File:Ilya Repin Unexpected visitors detail4.jpg
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Captions
Captions
Summary[edit]
Ilya Repin: They Did Not Expect Him
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Artist |
artist QS:P170,Q172911 |
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Title |
Russian: «Не ждали» They did not expect him title QS:P1476,ru:"Не ждали"
label QS:Lru,"Не ждали"
label QS:Len,"They did not expect him" |
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Object type |
painting ![]() |
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Genre |
genre art ![]() |
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Description |
English: Shows the unexpected homecoming of a Russian revolutionary from an exile in Siberia. The idea of the picture arose on the rise connected with the completion of the “Holy procession”. Here everything is seen right in front of the viewer. The author is clearly present somewhere near, observing, listening, arguing. We find him on the right in the foreground by a characteristic head, familiar from his self-portraits of these years, and the equally characteristic slanting of the shoulders. It can be seen that the picture was painted over and over again, the role of each character clarified, their placement at the intersection of views and light rays; a free space preserved in front of them. Repin worked on the canvas twice as much as he did on the “Cross procession”, he felt his way to the “wandering”, elusive plot. “They did not expect him” was preceded by a trip to Spain, the copying of Velazquez in the Museo Prado halls. Repin contrasted “cabinet theories” and “The Truth of Life.” This prompted him to blend the proportions of speculative and everyday, allowed him to combine the intellectual space of the plan with the interior of the house in Martyshkene, where he realized it.
It is impossible to imagine that in the clear light of a quiet day, this strange phantom man appears timidly, uncertainly, that he has just walked along the sun-drenched grass greening through the balcony glass, that he will remain in this room where everyone except him has a place. There is a sad story about the returning, and not waiting, which is so difficult to understand each other. Русский: Замысел картины возник на подъёме, связанном с завершением «Крестного хода». Здесь всё взято в упор; автор явно присутствует где-то рядом, наблюдает, слушает, спорит. Мы находим его справа на переднем плане по характерной голове, знакомой по автопортретам этих лет, и столь же характерный скос плеч. Видно, что картина многократно переписывалась, уточнялась роль каждого персонажа, размещением на пересечении взглядов и световых лучей, свободным пространством перед ними. Репин работал над холстом вдвое больше, чем над «Крестным ходом», на ощупь он подбирался к «бродячему» сюжету. «Не ждали» предшествовала поездка по Испании, копирование Веласкеса в залах Прадо. Репин противопостовлял «кабинетные теории» и «Правду жизни». Это подсказало ему пропорции умозрительного и бытового, позволило совместить интеллектуальное пространство замысла с интерьером дома в Мартышкене, где он его реализовал. Невозможно представить, что в ясном свете тихого дня робко, неуверенно появляется этот странный человек-фантом, что он только что шёл по залитой солнцем траве, зеленеющей сквозь балконное стекло, что он останется в этой комнате, где всем, кроме него, есть место. Возникает грустная новелла о возвращающихся, и не ждавших, которым так трудно понять друг друга. |
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Date |
between 1884 and 1888 date QS:P571,+1884-00-00T00:00:00Z/8,P1319,+1884-00-00T00:00:00Z/9,P1326,+1888-00-00T00:00:00Z/9 |
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Medium |
oil and oil painting on canvas ![]() ![]() |
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Dimensions |
height: 160.5 cm (63.1 in) ![]() ![]() dimensions QS:P2048,+160.5U174728 dimensions QS:P2049,+167.5U174728 |
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Collection |
institution QS:P195,Q183334
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Accession number |
740 (Tretyakov Gallery) ![]() |
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Object history |
1885: purchased by P. M. Tretyakov (1832—1898) from author |
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References |
Tretyakov Gallery work ID: ne-zhdali-37031 ![]() |
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Source/Photographer | www.allpaintings.org | ||||||||||||||||||||||||
Other versions |
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Licensing[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 06:54, 13 September 2021 | ![]() | 827 × 1,489 (415 KB) | Adavyd (talk | contribs) | File:Ilya Repin Unexpected visitors.jpg cropped 70 % horizontally, 43 % vertically using CropTool with lossless mode. |
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File usage on Commons
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Image title |
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Short title | PZ 401-039-740 |
Width | 3,463 px |
Height | 3,347 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS5 Windows |
File change date and time | 08:06, 15 June 2011 |
Exif version | 2.21 |
Date and time of digitizing | 15:05, 15 December 2009 |
Color space | Uncalibrated |
IIM version | 52,204 |
Date metadata was last modified | 10:06, 15 June 2011 |
Rating (out of 5) | 0 |
Unique ID of original document | adobe:docid:photoshop:26048e5c-e970-11de-859e-e8e461661180 |