
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Empedokles, figure at the attica of Naturhistorisches Museum, Vienna 8947.jpg
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Heinrich von Ferstel - bust in the vestibule of the big ballroom - 2084-HDR.jpg
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Rudolf Wegscheider (1859-1935), Nr. 38 (Bronce) in the Arkadenhof of the University of Vienna-1875.jpg
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--QICbot (talk) 05:26, 3 April 2016 (UTC)

File:Hildener Heide 2016 107.jpg[edit]

Die Hildener Heide (de:Hildener Heide) bei Hilden ist ein leicht hügeliges (die Österreciher und Schweizer lachen), größtenteils bewaldetes Heidegebiet in Nordrhein-Westfalen und gehört zu der Bergischen Heideterrasse. Ich gebe zu: vor lauter Bäumen, sieht man nicht die Heide - oder was man sich als klassisch als eine "Heide" vorstellt. Also Heide ist richtig, wenn man hier aber meist nur als Wald sieht. Die Bilder sind recht unspektakulär, aber ich hatte im März das schöne Licht mal benutzt. --Atamari (talk) 18:46, 3 April 2016 (UTC)

Moment, Atamari, schau dir mal den Wikipedia-Artikel an. Ich bin inzwischen etwas pingeliger, weil der Aufwand, QI zu machen, von den Leuten beim WikiCup - zumindest kurzfristig - verneint wurde. Und da gehört halt ein aussagekräftiger Dateiname und auch eine Beschreibung dazu. Wenn diese Bilder in den Artikel kommen, dann ist es wirklich möglich, die unterschiedlichen Bereiche, wie im Artikel definiert, auch zu benennen. Um das damit auch im Artikel zu zeigen. Es gibt halt mehrere unterschiedliche, eben auch Waldgebiete! Bitte betrachte das nicht als Nerverei! Es ist halt auch eine Qualitätsfrage! --Hubertl 19:47, 3 April 2016 (UTC)
Mehr als nur praktisch wäre in so einer Situation, wenn du die Geokoordinaten hinzufügen kannst. Jede Heide hat vier Ecken.. ;-) --Hubertl 19:58, 3 April 2016 (UTC)
Geokoordinaten hat die Kamera nicht immer abgespeichert, das liegt an der unzureichenden Technik. --Atamari (talk) 20:01, 3 April 2016 (UTC)
Geht auch ohne integriertes GPS-Zeugs, obwohl ich sowas in der Kamera habe - sogar recht zuverlässig, mache ich es meistens über Lightroom. Ich weiß ja, wo ich war. Es gibt gute, kostenlose externe Programme, mit denen man das auch machen kann. --Hubertl 20:23, 3 April 2016 (UTC)
seit 6 Monaten ist noch nichts entwickelt worden. Das Geld wird leider wo anders ausgegeben, ich warte ungeduldig. --Atamari (talk) 20:30, 3 April 2016 (UTC)
Was sind sechs Monate, wenn wir in enzyklopädischen Zeiträumen zu denken gelernt haben. --Hubertl 21:01, 3 April 2016 (UTC)

Quality Image Promotion[edit]

Karl Popper (1902-1994), Nr. 104 bust (bronce) in the Arkadenhof of the University of Vienna-2480.jpg
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Theodor von Sickel (1826-1908), Nr. 103 halfstatue (bronce) in the Arkadenhof of the University of Vienna-2512.jpg
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Theodor von Sickel (1826-1908), Nr. 103 halfstatue (bronce) in the Arkadenhof of the University of Vienna-2489.jpg
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Wilhelm von Hartel (1839-1907) halfrelief Nr 86 Arkadenhof University of Vienna-1929.jpg
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Jan Ingen-Housz (1730-1799), Nr. 37 bust (Bronce) in the Arkadenhof of the University of Vienna-1874.jpg
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--QICbot (talk) 05:20, 4 April 2016 (UTC)

Quality Image Promotion[edit]

Chartres VITRAIL DE LA VIE DE JÉSUS-CHRIST Motiv 21 Joseph averti en songe par un ange.jpg
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AT 119587 Jesuitenkirche Wien Innenansicht-9580.jpg
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AT 119587 Jesuitenkirche Wien Innenansicht IMG 9227.jpg
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Forschung (Kundmann) Naturhistorischs Museum 5142-Bearbeitet.jpg
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Nike at the Naturhistorisches Museum Front 5131.jpg
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--QICbot (talk) 05:19, 5 April 2016 (UTC)

Quality Image Promotion[edit]

Chartres VITRAIL DE LA VIE DE JÉSUS-CHRIST Motiv 22 Les Rameaux - groupe d’apôtres suivant Notre-Seigneur.jpg
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AT 119587 Jesuitenkirche Wien Innenansicht 9325.jpg
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Europa (Kundmann) at the main risalit of the Naturhistorisches Museum 5139.jpg
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Figures at the Naturhistorisches Museum, Vienna - STRABON - 8967.jpg
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Heinrich von Ferstel - bust in the vestibule of the big ballroom - 2099-HDR.jpg
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--QICbot (talk) 05:29, 6 April 2016 (UTC)

Église Saint-Michel de Vivès[edit]

Hallo Hubertl, hab die Wand wie gewünscht sekrecht gestellt. Gruß --Palauenc05 (talk) 14:20, 6 April 2016 (UTC)

Dann steht ja einem QI nichts mehr im Wege, Palauenc05! Gruß aus Wien! --Hubertl 14:31, 6 April 2016 (UTC)

Quality Image Promotion[edit]

Theodor von Sickel (1826-1908), Nr. 103 halfstatue (bronce) in the Arkadenhof of the University of Vienna-2515.jpg
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Josef von Skoda (1805-1881), Nr. 102 bust (bronce) in the Arkadenhof of the University of Vienna--26.jpg
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Sigmund Freud (1815-1898), Nr. 97 bust (bronce) in the Arkadenhof of the University of Vienna-2044.jpg
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Karl von Littrow (1811-1877), Nr. 96 bust (bronce) in the Arkadenhof of the University of Vienna-2439.jpg
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Julius von Schlosser (1866-1938), Mr. 94 bust (bronce) in the Arkadenhof of the University of Vienna 2394-HDR.jpg
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--QICbot (talk) 05:23, 7 April 2016 (UTC)

