File:Artemisia Gentileschi - Judith Beheading Holofernes - WGA8563.jpg
原始檔案 (1,178 × 1,500 像素,檔案大小:201 KB,MIME 類型:image/jpeg)
說明
摘要
[編輯]阿緹密絲雅·真迪黎斯基:猶迪割下赫羅弗尼斯的頭顱 | |||||||||||||||||||||||||
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作家 |
artist QS:P170,Q212657 |
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標題 |
《猶迪割下赫羅弗尼斯的頭顱》 title QS:P1476,it:"Giuditta che decapita Oloferne"
label QS:Lit,"Giuditta che decapita Oloferne"
label QS:Les,"Judit decapitando a Holofernes"
label QS:Lca,"Judit i Holofernes"
label QS:Lde,"Judith enthauptet Holofernes"
label QS:Lnap,"Giuditta ca taglia 'a capa 'a Oloferne"
label QS:Lfr,"Judith décapitant Holopherne"
label QS:Lnl,"Judith onthoofdt Holofernes"
label QS:Lru,"Юдифь, обезглавливающая Олоферна"
label QS:Len,"Judith Beheading Holofernes" |
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物體類型 | 畫作 | ||||||||||||||||||||||||
藝術類型 | 宗教藝術 | ||||||||||||||||||||||||
描述 | |||||||||||||||||||||||||
描繪人物 | |||||||||||||||||||||||||
日期 |
在1611年到1612年之間 date QS:P571,+1611-00-00T00:00:00Z/8,P1319,+1611-00-00T00:00:00Z/9,P1326,+1612-00-00T00:00:00Z/9 |
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表現方法 |
布面油畫 medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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尺寸 |
高度:158.8釐米;寬度:125.5釐米 dimensions QS:P2048,158.8U174728 dimensions QS:P2049,125.5U174728 |
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藏於 |
institution QS:P195,Q290549 |
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登錄號 |
Q 378 (卡波迪蒙特美術館) |
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備註 |
圖中人物: Юдифь以及Олоферн (Judith 和 Holofernes) |
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參考文獻 |
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來源/攝影者 |
Web Gallery of Art: 圖像 Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/g/gentiles/artemisi/judit.html" |
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其他版本 |
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授權條款
[編輯]
此為如實地拍攝平面藝術品的相片複製本。原作位於公有領域,是因下列原因:
維基媒體基金會的官方立場認為:「針對平面公有領域的藝術作品進行忠實重製,其重製後的照片也屬於公有領域。」
因此,可認定本重製照片屬於公有領域。在其他司法管轄區,再利用此照片可能會被限制;參見再利用PD-Art照片以獲得進一步資訊。 |
檔案歷史
點選日期/時間以檢視該時間的檔案版本。
日期/時間 | 縮圖 | 尺寸 | 用戶 | 備註 | |
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目前 | 2014年7月8日 (二) 21:20 | 1,178 × 1,500(201 KB) | Hohum(對話 | 貢獻) | WGA has provided a better one at original source link | |
2011年6月4日 (六) 02:15 | 1,000 × 1,237(181 KB) | JarektUploadBot(對話 | 貢獻) | {{Artwork |artist = {{Creator:Artemisia Gentileschi}} |title = Judith Beheading Holofernes |description = |date = {{other date|between|1611|1612}} |medium = {{Oil on canva |
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檔案用途
下列12個頁面有用到此檔案:
- Artemisia Gentileschi catalogue raisonné, 1999 Bissell
- Galleria Nazionale di Capodimonte (Naples)
- Gentileschi catalogue raisonné 2001
- Paintings by Artemisia Gentileschi
- Paintings in the National Museum of Capodimonte (Naples)
- Paintings of Judith and Holofernes
- File:Artemisia Gentileschi - Judith Beheading Holofernes (detail) - WGA8564.jpg
- File:Artemisia Gentileschi - Judith Beheading Holofernes - WGA8563.jpg
- File:Artemisia gentileschi, giuditta e oloferne, 1625-30 ca. 01, Q378.JPG
- File:Gentileschi Artemisia Judith Beheading Holofernes Naples.jpg
- File:Judith decapitando Holofernes.jpg
- Category:Judith beheading Holofernes (Naples) by Artemisia Gentileschi
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- Teza:Tuveli:Lingeropa/Lingeks
- Teza:Xadola/Nelkaf betakseem/06/2019
- Artemisia Gentileschi
- Tuveli:Lingeropa
- Trutceem ke Gentileschi
- Giuditta bastakasa va Oloferne (1) (trutca ke Gentileschi)
- Giuditta bastakasa va Oloferne (2) (trutca ke Gentileschi)
- Giuditta do zanisikya (trutca ke Gentileschi)
- Giuditta is Abra zanisikya dem taka ke Oloferne (1) (trutca ke Gentileschi)
- Giuditta is Abra zanisikya dem taka ke Oloferne (2) (trutca ke Gentileschi)
- Giuditta is Abra zanisikya dem taka ke Oloferne (3) (trutca ke Gentileschi)
