File:Cornelius Norbertus Gijsbrechts, Trompe l'oeil Bagsiden af et indrammet maleri, , KMS1989, Statens Museum for Kunst.jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file ‎(4,404 × 3,396 pixels, file size: 10.01 MB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary[edit]

Cornelis Norbertus Gijsbrechts: Trompe l'oeil. The reverse of a framed painting.  wikidata:Q2203407 reasonator:Q2203407
Artist
Cornelis Norbertus Gijsbrechts  (1630–1675)  wikidata:Q955671
 
Cornelis Norbertus Gijsbrechts
Description Spanish-Dutch painter
Date of birth/death circa  Edit this at Wikidata circa  Edit this at Wikidata
Location of birth Antwerp
Work period 1657 Edit this at Wikidata–1675 Edit this at Wikidata
Work location
Antwerp (1648–1660); Hamburg (1665–1668); Copenhagen (1668–1672); Regensburg (1664) Edit this at Wikidata
Authority file
image of artwork listed in title parameter on this page
Title
Danish:
Trompe l'oeil. Bagsiden af et indrammet maleri
title QS:P1476,da:"Trompe l'oeil. Bagsiden af et indrammet maleri"
label QS:Lda,"Trompe l'oeil. Bagsiden af et indrammet maleri"
Object type painting
object_type QS:P31,Q3305213
Genre trompe-l'œil Edit this at Wikidata
Description
Dansk: Trompe l'oeil. Bagsiden af et indrammet maleri
Dansk: Bagsiden af et maleri. Trompe-l'oeil
Date 1670 Edit this at Wikidata
Medium
Dansk: Olie på lærred
Dimensions height: 666 mm (26.22 in); width: 868 mm (34.17 in)
dimensions QS:P2048,666.0U174789
dimensions QS:P2049,868.0U174789
institution QS:P195,Q671384
Accession number
KMS1989
Object history
  • Dansk: Placeringshistorie:

- 1906, fra Fredensborg - magasinet - 1969, 8. sept.: Sølvgade - 1979, 12. nov.: Münster - 1980, 26. juni: Sølvgade - 1987. 18. marts: Wien (udst. Künstlerhaus)

- 1987, 31. juli: Sølvgade
Exhibition history
  • The Eye Deceived - Trompe l'oeil paintings by Cornelius Gijsbrechts, Mauritshuis, Den Haag, 4 February 2005–29 May 2005
  • Restaureringsbilleder : en udstilling om bevaring og undersøgelse af ældre kunst : maleri, Sølvgade, 1 September 1984–18 November 1984
  • Blændværker, Sølvgade, 24 September 1999–30 December 1999
  • Blændværker, National Gallery, 1 February 2000–30 April 2000
  • At krydse grænser - Spot på Europæisk Kunst 1300-1800, Sølvgade, 16 August 2017–25 November 2017
Notes
  • Dansk: Værkdatering: 1668-1672
  • Dansk: Påbegyndt: fagligt skøn afsluttet: fagligt skøn
  • Dansk: tidligere inventarnumre:

