File:Entre deux seaux (Between two buckets) (BM 1999,0627.94).jpg
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Captions
Summary[edit]
Entre deux seaux (Between two buckets) ( ) | ||||||||||||||||||||||||
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Title |
Entre deux seaux (Between two buckets) |
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Description |
English: A satire on the 'élections législatives' (general elections) of 1869 showing a man wearing a night cap with donkey's ears and holding a ballot, standing between two pails, one filled with clear water, the other with red wine. 1869
Lithograph |
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Date |
1869 date QS:P571,+1869-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1999,0627.94 |
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Notes |
The print shows the elector wearing a cap with donkey's ears hesitating between two buckets; this is a reference to the paradox known as Buridan's ass, where the donkey is placed between a stack of hay and a pail of water and cannot make up its mind as to which one to choose, and eventually dies. The title of the print is a pun on the expression 'entre deux eaux' (which means to hesitate between two things), while the word 'seaux' could also be interpreted as a pun on the phonetically identical 'sot' (meaning ass, idiot). The 'rédacteur en chef' mentioned in the penciled inscription is Clément Duvernois (1836-1879), editor in chief of 'Le Peuple' from 1869, and later Minister of Agriculture and Trade. The inscription states that the lithograph was commissioned for the General Election in 1868 (probably a typo; the General Election was held in 1869) but that it was not authorised. The General Election of 1869 saw a surge of the republican opposition against the bonapartists. |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1999-0627-94 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing[edit]
This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 02:09, 17 May 2020 | 1,753 × 2,500 (1,012 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Coloured lithographs in the British Museum 1869 #20,331/21,781 |
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Metadata
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Software used | Adobe Photoshop Elements 11.0 Windows |
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Date and time of digitizing | 09:31, 29 June 2018 |
Date metadata was last modified | 09:31, 29 June 2018 |
File change date and time | 09:31, 29 June 2018 |
Unique ID of original document | xmp.did:413FA7F96D7BE8119D25A0CE5DF8D261 |