File:Eiji and Ishiro.jpg

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Description
English: Special effects director Eiji Tsuburaya (center) and filmmaker Ishirō Honda (right) on the Faro Island set of King Kong vs. Godzilla (1962)
Date
Source Steve Ryfle, Ed Godziszewski: Ishiro Honda: A Life in Film, from Godzilla to Kurosawa. Wesleyan University Press, 2017, p. n151. ISBN 978-0-8195-7741-2.
Author Honda Film Inc.
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(Reusing this file)
Public domain According to Japanese Copyright Law (June 1, 2018 grant), the work is now in the public domain in Japan because the copyrights of the works in names of organizations, in Japan expire in 50 years after the publication, or in 50 years after the creation if the works are not published within 50 years after the creation (article 53).
To uploader: Please provide a name of organization and year of publication and source.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works published after 1967.

Please note that being in the public domain in Japan does not automatically mean that it is free as well in the United States. Find and add one of the PD US license tags in order to ensure that the file is free in the United States. Typically, for a published work to be in the public domain in the United States, it needs to be published before 1946, because of URAA-restored copyrights. Unpublished works need to satisfy {{PD-US-unpublished}}.

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Licensing[edit]

Public domain According to Japanese Copyright Law (June 1, 2018 grant), the work is now in the public domain in Japan because the copyrights of the works in names of organizations, in Japan expire in 50 years after the publication, or in 50 years after the creation if the works are not published within 50 years after the creation (article 53).
To uploader: Please provide a name of organization and year of publication and source.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works published after 1967.

Please note that being in the public domain in Japan does not automatically mean that it is free as well in the United States. Find and add one of the PD US license tags in order to ensure that the file is free in the United States. Typically, for a published work to be in the public domain in the United States, it needs to be published before 1946, because of URAA-restored copyrights. Unpublished works need to satisfy {{PD-US-unpublished}}.

English ∙ español ∙ македонски ∙ română ∙ svenska ∙ 한국어 ∙ 日本語 ∙ 中文 ∙ 中文（中国大陆） ∙ 中文（简体） ∙ 中文（繁體） ∙ +/−


Public domain

This work is in the public domain in the United States because it meets three requirements:

  1. it was first published outside the United States (and not published in the U.S. within 30 days),
  2. it was first published before 1 March 1989 without copyright notice or before 1964 without copyright renewal or before the source country established copyright relations with the United States,
  3. it was in the public domain in its home country (Japan) on the URAA date (1 January 1996).
For background information, see the explanations on Non-U.S. copyrights.
Note: This tag should not be used for sound recordings.

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Date/TimeThumbnailDimensionsUserComment
current00:17, 17 March 2023Thumbnail for version as of 00:17, 17 March 20234,096 × 3,080 (2.72 MB)Eiga-Kevin2 (talk | contribs){{Information |Description={{en|Special effects director Eiji Tsuburaya (center) and filmmaker Ishirō Honda (right) on the Faro Island set of ''King Kong vs. Godzilla'' (1962)}} |Source=Steve Ryfle, Ed Godziszewski: ''[https://archive.org/details/ishiro-honda-a-life-in-film-from-godzilla-to-kurosawa/page/n151/mode/2up Ishiro Honda: A Life in Film, from Godzilla to Kurosawa]''. Wesleyan University Pres...

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