EXIF data[edit]

Hi Hubertl, thanks for this comment on my QI nomination. I wondered why you think EXIF data is so important to the quality of an image. DeFacto (talk). 18:39, 7 April 2016 (UTC)

@DeFacto:: It is in fact. Why do you think it´s not? It is part of of QI, and QI is not a beauty contest. --Hubertl 20:31, 7 April 2016 (UTC)
I did not (and still cannot) see the requirement for EXIF in the QI rules, so thought it unnecessary. In fact, I thought the images would be assessed on visual qualities alone and that EXIF data might bias the judgement of less experienced assessors. DeFacto (talk). 21:17, 7 April 2016 (UTC)
@DeFacto:: A whole bunch of your pictures are discussed controversial - for good reasons, IMO. It can and will be a help for assessors to find out, what the reasons are. QI is not - as I already said - a beauty contest, it´s part of learning and teaching. If you want a beauty contest, go to FP. Or Flickr, or instagram. But you didn´t give me an answer, why you delete the exif data. Cccefalon as one of the most experienced user here, is thinking the same. --Hubertl 22:10, 7 April 2016 (UTC)
Thanks, yes I agree that including EXIF can add value, now I know the reason. And as I said above, I did not see any requirement for EXIF in the QI rules, so thought it unnecessary. I also wondered if less experienced assessors might, rather than judging image visual quality, base their judgement on camera quality - if EXIF was included. DeFacto (talk). 06:01, 8 April 2016 (UTC)
And thanks for your constructive comments on my EXIF-compliant nomination today! Any advice is very much appreciated. Face-smile.svg. DeFacto (talk). 15:57, 8 April 2016 (UTC)

Quality Image Promotion[edit]

Karl Popper (1902-1994), Nr. 104 bust (bronce) in the Arkadenhof of the University of Vienna-2483.jpg
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Theodor von Sickel (1826-1908), Nr. 103 halfstatue (bronce) in the Arkadenhof of the University of Vienna-2488.jpg
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Josef von Skoda (1805-1881), Nr. 102 bust (bronce) in the Arkadenhof of the University of Vienna--34.jpg
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Karl and Johannes von Littrow, Nr 96 bust ensemble (bronce) in the Arkadenhof of the University of Vienna-2379-HDR.jpg
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Josef Stefan (1815-1898), Nr. 93 halfrelief (marble) in the Arkadenhof of the University of Vienna-2434-HDR.jpg
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--QICbot (talk) 05:20, 8 April 2016 (UTC)

Quality Image Promotion[edit]

Auffahrtsäule mit Nike (Kundmann) at the main risalit of the Naturhistorisches Museum 5149.jpg
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Aristotle, figure on the attica at the Naturhistorisches Museum, Vienna 8951.jpg
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Herodotus - Rössner - figure at the Naturhistorisches Museum, Vienna 8949.jpg
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Victor von Lang (Nr. 60) Bust in the Arkadenhof, University of Vienna-9294.jpg
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--QICbot (talk) 05:18, 9 April 2016 (UTC)

Quality Image Promotion[edit]

Theodor von Sickel (1826-1908), Nr. 103 halfstatue (bronce) in the Arkadenhof of the University of Vienna-2490-Bearbeitet.jpg
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Karl von Littrow (1811-1877), Nr 96 bust (bronce) in the Arkadenhof of the University of Vienna-2380-HDR.jpg
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Karl von Littrow (1811-1877), Nr 96 bust (bronce) in the Arkadenhof of the University of Vienna-2379a-HDR.jpg
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Julius von Schlosser (1866-1938), Mr. 94 bust (bronce) in the Arkadenhof of the University of Vienna 2029-HDR.jpg
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Theodor von Sickel (1826-1908), Nr. 103 halfstatue (bronce) in the Arkadenhof of the University of Vienna-2516.jpg
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Josef von Skoda (1805-1881), Nr. 102 bust (bronce) in the Arkadenhof of the University of Vienna--HDR.jpg
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Sigmund Freud (1815-1898), Nr. 97 bust (bronce) in the Arkadenhof of the University of Vienna-2414-HDR.jpg
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Johann von Oppolzer (1808-1871) Nr. 89, relief (marble) in the Arkadenhof of the University of Vienna-2454-HDR.jpg
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Julius Tandler (1869-1936), Nr 76 bust (marble) in the Arkadenhof of the University of Vienna-2308-HDR.jpg
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--QICbot (talk) 05:24, 10 April 2016 (UTC)

Quality Image Promotion[edit]

Karl Popper (1902-1994), Nr. 104 bust (bronce) in the Arkadenhof of the University of Vienna-2484.jpg
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Nike at the Naturhistorisches Museum Front 5132.jpg
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FP Promotion[edit]

Universität Wien - Vestibül großer Festsaal Stiegenhaus-2186.jpg
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Theodor von Sickel (1826-1908), Nr. 103 halfstatue (bronce) in the Arkadenhof of the University of Vienna-2513.jpg
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--QICbot (talk) 05:18, 12 April 2016 (UTC)

Quality Image Promotion[edit]

Josef Stefan (1815-1898), Nr. 93 halfrelief (marble) in the Arkadenhof of the University of Vienna-2014-HDR.jpg
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--QICbot (talk) 05:24, 13 April 2016 (UTC)

Quality Image Promotion[edit]

Karl Popper (1902-1994), Nr. 104 bust (bronce) in the Arkadenhof of the University of Vienna-2479.jpg
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Josef Stefan (1815-1898), Nr. 93 halfrelief (marble) in the Arkadenhof of the University of Vienna-2399-HDR.jpg
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Julius Wagner-Jauregg (1857-1940), Nr. 87 bust (marble) in the Arkadenhof of the University of Vienna-1949.jpg
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Julius von Wiesner (1838-1916), Nr. 71 bust (marble)in the Arkadenhof of the University of Vienna-1313.jpg
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--QICbot (talk) 05:24, 14 April 2016 (UTC)

