File:Camino del Calvario, de Juan Carreño de Miranda (Real Academia de Bellas Artes de San Fernando).jpg

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Juan Carreño de Miranda: Camino del Calvario (El Pasmo de Sicilia)   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Juan Carreño de Miranda  (1614–1685)  wikidata:Q833224
 
Juan Carreño de Miranda
Description Spanish painter, drawer and architectural draftsperson
Date of birth/death 25 March 1614 Edit this at Wikidata 3 October 1685 Edit this at Wikidata
Location of birth/death Avilés Madrid
Work period Baroque
Work location
Madrid Edit this at Wikidata
Authority file
artist QS:P170,Q833224
Title
Camino del Calvario (El Pasmo de Sicilia)
Object type painting
object_type QS:P31,Q3305213
Description
Español: El lienzo representa a Cristo cargando con la cruz y camino del Monte Calvario, donde sería crucificado, y es una copia pintada en el siglo XVII por Juan Carreño de Miranda de la obra El Pasmo de Sicilia o Caída en el camino del Calvario, que fue pintada hacia 1515 ó 1517 por Rafael Sanzio y que se conserva actualmente en el Museo del Prado de Madrid, (España).
Date 1674
date QS:P571,+1674-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 325 cm (10.6 ft); width: 235 cm (92.5 in)
dimensions QS:P2048,325U174728
dimensions QS:P2049,235U174728
institution QS:P195,Q1322403
Accession number
745
References [1]
Source/Photographer [2]
Permission
(Reusing this file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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