- Inventar 1690 p. 349 nr. 7

Katalognumre: - Stroe nr. 471

- Kat. 1946 nr. 253
References
  • Eva de la Fuente Pedersen (2023) Barok. 1600-tallets kunst i SMK's samlinger, omt. p. 192, afb. p. 193
  • Olaf Koester (2000) Painted illusions: the art of Cornelius Gijsbrechts, Omt. p. 54, afb. p. 55 (farve) kat.no.23, omt. p. 57, 2000-432
  • Bernd Wolfgang Lindemann (1998) Was man selten ansieht: Rückseiten, omt. p.18, afb. p.19 (s/h), 2000-469
  • Sten Åke Nilsson (1984) Ut ur spegeln: perspektiv på konsthistorien (2), afb. p.22, omt. som bedriegertje p.24, 2000-571
  • Tobin Siebers (2000) The body aesthetic: from fine art to body modification, Richard Lippert "Representing Girls: Modernity, Cultural Anxiety and the Imaginary", afb. p. 78 fig. 1 (s/h), p.78-79 (Lippert mener, at maleriet fremhæver forskellen mellem 'at se' og 'at se på', og at det dermed viser en indsigt i synets subjektive, sociale, kulturelle og ikke mindst politiske karakter.), 2000-684
  • Sybille Ebert-Schifferer (2002) Deceptions and illusions: five centuries of trompe l'oeil painting, Omt. og afb. p. 33 (fig. 9), 2002-573
  • Stefan Grohé (2004) Stillleben: Meisterwerke der holländischen Malerei, afb. p. 135, omt. p. 134, 2004-337
  • Epco Runia (2004) Visueel bedrog voor de Deense koningen, Omt. p. 16. Afb. p. 17, 2004-510
  • Sven Bjerkhof (2005) SMK highlights: Statens Museum for Kunst, omt. og afb. p. 49, 2005-071
  • Eva de la Fuente Pedersen (2005) Cornelius Gijsbrechts: og perspektivkammeret i Det Kongelige Danske Kunstkammer, omt. p. 100, afb. p. 101 (fig. 17), 2005-265
  • Poul Gammelbo (1956) Cornelius Norbertus Gijsbrechts og Franciskus Gijsbrechts, fort. 24, 23796
  • Henrik Bjerre (1984) Restaureringsbilleder: en udstilling om bevaring og undersøgelse af ældre kunst, kat. no. 26, ill., 51071
  • Martin Battersby (1974) Trompe l'oeil, the eye deceived, fig. 176, 60275
  • Ubekendt (1979) Stilleben in Europa: Westfälisches Landesmuseum für Kunst und Kulturgeschichte Münster, 25.11.1979 - 24.2.1980: Staatliche Kunsthalle, Baden-Baden, 15.3. - 15.6.1980. Münster: Westfälisches Landesmuseum für Kunst und Kulturgeschichte, kat. 259 (afb. p. 501), 63361
  • Miriam Milman (1982) Les illusions de la réalité: le trompe-l'oeil, farvegeng. p. 70, 65347
  • M. Milman (1982) Les illusions de la réalité: le trompe-l'oeil=trompe-l'oeil, farvegeng. p. 70, 65347
  • W. Hofmann (1987) Zauber der Medusa: europäische Manierismen, cat.no. VIII, 6, 88-28
  • Claus Grimm (cop. 1988) Stilleben: die niederländischen und deutschen Meister, ill. p. 88 (eksempel på trompe l'oeil som trompe l'oeil), 88-557
  • Norbert Schneider (1989) Stilleben: Realität und Symbolik der Dinge, p. 23, afb. farveplanche, 89-640
  • Norman Bryson (1990) Looking at the overlooked: four essays on still life painting, 143 fig. 54 (genstanden som den virkelig er), 90674
  • Poul Gammelbo (1960) Dutch still-life painting from the 16th to the 18th centuries in Danish collections, no. 256 (afb.), 91-136
  • Thomas Huber (c1990) Die Ordnung der Symbole: Innovationen der Bildsprache in der nachreformatorischen Kunst des 16.Jahrhunderts am Beispiel der Kompositstilleben Pieter Aertsens, afb. fig. 24, 93-156
  • Anders Troelsen (1994) Mod modernismen: analyser af moderne kunst, p. 139, afb. p. 141 (s/h), 96-008
  • Patrick Mauriès (1996) Le trompe-l'oeil: de l'antiquité au XXe siècle, p. 142, ill. farve p. 151, 97-206
  • Karin v. Maur (1997) Magie der Zahl: in der Kunst des 20. Jahrhunderts, p. XIII, ill. s/h p. XIII fig. 7, 97-214
  • Christoph Heinrich (c1996) Georg Hinz, Das Kunstkammerregal, p. 44, 97-364
  • Victor I. Stoichita (1997) The self-aware image: an insight into early modern meta-painting, p. 276-279 (Stoichita opfatter billedet som indbegrebet af modsætningen mellem realitet og illusion - dvs. som et 'Paradoks'. Med "Bagsiden af et maleri" introduceres et nyt værkbegreb: "det selvbevidste billede") ill. p. 276 fig. 131 (s/h), 98-214