Quality Image Promotion[edit]

Athene, Main figure (Johannes Benk) at the Kunsthistorisches Museum, Wien-9754.jpg
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NHM Mittelrisalit Bellariastraße - Metopenfeld - Louis Etzmannsdorfer -3699-Bearbeitet.jpg
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--QICbot (talk) 05:25, 15 April 2016 (UTC)

Quality Image Promotion[edit]

NHM Mittelrisalit Bellariastraße - Metopenfeld - Louis Etzmannsdorfer -3713-Bearbeitet.jpg
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Theodor von Sickel (1826-1908), Nr. 103 halfstatue (bronce) in the Arkadenhof of the University of Vienna-2518.jpg
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--QICbot (talk) 05:21, 16 April 2016 (UTC)

QI File:Herbert Achterberg 4119.jpg[edit]

Jetzt ausreichend? Mehr geht nicht, ohne sinnlose Tricks. cu --ST 10:14, 16 April 2016 (UTC)

ebenfalls: File:Altenstadt-Hessen Zum Schwarzen Adler WP 9806.jpg --ST 10:22, 16 April 2016 (UTC)

Sei bitte nicht ungehalten, ST, aber so sind halt die Regeln hier. Die 300D hatte ja auch über 6 MP. Ist nicht viel, aber deutlich mehr als die Grenze zu 2 MP. Das Bild vom Achterberg ist ok, ich habe es auf Promotion gesetzt, das zweite (wie auch das dritte) hat massive Probleme, weil die Bildreparatur aber auch das Postprocessing daneben gegangen ist (war wohl damals ein Jpg out of the box). Schau dir die Anmerkungen an, die ich direkt im Bild gemacht habe. Wenn du das zweite Bild weiterbearbeiten möchtest, bitte setze es selbst auf "Discuss", vielleicht sehen das die anderen Kollegen positiver. --Hubertl 13:28, 16 April 2016 (UTC)
Nein, nicht ungehalten. Ich sehe die Fehler ein bez. bin dankbar, wenn man mich darauf hinweist. Andernfalls hätte ich keine Chance mich zu verbessern. Dem soll das ganze QI-Verfahren ja auch dienen. --ST 16:20, 16 April 2016 (UTC)
Genau so sehe ich es auch. QI als die Pflicht, FP als die Kür. --Hubertl 17:47, 16 April 2016 (UTC)

Quality Image Promotion[edit]

NHM Mittelrisalit Bellariastraße - Metopenfeld - Louis Etzmannsdorfer -3710-Bearbeitet.jpg
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Quality Image Promotion[edit]

Inspiration (Kundmann) Naturhistorischs Museum 5141-Bearbeitet.jpg
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--QICbot (talk) 05:23, 18 April 2016 (UTC)

Donaupark Irissee IZD Tower[edit]

Hallo!

Vielen Dank für Deinen Kommentar zu meinem QI Kandidaten Donaupark irissee IZD Tower. Ich habe inzwischen eine verbesserte Version hochgeladen, welche deutlich weniger Bildrauschen enthält. Meine 650D ist leider schon bei 100 ISO nicht ganz frei von Rauschen, speziell wenn ich den Kontrast erhöhe und die Belichtung nachträglich aufhelle. Die Nominierung ist zwar inzwischen erfolgreich abgeschlossen, allerdings habe ich erst heute Zeit gefunden, das Bild nachzubearbeiten. Freundliche Grüße! Hendric Stattmann (talk) 08:50, 18 April 2016 (UTC)

hallo Hendric, der neuen Version kann ich ungeteilt zustimmen - auch wenn man natürlich schwerlich zaubern kann. Aber irgendwas geht immer...
Ich sehe, dass du die Kritik nicht persönlich nimmst, sondern als Hinweis, etwas besser zu machen. Und das gleich von vornherein. Für mich war QI eine ziemlich harte, aber wie ich inzwischen nach fast 2 Jahren rückblickend feststelle, die beste aller möglichen Schulungen. Nach dem Motto: Wo man früher ganz begeistert durch den Sucher ins Zentrum geschaut und nicht ahnen konnte, dass das Problem in der Komposition, nämlich über den Rand definiert wird, so wird man das in den folgenden Sessions berücksichtigen, irgendwann einmal ist einem das Zentrum egal, denn meistens verwendet man ja eh den AF. Nur als Beispiel. In deinem fall wundert es mich aber schon, denn es war (erinnerlich) ja um die Mittagszeit, offenbar war dann doch der Kontrastumfang zu hoch. Da ich ja immer mit Stativ arbeite, habe ich es mir angewöhnt, gleich eine Belichtungsserie mit 5 Bildern zu machen, in so einem Fall mit kleinen EV Intervallen. Es muss ja dann nicht mit tonemapping bearbeitet werden, aber über eine Maske kann ich dann im Zweifel so ein kritisches Element austauschen/einfügen. Die Welt bei Sonnenschein ist ein hartes Brot für Sensoren - nicht weniger hart als ohne Sonne. Aber danke für deine Teilhabe, ich freue mich auf weitere Bilder von Dir! Falls du mal Lust hast, mit einer anderen Kamera (oder einem unserer tollen Objektive) zu arbeiten, du kannst dich gerne unseres Technikpools bedienen. Völlig kostenlos, versichert und unbürokratisch - ohne Vorbedingungen von wegen Mitgliedschaft oder so. Einzig, Supported by Wikimedia-Österreich wird als Kategorie hinzugefügt.
Melde dich einfach bei mir, ich sags, wie es geht und kann dich auch beraten (technisch, nicht motivmässig, da sehe ich deine Fähigkeiten höher angesiedelt). Von 11-800mm (für Canon) ist (fast) alles da, Tilt/Shift-Objektive wahrscheinlich erst ab Herbst. Den ganzen Sommer sieht es so aus, dass die 7D MkII frei sein wird (mit Unterbrechungen für Konzert- oder Sporteinsätzen vielleicht), mit Full frame Bodys sind wir leider etwas schwach noch zur Zeit, aber auch da wird es noch heuer zu einer Neuanschaffung kommen, wahrscheinlich die 5Ds R. Eben Sachen, die man sich selbst nicht leisten kann (oder will) - aber doch manchesmal gerne für eine Zeitlang hätte! Es macht manchesmal wirklich Spaß, wenn man technisch aus dem Vollen schöpfen kann. --Hubertl 09:48, 18 April 2016 (UTC)
Falls du mal einen guten Panokopf brauchst, der sich auch hervorragend nivellieren lässt, dann melde dich! Ich sehe da noch ein bereits von dir bereits einmal umgesetztes Motiv, welches du sicher einmal wiederholen möchtest ;-) Am besten bei Fönwetter. Den Ankauf des GigaPan Epic Pro-Kopfes, den haben wir vorerst zurückgestellt, ist aber immer noch im Gespräch! Es liegt an denen, welche so etwas wirklich haben wollen und es nicht nur im Schrank liegen lassen wollen. --Hubertl 10:05, 18 April 2016 (UTC)