- Giuditta is Oloferne (trutca ke Caravaggio)
- Giuditta is zanisikya (trutca ke Gentileschi)
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JPEG 檔案備註 | GENTILESCHI, Artemisia
(b. 1593, Roma, d. ca. 1653, Napoli) Judith Beheading Holofernes 1611-12 Oil on canvas, 159 x 126 cm Museo Nazionale di Capodimonte, Naples As with much of Artemisia Gentileschi's work, scholars have tried to explain the hair-raising Judith Beheading Holofernes as a personal reaction to her 'date-rape' trial of 1612, but, in truth, her point of departure was far more visual than psychological. Her primary source was undoubtedly Caravaggio's Judith (Galleria Nazionale d'Arte Antica, Rome) from some ten years earlier. The intense violence of the slaying, the lack of decorative details and even Judith's stiff parallel arms are all reliant on Caravaggio. Artemisia probably also knew Adam Elsheimer's Judith Beheading Holofernes (Victoria and Albert Museum, London), which was owned by Rubens. Elsheimer's small copper may have influenced the position of Holofernes' body and legs, although it should be noted that Artemisia's canvas has been cut down on the left and his legs are now missing. Other expressive and compositional elements can be related to the work of her father Orazio, especially his Judith and Her Maidservant (Wadsworth Atheneum, Hartford). The youthful appearance and important co-conspiratorial role given to the maidservant Abra as well as the triangular structure are derived from Orazio's Hartford canvas. Artemisia's Judith has such close affinities with her father's work that a number of scholars have argued for Orazio's authorship. It has been suggested that Artemisia's Judith Beheading Holofernes (Galleria degli Uffizi, Florence) was essentially a fancy-dress copy of her father's earlier work and not an independent rethinking of the Naples composition. X-radiographs of the Naples picture reveal a substantial number of changes, which make it highly unlikely that the picture was a repetition of another composition. Furthermore, the quality of the execution is not high enough to be that of Orazio; nor did Orazio ever seek this level of brutal directness. The simplification of the drapery and lack of decorative embellishment are consistent with other pictures painted during Artemisia's first Roman period. A number of copies show the composition before it was cut down. A small one on touchstone (Quadreria Arcivescovile, Milan) is paired with a version of Orazio's David Contemplating the Head of Goliath (Galleria Spada, Rome). This may imply that both originals were in the same collection and that both were by Orazio, but it could also mean that the patron wanted a 'diptych' by father and daughter. <P> <TABLE ALIGN=LEFT CELLPADDING=5 BORDER=1 WIDTH=320 BGCOLOR="#99CCCC"> <TR VALIGN=MIDDLE><TD><IMG SRC="/support/gif/listen.gif" BORDER=0 VALIGN=MIDDLE> Suggested listening (streaming mp3, 17 minutes):<BR><A HREF="#" onClick="w=window.open ('/music1/17_cent/scarlatti_giuditta.html', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=350,height=350');w.opener=this;w.focus();return true"><B>Alessandro Scarlatti: La Giuditta, oratorio, Part I (excerpts)</B></A> </TD></TR></TABLE>
Author: GENTILESCHI, Artemisia Title: Judith Beheading Holofernes Time-line: 1601-1650 School: Italian Form: painting Type: religious |
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結構化資料
在此檔案描寫的項目
描繪內容
猶迪割下赫羅弗尼斯的頭顱 中文 (已轉換拼寫)
猶迪割下赫羅弗尼斯的頭顱 中文 (已轉換拼寫)
猶迪割下赫羅弗尼斯的頭顱 中文 (已轉換拼寫)
多媒體型式 繁體中文 (已轉換拼寫)
image/jpeg
資料大小 Chinese (Hong Kong) (已轉換拼寫)
205,541 位元組
1,500 像素
1,178 像素
- Images from Web Gallery of Art
- Artworks with Wikidata item
- Artworks with accession number from Wikidata
- Artworks with known accession number
- Artworks digital representation of 2D work
- CC-PD-Mark
- PD-old-100-expired
- PD-Art (PD-old-auto-expired)
- PD-Art missing SDC copyright status
- WGA form: painting
- WGA type: religious
- WGA School: Italian
- WGA time period: 1601-1650