File:Bonnard-Pierre poisson-sur-une-assiette 1921 MBAlyon.jpg
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Captions
Summary
[edit]Pierre Bonnard: Q115557663 | ||||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q26408 |
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Title |
Poisson sur une assiette |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | still life | |||||||||||||||||||||||||||
Description |
Français : Peinture |
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Date |
1921 date QS:P571,+1921-00-00T00:00:00Z/9 |
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Medium | Huile sur bois | |||||||||||||||||||||||||||
Dimensions | H. 33,8 ; L. 59,8 cm | |||||||||||||||||||||||||||
Collection |
institution QS:P195,Q511 |
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Accession number |
1995-7 |
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Object history | Collection : Eknayan Myran Neuilly-sur-Seine. Mention obligatoire : Don Jacqueline Delubac, 1995 | |||||||||||||||||||||||||||
Exhibition history |
"Los Modernos", Mexico, Museo national de arte, 11 octobre 2015 - 28 février 2016 ; Guadalajara, Museo de las Artes Universidad, 21 avril - 10 juillet 2016 Mexico, Museo National de Arte Exposition : "Jacqueline Delubac, Le choix de la modernité, Rodin, Lam, Picasso, Bacon", Lyon, Musée des Beaux-Arts, 7 novembre 2014 - 16 février 2015 Lyon, Musée des Beaux-Arts Exposition : "Picasso, Matisse, Dubuffet, Bacon... Les Modernes s'exposent au musée des Beaux-Arts de Lyon", Lyon, Musée des Beaux-Arts, 10 octobre 2009 - 15 février 2010 Lyon, Musée des Beaux-Arts Exposition : "Musée des Beaux-Arts : Collection Delubac, From Picasso to Bacon", Lisbonne, Fundaçao Centro cultural de Belém, 12 octobre 2001 - 13 janvier 2002 Lisbonne, Fondaçao Centro Cultural de Belem Exposition : "Nouvelles acquisitions 1990-1995", Lyon, Musée des Beaux-Arts, 19 septembre - 1er décembre 1996 Lyon, Musée des Beaux-Arts n° 87 |
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Inscriptions | Signature en haut à droite Transcription : Bonnard. Type d'inscription : Inscription Emplacement : sur le châssis. Transcription : 10048 / Pierre Liret | |||||||||||||||||||||||||||
Notes |
Jean et Henry Dauberville, Bonnard : Catalogue Raisonné de l'Oeuvre Peint, tome III, 1920-1939, Paris, 1973, p. 95, n° 1084. Notes : [Acquisition] Maurice Denis "Angelot tenant un phylactère", "La communion de Jeanne d'Arc", Inv. 1995-11 a et b/ Pierre Bonnard "Poisson sur une assiette", Inv. 1995-7/ Jean Le Moal "Composition", "Composition picassique", "Personnage assis", "Composition à l'as de coeur", "Flore", Inv. 1982-16, 1995-3, 1995-4, 1995-5, 1995-6/ Louis Dejean, "Loïe Fuller, danseuse américaine", Inv. 1995-2/ Colin Nouailher, "Médaillon: Judas Macchabée", Inv. 1995- 8, La Revue du Louvre, La Revue des Musées de France, 1995, n° 4, notice de Christian Briend, p. 96-98 et p. 84, p. 97, n° 57, ill. Notes : Philippe Durey, Nouvelles Acquisitions 1990-1995, Lyon, Musée des Beaux-Arts, 19 septembre - 1er décembre 1996, Bulletin des Musées et Monuments lyonnais, 1996, n° 3, Lyon, 1996, p. 2, fig.1 ; p. 83, n° 87 Notes : Denis Picard, "Lyon, 20e siècle", Connaissance des Arts, n° 535, janvier 1997, Paris, 1997, p. 30-37 , p. 30 Notes : Jean-Louis Prat, Dominique Brachlianoff, Christian Briend et al., De Manet à Bacon, La collection Delubac, Musée des Beaux-Arts de Lyon, Paris, 1998, p. 54-55, n° 16 Notes : Christian Briend, Les Modernes, de Picasso à Picasso : Catalogue des peintures du XXe siècle au Musée des Beaux-Arts de Lyon, Paris, Réunion des Musées Nationaux, 2000 , p.60, ill. ; CD-Rom Notes : From Picasso to Bacon (sous la dir. de Margarida Veiga et Christian Briend), Lisbonne, Fundaçao Centro cultural de Belém, 12 octobre 2001 - 13 janvier 2002, Lisbonne, 2001, n° 18 Notes : Pierre Bonnard, Magier der Farbe (sous la dir. de Gerhard Finckh et Peter Kropmanns), Wuppertal, Von der Heydt- Museum, 14 septembre 2010 - 30 janvier 2011, Wuppertal, 2010, p. 105, n° 16 Notes : Jacqueline Delubac, le choix de la modernité. Rodin, Lam, Picasso, Bacon (sous la dir. de Salima Hellal), Lyon, Musée des Beaux-Arts, 7 novembre 2014 - 16 février 2015, Arles, 2014, p. 181, fig. 63 ; p. 200-201, ill. ; p. 206, p. 229, cat. 106 |
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Source/Photographer | Œuvre appartenant au Musée des Beaux-Arts de Lyon Photographe Alain Basset | |||||||||||||||||||||||||||
Permission (Reusing this file) |
Avec l'aimable autorisation du Musée des Beaux-Arts de Lyon |
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