Hallo Hubertl! Vielen Dank für die freundlichen Worte und das hochinteressante Angebot! Ich habe zu meiner 650D auch ein recht guten Objektivpark angeschafft: Das neue Sigma 50 1.4 art, das Canon EF 70-200 f/4 IS und das EF-S 10-22. Für die Zukunft (2017) plane ich die Anschaffung einer Vollformatigen.
Bezüglich Belichtungsreihen usw: Ich nutze ausschließlich Linux und verwende RawTherapee zum Entwickeln, sowie hugin für Panoramas, Focus-Stacks etc. Mit HDR bin ich allerdings auf Kriegsfuß, da habe ich praktisch noch nie ein vorzeigbares Ergebnis zusammenbekommen. Da muss mir mal wer unter die Arme greifen...
Falls es im Bezirk Mödling - ich bin aus Perchtoldsdorf - noch Bilderwünsche gibt, kann ich mich eventuell auf den Weg machen. Falls nötig, würde ich dann auch auf Euren Fundus zurückgreifen. Bis dahin sende ich freundliche Grüße! Hendric Stattmann (talk) 14:12, 18 April 2016 (UTC)
@Hendric Stattmann Ich hab gesehen, dass du dich schon an ein paar Panoramen gemacht hast, aber gerade das in der Nacht scheint mir eines zu sein, welches - so in der blauen Stunde - unbedingt HDR erfordert. Aber nicht aus der Kamera heraus (das wird nix), sondern über eine Mehrfachbelichtung. Inwieweit das die 650er kann, weiß ich nicht, ich hab da vor mir grad eine 700D liegen, meine Zweitkamera, so richtig geht das mit der auch nicht, auch wenn eine AEB-Aufnahme mit 3 Bildern (wohl das absolute Minimum) angeboten wird - muss wohl das Handbuch lesen. Die eingebaute HDR-Funktion ist zum schmeißen aus meiner Sicht. Ich mache fast 50% aller Bilder mit HDR, aber das Tone-mapping muss so sein, dass man es nicht bemerkt. Nichts ist furchtbarer IMO als der sogenannte HDR-Effekt.
Aber egal, mit deinen Objektiven bist du ganz gut bestückt, dass 11-22er hab ich auch - aber wie immer bei Canon, es gibt halt EF und EF-S, heute bedauere ich es, dass ich vor drei Jahren nicht sofort auf EF gesetzt habe - und auf Vollformat. Mit meiner 6D bin ich hochzufrieden, der Sprung zur 5D MkII ist kaum merkbar (wohlgemerkt, ich bin Stativfotografierer) und mit den Objektiven hab ich dann für mich selbst aufgerüstet. War die richtige, wenn auch finanziell schmerzhafte Entscheidung. Aber heute will ich unter L nichts mehr haben. Wir haben zwei sehr aktive Fotografen in deiner Gegend, Karl Gruber ist in der Hinterbrühl, Ailura in der Breitenfurter Gegend.
So wie ich die Linuxer kenne, sind sie auch immer bereit, sich die Kulissenzusammensetzung genauer anzuschauen. Fotografie ist zu einem großen Teil reine Technik - auch wenn natürlich die Motivwahl das Ausschlaggebende in Folge ist. Was meiner Meinung nach noch offen ist, wäre ein wirklich gutes Bild von der Burg. Da scheiterte es meiner Meinung nach bislang wg. den Platzproblemen (soweit ich mich erinnere) am vorhandenen Objektiv. Aber da wäre unser 11-24er EF natürlich genau das, was man bräuchte - aber eben mit Vollformat, sonst kann man die 11 mm nicht ausspielen.
Wir treffen uns so ungefähr alle zwei Monate in Wien, wenn du Lust hast, kannst du dich ja hier eintragen, da bekommst du eine Einladung auf deine Wikipedia-Diskussionsseite. Da besprechen wir auch die diversen Projekte - das nächste ist ein Portraitprojekt Ende Mai. --Hubertl 17:09, 18 April 2016 (UTC)
Aha, DAS ist also der Donauturm! *flücht* --Ralf Roleček 19:13, 18 April 2016 (UTC)

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FP Promotion[edit]

Heinrich von Ferstel - bust in the vestibule of the big ballroom - 2059-HDR.jpg
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FP Promotion[edit]

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--QICbot (talk) 05:20, 25 April 2016 (UTC)

AEB[edit]

Hallo Hubertl, was ist dieses "AEB", das du auf QIC erwähnst? Danke. --Magnus (talk) 06:26, 25 April 2016 (UTC)

