File:Antoine Watteau - The Italian Comedians - Google Art Project.jpg
原始文件 (4,483 × 3,715像素,文件大小:5.91 MB,MIME类型:image/jpeg)
说明
摘要[编辑]
让-安东尼·华托:The Italian Comedians | ||||||||||||||||||||||||||||
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艺术家 |
artist QS:P170,Q183221 Google Art Project中的艺术家信息 |
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标题 |
英语: The Italian Comedians The Italian Comedians title QS:P1476,en:"The Italian Comedians"
label QS:Len,"The Italian Comedians" |
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物体类型 |
畫作 object_type QS:P31,Q3305213 |
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藝術類型 | 風俗藝術 | |||||||||||||||||||||||||||
日期 | probably 1720 | |||||||||||||||||||||||||||
表现形式 |
布面油画 medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 布面油画medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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尺寸 |
高度:638毫米;宽度:762毫米 dimensions QS:P2048,638U174789 dimensions QS:P2049,762U174789 |
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藏于 |
institution QS:P195,Q214867 |
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登录号 |
1946.7.9 |
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收藏史 |
Possibly commissioned by Dr. Richard Mead [1673 1754], London; (his estate sale, Langford, London, 20 22 March 1754, 3rd day, no. 43, paired with no. 42, A Pastoral Conversation); Alderman William Beckford [1709 1770], London and Fonthill, Wiltshire, or his brother, Richard Beckford [d. 1756], London.[1] Roger Harenc [d. 1763], London;[2] (his estate sale, Langford, London, 1 3 March 1764, 3rd day, no. 52, a pair with A Musical Conversation [each day's lots begin with no. 1]); Augustus Henry, 3rd duke of Grafton [1735 1811], Euston Hall and London. acquired between 1851 and 1857 by Thomas Baring [1799 1873];[3] by inheritance to his nephew, Thomas George Baring, 1st earl of Northbrook [1826 1904], London; (Asher Wertheimer, London); purchased 1888 by (Thos. Agnew and Sons, Ltd., London); sold the same year to Edward Cecil Guinness, 1st earl of Iveagh [1847 1927], Elveden Hall, Suffolk, and Iveagh, County Down;[4] by inheritance to his third son, Walter Edward Guinness, 1st baron Moyne [1880 1944], London. Baron Heinrich Thyssen Bornemisza [1875 1947], Schloss Rohoncz, Rechnitz, Hungary, and Amsterdam, by 1930; (Wildenstein & Co., Inc., Paris, New York, and London), by c. 1936;[5] purchased 1942 by the Samuel H. Kress Foundation, New York; gift 1946 to NGA.
[2] Sometimes spelled "Harene." The title page of the 1764 sale catalogue clearly spells the name with a final "c." If this is the same Roger Harenc whose daughter, Susanna Mary Harenc, married Sir Archibald Edmonstone, 1st baronet Edmonstone, Harenc appears to have been born in Paris, came to England in the early 1720s, married an Englishwoman, and prospered in business. He is recorded as the buyer of Watteau paintings in sales in England in the 1740s and 1750s. [3] Gustav Friedrich Waagen, Treasures of Art in Great Britain: Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Manuscripts, 3 vols. and Supplement, London, 1854 and 1957: Supplement(1957): 96 97, records acquisitions to the Baring collection since his visit in 1851. [4] See Richard Kingzett of Agnew, letter to Colin Eisler, 21 November 1968, NGA curatorial files: "[W]e bought the picture from the famous dealer, Wertheimer, in 1888 and sold it to Lord Iveagh in the same year. No provenance is given in our entry for the picture." Later references identify the Wertheimer as Asher, rather than his brother Charles, who was also an art dealer. [5] Colin Eisler, Paintings from the Samuel H. Kress Collection: European Schools Excluding Italian, Oxford, 1977: 304 and n. 48, on the basis of a remark in René Gimpel, Journal d'un collectionneur, marchand de tableaux, Paris, 1963: 275, assumes the painting was with Wildenstein in 1924. However, this is discounted by Joseph Baillio of Wildenstein (see A Gift to America: Masterpieces of European Painting from the Samuel H. Kress Collection, Exh. cat. North Carolina Museum of Art; The Museum of Fine Arts, Houston; The Seattle Art Museum; Fine Arts Museums of San Francisco; New York, 1994: 210 n. 3). The provenance supplied by Wildenstein to the Kress Foundation (NGA curatorial files) incorrectly lists Walter Guinness and Lord Moyne as separate individuals and places the Thyssen Bornemisza ownership between them, but it does not indicate the company had the painting more than once. |
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备注 | More info at museum site | |||||||||||||||||||||||||||
参考 | ||||||||||||||||||||||||||||
来源/摄影师 | fQHyFQRBSQLiyg at Google Cultural Institute 最大分辨率 | |||||||||||||||||||||||||||
其他版本 |
许可协议[编辑]
这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。”
因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。 |
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文件用途
以下9个页面使用本文件:
- Antoine Watteau catalogue raisonné, 1968
- Paintings by Antoine Watteau
- File:Antoine Watteau, The Italian Comedians, probably 1720, NGA 32687.jpg
- File:Antoine Watteau - Italian Comedians - WGA25481.jpg
- File:Antoine Watteau - The Italian Comedians - Google Art Project.jpg
- File:Antoine Watteau - The Italian Comedians - Google Art ProjectFXD.jpg
- File:Antoine Watteau 054.jpg
- File:Jean-Antoine Watteau, The Italian Comedians - Getty Museum.jpg
- File:Jean-Antoine Watteau - Italian Comedians.JPG
全域文件用途
以下其他wiki使用此文件:
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- nl.wikipedia.org上的用途
- no.wikipedia.org上的用途
- oc.wikipedia.org上的用途
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- ru.wiktionary.org上的用途
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- sv.wikipedia.org上的用途
查看本文件的更多全域用途。
- Paintings by Watteau in the National Gallery of Art, Washington
- 1720 in theatre
- 1720 paintings from France
- 1720 paintings of people
- 18th-century oil paintings of standing men at full length
- Actors in art
- Actresses in art
- Sammlung Schloss Rohoncz
- People of Italy in art
- Samuel H. Kress Foundation
- Earl of Northbrook collection
- Artworks with known accession number
- Artworks with Wikidata item
- Artworks digital representation of 2D work
- Google Art Project works in National Gallery of Art, Washington DC
- Google Art Project paintings
- Files from Google Arts & Culture
- CC-PD-Mark
- PD-old-100-expired
- PD-Art (PD-old-auto-expired)
- Google Art Project works by Antoine Watteau