File:A HONG-KONG ARTIST.jpg
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English: John Thomson: LUMQUA was a Chinese pupil of Chinnery, a noted foreign artist, who died at Macao in 1852. Lumqua produced a number of excellent works in oil, which are still copied by the painters in Hong-Kong and Canton. Had he lived in any other country he would have been the founder of a school of painting. In China his followers have failed to grasp the spirit of his art. They drudge with imitative servile toil, copying Lumqua's or Chinnery's pieces, or anything, no matter what, just because it has to be finished and paid for within a given time, and at so much a square foot. There are a number of painters established in Hong-Kong, but they all do the same class of work, and have about the same tariff of prices, regulated according to the dimensions of the canvas. The occupation of these limners consists mainly in making enlarged copies of photographs. Each house employs a touter, who scours the shipping in the harbour with samples of the work, and finds many ready customers among the foreign sailors. These bargain to have Mary or Susan painted on as large a scale and at as small a price as possible, the work to be delivered framed and ready for sea probably within twenty-four hours. The painters divide their labour on the following plan. The apprentice confines himself to bodies and hands, while the master executes the physiognomy, and thus the work is got through with wonderful speed. Attractive colours are freely used ; so that Jack's fair ideal appears at times in a sky-blue dress, over which a massive gold chain and other articles of jewellery are liberally hung. These pictures would be fair works of art were the drawing good, and the brilliant colours properly arranged ; but all the distortions of badly taken photographs are faithfully reproduced on an enlarged scale. The best works these painters do are pictures of native and foreign ships, which are wonderfully drawn. To enlarge a picture they draw squares over their canvas corresponding to the smaller squares into which they divide the picture to be copied. The miniature painters in Hong-Kong, and Canton do some work on ivory that is as fine as the best ivory painting to be found among the natives of India, and fit to bear comparison with the old miniature painting of our own country, which photography has, now-a-days, in a great measure superseded. I shall have occasion to notice Chinese art and artists in a subsequent portion of this work. |
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来源 | Beinecke Rare Book & Manuscript Library | ||||||||||||||||||||
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creator QS:P170,Q736862 |
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[编辑]Public domainPublic domainfalsefalse |
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本作品在其来源国以及其他著作权期限是作者逝世后70年或以下的国家和地区属于公有领域。 ![]() |
本文件已被确认为免除已知的著作权法限制(包括所有相关权利)。 |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
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宽度 | 4,038 px |
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高度 | 5,653 px |
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像素构成 | RGB |
方向 | 正常 |
色彩组分数 | 3 |
水平分辨率 | 72 dpi |
垂直分辨率 | 72 dpi |
使用软件 | Adobe Photoshop CS6 (Windows) |
文件修改日期时间 | 2014年1月18日 (六) 23:28 |
Exif版本 | 2.21 |
色彩空间 | 未标定 |
原始文件唯一ID | 8BAE9C3B9D955FDDBD558A2281DC3038 |
数字化日期时间 | 2014年1月19日 (日) 07:21 |
元数据最后修改日期 | 2014年1月19日 (日) 07:28 |
IIM版本 | 62,789 |