@Magnus Auto Exposure Bracketing. Das ist die Einstellung auf der Kamera und die du im Display/ am Monitor siehst (wenn du etwas anderes einstellst als Automatik), welche es dir erlaubt - am Stativ wohlgemerkt - von einer Situation mehrere Bilder mit unterschiedlich langen Belichtungszeiten zu machen. Im Normalfall fünf, höherwertigere Kameras erlauben bis zu sieben Bilder hintereinander mit einstellbarer Spreizung bis zu 8 Blendenstufen. Der Vorteil dabei ist, dass du die Dynamikeinschränkungen des Sensors damit - in Verbindung mit einer HDR-Software - überwindest.
Wenn du meine Bilder betrachtest - vor allem die in Innenräumen - dann ist in den meisten Fällen HDR im Spiel. Allerdings ganz bewusst so eingesetzt, dass man es nicht als HDR erkennt. Nichts ist furchtbarer, als dass man ein HDR auf erstem Blick erkennt.
Wer einmal Lust darauf bekommen hat, will gar nicht mehr anders arbeiten. Man bekommt die fast völlige Kontrolle über das Ergebnis. Es ist zwar ein kleiner Mehraufwand dann beim Postprocessing (ca 1 Minute/Bild mit etwas Übung), aber gerade bei Nachtaufnahmen hast du den Vorteil, dass man die Höhen und Tiefen abmildern kann. In der Nacht, wenn irgendwo eine blöde Laterne das Bild versaut - ist es von unschätzbarem Vorteil. Durch Langzeitbelichtungen von dunklen Bereichen wiederum (bis zu 30 sek) bekommt man diese praktisch rauschfrei - weil niedrige ISO-Werte - präsentiert. Was auf andere Weise nicht möglich ist.
Es gibt viele Spielereien, so bei diesem Bild, Kuffner-Sternwarte-Heliometertrakt 1008.jpg welches 30 Sekunden belichtet wurde (kein HDR), praktisch Null Licht vor allem auf der Kuppel und mit rauschfreundlichen ISO 200. Mit einer Taschenlampe hat man viel Zeit, die gewünschten Bereiche auszumalen. Hätte ich die Blende aufgemacht, wären die rückwärtigen Bereiche mit mehr Licht überstrahlt gewesen. Mit höheren ISO-Werten (so ab 800) hätte ich ein Farbrauschen bekommen, dessen Reparatur auch mit Lightroom zu Detailverlusten geführt hätte.
Wer dann gelernt hat, mit mehreren Bildern zu arbeiten (was aber dann immer die Spiegelvorauslösung und einen Remote-Auslöser - oder idealerweise die 2, besser noch 10 Sekunden Auslöseverzögerung voraussetzt), der wird dann in Folge draufkommen, dass mehrere Bilder ein und derselben Situation (in diesem Fall bei identischen Einstellungen) bei Langzeitbelichtungen weitere Vorteile bringen, wie zB auch das Entfernen von Personen von öffentlichen Plätzen. Echte Langzeitbelichtungen über mehrere Minuten mit einen Graufilter werden zwar immer wieder ins Gespräch gebracht, aber gibt trotzdem immer Restgeister, einer der Passanten bleibt immer stehen und unterhält sich. Was dann? Mehrere Bilder helfen da. Hier ist so ein Beispiel. Mit zwei oder mehrereren gleichen Bildern im Abstand von jeweils 4 Sekunden kannst du jeglichen Ghost entfernen (wenn man ihn entfernen will).
Es ist ein weites Feld, weit weniger schwierig als man meint, aber sehr ergiebig. Es ist die Welt der Stativarbeit! Für mich ist das deswegen so attraktiv, weil ich damit selbst die Zeit für mich bestimme, nicht das Motiv meine Zeit. Ich liebe es, in Ruhe zu arbeiten, Pausen zu machen, herumzugehen um andere Blickwinkel zu entdecken, auch wenn das Stativ und die Kamera und auch mein Photo-Rollkoffer schon mal völlig allein auf einem Platz herumstehen und sich die Passanten wundern. --Hubertl 07:06, 25 April 2016 (UTC)
Vielen Dank für die ausführliche Erklärung. Soweit ich weiß, kann ich mit der D5300 (gut, bessere Einsteiger-DSLR) nur Belichtungs"reihen" von 3 Bildern machen. Mit einer App-Ansteuerung habe ich mich bislang nicht beschäftigt. Ich schließe aus deiner Erklärung, dass ich z.B. hier die Laternen besser in Griff begkommen hätte. --Magnus (talk) 07:35, 25 April 2016 (UTC)
Ja, Magnus, mit einer Mehrfachbelichtung (mit hoher Spreizung in diesem Fall) wäre es möglich gewesen. Du musst dir das Handbuch anschauen, ob es in den Menüs die Möglichkeit gibt, von drei auf 5 Bilder zu erhöhen. Aber auch drei sind schon besser als nur ein Bild. Eine andere Variante mit einem Single-Shot wäre gewesen, du hättest die Blende auf 8 gestellt, ISO 100, die Belichtungszeit dadurch auf 10, oder sogar 12 Sek. erhöht und für 5 Sekunden einfach auf der rechten Seite, wo die Laterne ist, die Hand vorgehalten (ohne natürlich das Objektiv zu berühren). Die Hand selbst darf natürlich von hinten nicht beleuchtet sein..

Das scheint verwunderlich zu sein, aber es funktioniert auch. Funktioniert aber logischerweise nur flächig. Ein anderes Beispiel ist der Sonnenuntergang bei linearem Horizont: Ein Blatt Papier an den Horizontrand, und schon kannst du länger belichten, aber bekommst keine Überbelichtung am Himmel. Was mit der Taschenlampe das Hinzufügen von Licht ist, geht umgekehrt mit dem Wegnehmen genau so. Alles ist erlaubt, außer die Kamera zu schütteln. Dort beginnt nämlich dann die Kunst. --Hubertl 07:59, 25 April 2016 (UTC)
Eine App mit Kabelverbindung (oder auch W-Lan in deinem Fall) ist eine tolle Sache, weil relativ günstig. So kostet der DSLR-Controller für Canon gerade mal 7 Euro und kann praktisch alles. Sehr empfehlenswert! Ich verwende sie vorrangig dort, wenn es um Deckenfotografie geht, auch hier hauptsächlich wegen des Ausrichtens der Kamera, weil das sehr heikel und schwierig ist. Im Sommer könnte man sich auf den Rücken legen. Letzte Woche kniete ich mich im Obersten Gerichtshof bei einem der wunderbaren Deckenfrescos hin, was bei einem vorbeigehenden Richter Schmunzeln auslöste. Allerdings musste ich ihn enttäuschen, mein Kniefall galt nicht Iustitia, sondern der Kunst. Was ihn zum Lachen brachte und zu einem kurzen Plausch über Wikipedia. --Hubertl 08:10, 25 April 2016 (UTC) Schau hier, Seite 109