  • Jean-Claude Lebensztejn (date unspecfied) Annexes - de l'oeuvre d'art, afb. p. 184 p. 184 fig. 7 (s/h), 99-218
  • Olaf Koester (1999) Illusions: Gijsbrechts, pp. 36, 98, 206 kat.29, afb. farve p. 207, 99-432
  • Siegfried Gohr (2009) Magritte: attempting the impossible, fig. 162, ill. p. 109, B 6249
  • Omar Calabrese (2010) L'art du trompe-l'oeil, ill. nr. 33, ill. p. 48-49, omt. p. 50, B 6653
  • Ubekendt (1984-) Dansk kunst, Dansk kunst 2000, omt. og afb. p. 62, C 26792 ti
  • Martine Lacas (2008) Au fond de la peinture: une poétique de l'arrière-plan, ill. p. 154-155, C 42818
  • Ubekendt (2009) Art and illusions: masterpieces of Trompe l'oeil from Antiquity to the present day, fig. 10, omt. p. 28 f. + p. 38, ill. p. 29, C 44555
  • Richard Leppert (2007) The nude: the cultural rhetoric of the body in the art of modernity, ill. p. 237 + 238, omt. p. 236 - 238, D 39621
  • Louise Charbonnier (2007) Cadre et regard: généalogie d'un dispositif, fig. 3, ill. p. 289, D 39639
  • Ubekendt (2008) Lura ögat: fem seklers bländverk, fig. 1, ill. + omt. p. 141, D 40686
  • Dror Wahrman (2012) Mr. Collier's letter racks: a tale of art and illusion at the threshold of the modern information age, fig. 6.2, omt. p. 103, ill. p. 104, D 47333
  • Victor I. Stoichita (1993) L'instauration du Tableau: Metapeinture a l'aube des Temp moderne, p. 296-300, afb. p. 297 (nr. 31) (s/h)
  • Alberto Veca (1980) Ignanno & Realtá: Trompe-l'oeil in Europa XVI-XVIII, fig. 5, p. 23
  • Albert Blankert (date unspecfied) Over de funktie van kunst en musea, 147f (afb.)
  • Peter Winter (date unspecfied) Das Kunstwerk, p. 75, afb. p. 69
  • Gertrude Grace Sill (date unspecfied) The Reversed Canvas, p. 48 afb.
  • Jeffrey M. Müller (date unspecfied) The Perseus and Andromeda on Ruben's House, pp. 145, 146 fig. 23
  • Harald Marx (date unspecfied) "Trompe l'oeil" und "Cognito": Zu einigen Gemälden der Dresdener Ayusstellung "Das Stilleben und sein Gegenstand", p. 131
  • Jean-Claude Lebensztejn (date unspecfied) Framing Classical Space, geng. p. 40 fig. 7, omt. p. 38 (som eksempel på maleri uden ramme)
  • A.M. Giusti (date unspecfied) L'occhio ingamocato, geng. p. 118 i farver (alm. orientering om trompe l'oeil)
  • A.P. de Mirimonde (1971) Les peintres flamands de trompe l'oeil et de natures mortes au XVIIe siecle, et les sujets de musique: (Cornelis-Norbertus et Franciscus Gijsbrechts - F. Lemotte - G. van Bochoudt - Frans v.Hersecke), 229, fig. 3
  • Ulrich Pfisterer (2012) Das Werkzeug in der Sammlung - oder:: der König vor Cornelis Gijsbrechts' Staffelei, Omt. p. 74, 75 og 80, afb. p. 74 (fig. 5), S 25351
  • Alan Chong (1999) Still-life paintings from the Netherlands 1550-1720, Afb. p. 59, omt. p. 59, 99-278
  • Marianne Torp (2014) Henrik Olsen "Abandon the Parents", afb. sektion G
  • Leonie Beiersdorf (2019) Licht und Leinwand: Fotografie und Malerei im 19. jahrhundert, afb. p. 34
  • Alejandro Vergara (2019) Velázquez, Rembrandt, Vermeer, Fig. 20, afb. p. 70
  • Emily Braun (2022) Cubism and the Trompe l'Oeil Tradition, fig. 10, afb. p. 23
Source/Photographer

Licensing[edit]

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

The author died in 1675, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.

This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.

This digital reproduction has been released under the following licenses:

Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current17:53, 8 November 2023Thumbnail for version as of 17:53, 8 November 20234,404 × 3,396 (10.01 MB)WLKBot (talk | contribs){{SMK Open|KMS1989}}

You cannot overwrite this file.

Metadata

This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.

Retrieved from "https://commons.wikimedia.org/w/index.php?title=File:Cornelius_Norbertus_Gijsbrechts,_Trompe_l%27oeil_Bagsiden_af_et_indrammet_maleri,_,_KMS1989,_Statens_Museum_for_Kunst.jpg&oldid=868413930"