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Deine Mail[edit]

Hallo Hubertl, bitte vielmals um Entschuldigung. Ich schaue nicht täglich in meine Mails und habe Deine Mail gestern im Spamfilter gefunden, sie war nicht in meine normale Post gekommen. Schicke Dir jetzt eine kurze Antwort per Mail, der Rest am Montag. Grüße aus Karlsruhe --Llez (talk) 15:09, 29 April 2016 (UTC)

Danke, ich war schon fast ratlos! --Hubertl 15:10, 29 April 2016 (UTC)

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Wiki Loves Earth 2016[edit]

WLE Austria Logo.svg

Servus Hubertl,

Am Sonntag, den 1. Mai 2016 startete zum dritten Mal der Fotowettbewerb Wiki Loves Earth in Österreich.
Wir laden dich herzlich ein, auch dieses Jahr wieder mit Fotos von Naturdenkmälern und weiteren unter Naturschutz stehenden Objekten aus Österreich teilzunehmen.
Der Zeitraum, in dem die Bilder auf Wikimedia Commons hochgeladen werden sollen, läuft bis 31. Mai 2016.
Alle Informationen findest du hier: https://wikilovesearth.at/.

Liebe Grüße im Namen des Organisationsteams, --Agruwie  Disk    14:56, 5 May 2016 (CET)

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Statue in Venedig[edit]

Hallo, hast du Ahnung was diese Statue darstellt? LG aus ST --Wolfgang Moroder (talk) 07:56, 7 May 2016 (UTC)

@Moroder:: Hmm. Zuallererst mal ist es die Darstellung eines römischen Soldaten (was ja jetzt keine Kunst ist, das zu behaupten). Es stellt sich nur die Frage, welche Hinweise die Details ergeben, derer ich nur zwei sehe, eines ist ja verdeckt.
  • Am Helm ist oben ein Adler dargestellt. Das ist eindeutig.
  • Der Schild, den er mit der linken hält (und sich nicht darauf stützt!) hat eine Figur (Mascherone), welche einen Hinweis geben könnte, welcher Legion er angehört.
  • mit der rechten Hand stützt er sich auf etwas ab, was ich nicht erkennen kann, was es genau ist. Schau dir die Dreiteiligkeit an, hier könnte es einen Hinweis geben (ich habe aber keine Ahnung, was es sein könnte! Möglicherweise eine Schaufel?) zum Lagerbau? Schild und Schaufel? Interessante Kombination! Wir mussten ja auch Löcher graben während unseres Einsatzes beim Heer und hatten immer brav unser Gewehr griffbereit. Eine andere Erklärung wäre eine Plumbata - auch die war in Griffabschnitte geteilt. Oder gar ein Pilum murale?? Alles Spekulation.
  • Die Verzierung des Schildes deutet auf einen höheren Rang - ebenso der Adler auf dem Helm. Unter Umständen auch der "Schmuck" auf dem Unterschenkel.
  • Erwähnenswert - und für einen "normalen" Legionär wahrscheinlich ungewöhnlich - sind auch die schulterlangen Haare.
Was fehlt:
  • Der Gürtel für das Schwert und den Dolch. Ehemals waren es zwei, später nur mehr ein Gürtel. Wahrscheinlich ist aber, dass der Gürtel hier angedeutet wurde (das Kurzschwert wurde rechts getragen!). Dass es so hoch angesetzt ist, liegt möglicherweise daran, dass es beim Knien (in der Phalanx) nicht zu sehr stört. Dass man aber überhaupt keinen Schwertknauf sieht, irritiert.
  • Der Legionär steht barfuß, aber Legionäre hatten Sandalen - die auch meistens dargestellt waren.
Ansonsten scheint es eine ziemlich normale Rüstung zu sein, die hier dargestellt wird. Ohne sichtbare Rangelemente. Allerdings kann auch angenommen werden, dass es nicht mehr als um eine idealisierte Darstellung eines Soldaten handelt.
lg --Hubertl 08:26, 7 May 2016 (UTC)
PS: Schau dir diese Originaldarstellung an, interessant ist die Reihenfolge der unteren Reihe: Zuerst der unbewaffnete (?) Anführer, durch einen speziellen langen Kampfrock erkenntlich, dann die Standartenträger (der erste mit kurzem Kampfrock), der zweite mit langem Haar, dann die Mannschaft (ohne Helm), nur mit angedeutetem Brustharnisch aber mit Schilden ohne Verzierung. Aber wie erkennbar, keiner hat einen Helm auf, die Mannschaft allerdings das Kurzschwert umgegürtet. --Hubertl 08:41, 7 May 2016 (UTC)

Hallo @Hubertl:. Ich habs. Es ist eine weibliche Figur (Ich als Gynäkologe habs nicht erkannt ;-) meine Frau schon) mit weiblichen Attributen (Busen und langes Kleid - das Knie liegt frei) Das Schild mit dem Kopf der Medusa ist ein typisches Attribut der Athena jedoch der Minirock ;-) ist römisch also Minerva. Was sagst du dazu? LG --Wolfgang Moroder (talk) 16:04, 7 May 2016 (UTC)

Nicht uninteressant - lange Haare. Busen eher 20er-Jahre-Typus. Kein Schwert - Minerva? --Hubertl 17:38, 7 May 2016 (UTC)
Ich hab mir jetzt weitere Minerven angesehen, @Moroder:, und konnte feststellen, das Medusenhaupt kommt auf unterschiedliche Weise immer vor. Ohne Helm (und diesen in der Hand) - Friedenszeit, mit Helm am Kopf -> Krieg. Tja, weibliche Intuition! --Hubertl 17:47, 7 May 2016 (UTC)

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AT 50473 Justizpalast Wien, Iustitia - Emanuel Pendl 4609-HDR-Bearbeitet.jpg
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--QICbot (talk) 05:23, 10 May 2016 (UTC)

Btw[edit]

I invite you to read about Bolivarian propaganda. To say that this video is not neutral is a bit illogical, however, I understand that perhaps you are not well informed. --The Photographer (talk) 13:50, 10 May 2016 (UTC)

I don´t have to say anything more about I already did. --Hubertl 14:54, 10 May 2016 (UTC)

Bilder von User:Reda Kerbouche[edit]

Hallo Hubertl,

ich habe eines der Bilder von Reda Kerbouche überprüft/rezensiert: https://commons.wikimedia.org/wiki/File:Femme_en_rose,_jardin_d%27%C3%A9t%C3%A9_%C3%A0_Saint-P%C3%A9tersbourg.JPG

Hier sind mir die CAs aufgefallen. Da Du ein weiteres Bild aus der Serie freigegeben hast, wende ich mich an Dich. Reda hat die CAs entfernt, ich kann aber immer noch weitere erkennen (auch in dem von Dir freigegebenen). Ich weiss nicht, welche Möglichkeiten er zum Entfernen hat (scheinbar mit Gimp), aber für mich sieht das fast so aus, als wären die mit einem Pinsel entfernt worden. In Lightroom wäre das mit einem Regler komplett unterdrückt worden. Könntest Du Dir das Bild ansehen und mir Deine Meinung sagen? Glaubst Du nicht, dass auch in "Deinem" Bild noch CAs vorhanden sind? Denkst Du, dass diese vernachlässigt werden können?

Viele Grüsse,

--Basotxerri (talk) 14:47, 10 May 2016 (UTC)

ich habe es mir angeschaut, Basotxerri, es ist nicht optimal, aber gerade noch für mich akzeptabel. Ein Einwand im Sinne von CR wäre mir durchaus recht! Wir lernen alle dadurch! --Hubertl 14:52, 10 May 2016 (UTC)
Meinst Du CR von Deinem, von meinem oder von beiden Bildern? --Basotxerri (talk) 15:14, 10 May 2016 (UTC)
Basotxerri Ich hoffe, es richtig beurteilt zu haben, aber die CAs sind nun reduziert (bei dem Bild, welches ich beurteilt habe). Bei deinem ist noch was da - er ist Gimp_User, ich kann nicht beurteilen, ob Gimp dafür eine Funktion hat. Insgesamt aber ein höchst kritischer Hintergrund, auch für eine aus-der-Hand-Bild recht gut (ich kenn mich aus bei Statuen), deshalb mein OK. --Hubertl 15:33, 10 May 2016 (UTC)
Ist in Ordnung, ich habe meines gerade als Discuss geschaltet. Schauen wir mal, was passiert. Ich habe dabei bewusst kein Pro oder Kontra angegeben, eben weil ich mir nicht sicher bin. Danke Dir! --Basotxerri (talk) 15:40, 10 May 2016 (UTC)

Quality Image Promotion[edit]

NHM Mittelrisalit Bellariastraße - Metopenfeld - Louis Etzmannsdorfer -3720-Bearbeitet.jpg
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Hans von Arnim (Nr. 40) Bust in the Arkadenhof, University of Vienna-3860.jpg
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--QICbot (talk) 05:22, 11 May 2016 (UTC)

Quality Image Promotion[edit]

Johann Radon (1887-1956), Nr. 107, bust (bronce) in the Arkadenhof of the University of Vienna-2892.jpg
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AT 50473 Justizpalast Wien, Iustitia - Emanuel Pendl 4473-HDR.jpg
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Johann Radon (1887-1956), Nr. 107, bust (bronce) in the Arkadenhof of the University of Vienna-2896.jpg
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--QICbot (talk) 05:35, 12 May 2016 (UTC)

Quality Image Promotion[edit]

Robert Ultzmann (1842-1889), Nr. 69, bust (marble) in the Arkadenhof of the University of Vienna-1280.jpg
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--QICbot (talk) 05:36, 13 May 2016 (UTC)

Quality Image Promotion[edit]

NHM 1. Schöpfungstag - Mittelrisalit Bellariastraße - Zwickelfigur - Alois Düll-3691-Bearbeitet.jpg
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NHM Mittelrisalit Bellariastraße, Schlussstein-3733.jpg
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Wilhelminenberg - Panorama 20160508 large Version.jpg
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AT 50473 Details of the Aula, Palace of Justice, Vienna-4288-HDR.jpg
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--QICbot (talk) 05:26, 14 May 2016 (UTC)

Nominations[edit]

Nomitations updated as recommended by you! Sorry I lost some info when editing by a conflict when saving. Rodrigo Padula (talk) 14:58, 14 May 2016 (UTC)

Thanks, Rodrigo! --Hubertl 15:13, 14 May 2016 (UTC)-

Quality Image Promotion[edit]

AT 20143 Tritonen- und Najadenbrunnen, Hofmann von Aspernburg, southwest side-5306.jpg
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NHM Mittelrisalit Bellariastraße, Schlussstein-3735.jpg
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Putto 9 at the NHM Vienna, Medium Avant-corps Bellariastraße-3687.jpg
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Otto Benndorf (1838-1907), bust (marble) in the Arkadenhof of the University of Vienna (Nr. 67)-1267.jpg
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Friedrich Jodl (1849-1914), bust (marble) in the Arkadenhof of the University of Vienna (Nr. 66)-1259.jpg
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--QICbot (talk) 05:26, 15 May 2016 (UTC)

Quality Image Promotion[edit]

AT 50473 Justizpalast Wien, Iustitia - Emanuel Pendl 4298-HDR.jpg
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NHM Mittelrisalit Bellariastraße, Schlussstein-3734.jpg
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AT 50473 Details of the Aula, Palace of Justice, Vienna-4328-HDR.jpg
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Putto 2 at the NHM Vienna, Medium Avant-corps Bellariastraße-3680.jpg
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Josef Maria Pernter (Nr. 34) Bust in the Arkadenhof, University of Vienna-3849.jpg
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--QICbot (talk) 05:17, 16 May 2016 (UTC)

Quality Image Promotion[edit]

AT 46784 Minoritenkirche, Vienna - doors in the Arcades-5424 HDR.jpg
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--QICbot (talk) 05:31, 17 May 2016 (UTC)

Invitation - Wiki Loves Earth Brasil 2016 - Jury[edit]

Hello, based in the quality and level of your contributions, I would like to invite you to join the WLE Brasil Jury that will be responsible to evaluate the TOP500 pictures and elect the Brazilian winners that will be selected for the international phase of the contest.

Our contest will be running until June 30 and the filtering proccess and winners election will be after that date.

For sure your participation will improve our final quality and results. Best regards Rodrigo Padula (talk) 13:10, 17 May 2016 (UTC)

Quality Image Promotion[edit]

AT 46784 Minoritenkirche, Epitaph Johann Rudolf von Puchheim in the Arcades-5269-HDR.jpg
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--QICbot (talk) 05:29, 19 May 2016 (UTC)

Quality Image Promotion[edit]

AT 46784 Minoritenkirche, Epitaph Johann Rudolf von Puchheim in the Arcades-5244-HDR.jpg
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--QICbot (talk) 06:41, 20 May 2016 (UTC)

Quality Image Promotion[edit]

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NHM 6. Schöpfungstag - Mittelrisalit Bellariastraße - Zwickelfigur - Alois Düll-3697.jpg
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AT 46784 Minoritenkirche, Epitaphs in the Arcades-5121.jpg
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AT 46784 Minoritenkirche, Epitaphs in the Arcades-5469-HDR.jpg
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AT 50473 Details of the Aula, Palace of Justice, Vienna-4563-HDR.jpg
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--QICbot (talk) 05:31, 21 May 2016 (UTC)

Quality Image Promotion[edit]

Praterstern in Vienna, Monument for Admiral Tegetthoff-4934.jpg
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Praterstern in Vienna, Monument for Admiral Tegetthoff-4963.jpg
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AT 50473 Details of the Aula, Palace of Justice, Vienna-4278-HDR.jpg
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Putto 3 at the NHM Vienna, Medium Avant-corps Bellariastraße-3681.jpg
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Eduard Hanslick (Nr. 46) Bust in the Arkadenhof, University of Vienna-1380.jpg
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--QICbot (talk) 05:21, 23 May 2016 (UTC)

Quality Image Promotion[edit]

Christian Doppler (1803-1853), Nr. 111, bust (marble) in the Arkadenhof of the University of Vienna-2943.jpg
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Christian Doppler (1803-1853), Nr. 111, bust (marble) in the Arkadenhof of the University of Vienna-2687-HDR.jpg
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Rudolf Pöch (1870-1921), Nr. 109, basrelief (bronce) in the Arkadenhof of the University of Vienna-2862-HDR-Bearbeitet.jpg
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Putto 6 at the NHM Vienna, Medium Avant-corps Bellariastraße-3684.jpg
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AT 50473 Details of the Aula, Palace of Justice, Vienna-4513-HDR-Bearbeitet.jpg
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--QICbot (talk) 05:25, 24 May 2016 (UTC)

Quality Image Promotion[edit]

AT 46784 Minoritenkirche, Epitaphs in the Arcades-5159-HDR.jpg
Your image has been reviewed and promoted

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Christian Doppler (1803-1853), Nr. 111, bust (marble) in the Arkadenhof of the University of Vienna-2612-HDR.jpg
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Theodor Meynert (1833-1892), Nr. 110, bust (bronce) in the Arkadenhof of the University of Vienna-2928.jpg
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Karl Langer von Edenberg (1865-1935), Nr. 108, halfstatue (bronce) in the Arkadenhof of the University of Vienna-2913.jpg
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Ferdinand von Hebra (1816-1880), Nr. 106, bust (bronce) in the Arkadenhof of the University of Vienna-2872-HDR.jpg
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Heinrich von Bamberger (1822-1888), Nr. 70 bust (marble) in the Arkadenhof of the University of Vienna-1298.jpg
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--QICbot (talk) 05:28, 25 May 2016 (UTC)

Quality Image Promotion[edit]

AT 46784 Minoritenkirche, Ursula Dorothea Schönflingerin, Epitaph in the Arcades-5154-HDR.jpg
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AT 46784 Minoritenkirche, Epitaphs in the Arcades-5189-HDR.jpg
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AT 46784 Minoritenkirche, Epitaphs in the Arcades-5389-HDR.jpg
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AT 46784 Minoritenkirche, Epitaphs in the Arcades-5364-HDR.jpg
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--QICbot (talk) 05:22, 26 May 2016 (UTC)

Quality Image Promotion[edit]

Praterstern in Vienna, Monument for Admiral Tegetthoff-4941.jpg
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Praterstern in Vienna, Monument for Admiral Tegetthoff-4967.jpg
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Praterstern in Vienna, Monument for Admiral Tegetthoff-4987.jpg
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NHM 3. Schöpfungstag - Mittelrisalit Bellariastraße - Zwickelfigur - Alois Düll-3693.jpg
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NHM 4. Schöpfungstag - Mittelrisalit Bellariastraße - Zwickelfigur - Alois Düll-3694.jpg
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--QICbot (talk) 05:24, 27 May 2016 (UTC)

Quality Image Promotion[edit]

AT 46784 Minoritenkirche, Epitaphs in the Arcades-5349-HDR.jpg
Your image has been reviewed and promoted

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Christian Doppler (1803-1853), Nr. 111, bust (marble) in the Arkadenhof of the University of Vienna-2945.jpg
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Theodor Meynert (1833-1892), Nr. 110, bust (bronce) in the Arkadenhof of the University of Vienna-2929.jpg
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Karl Langer von Edenberg (1865-1935), Nr. 108, halfstatue (bronce) in the Arkadenhof of the University of Vienna-2918.jpg
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Johann Radon (1887-1956), Nr. 107, bust (bronce) in the Arkadenhof of the University of Vienna-2897.jpg
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Ferdinand von Hebra (1816-1880), Nr. 106, bust (bronce) in the Arkadenhof of the University of Vienna-2883.jpg
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--QICbot (talk) 05:25, 28 May 2016 (UTC)