File:Bacino di San Marco nel giorno dell'Ascensione.jpg
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Légendes
Description[modifier]
Canaletto : Venise: le bacino di San Marco le jour de l'Ascension | ||||||||||||||||||||||||||||||
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Artiste |
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Titre |
Venise: le bacino di San Marco le jour de l'Ascension label QS:Lit,"Venezia: Bacino di San Marco bel giorno dell'Ascensione"
label QS:Lfr,"Venise: le bacino di San Marco le jour de l'Ascension"
label QS:Lde,"Venedig: Bacino di S. Marco am Himmelfahrtstag"
label QS:Lnl,"Venetië: Bacino di San Marco aan hemelvaartsdag" |
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Type d'objet | peinture | |||||||||||||||||||||||||||||
Genre | veduta | |||||||||||||||||||||||||||||
Description |
English: bucentaure after the ceremony for the Sposalizio del Mar, the Wedding of the Sea, held on Ascension Day and thus otherwise known as the Festa della Sensa. Venice’s principal annual ceremony was of uncertain origin: it commemorated, according to one tradition, the sailing on Ascension Day in the year 1000 of a war fleet to assert Venetian power along the Istrian coast; according to another, the gift of a ring by Pope Alexander III to Doge Sebastiano Ziani - the greatest of Venice’s medieval doges - to sanction Venice’s authority in the Adriatic, in gratitude for Ziani’s support for the Pope against the Holy Roman Emperor, Frederick Barbarossa (Pope and Emperor were reconciled in San Marco on Ascension Day 1177). The Bucintoro was rowed in procession out of the lagoon into the Adriatic, where the Doge cast a ring blessed by the Patriarch into the waters, symbolising the marriage of Venice to the sea. The Bucintoro depicted here was to be the last, constructed in 1728-9 and crowded with gilded wooden allegorical sculptures by Antonio Corradini. After the fall of Venice to Napoleon’s army in 1797, the upper part of the Bucintoro was burnt to recover the gold, after which the Austrians armed the hulk with cannon and placed it to guard the entrance to the lagoon. It was finally broken up in its birthplace, the Arsenale, in 1824. The view is taken from some way out in the Bacino, directly in front of the Zecca, the south façade of which is seen to the left together with the Libreria. Beyond is the Campanile, shortened to fit it into the painting (four small windows serving the staircase running up the shaft should be visible). In the Piazzetta is the marquee of the Ascension Day market, clearly regarded as an integral part of the festival. Beyond are the Torre dell’Orologio and the south flank of San Marco, with the western dome reduced in size and moved eastwards to be largely obscured by the Palazzo Ducale. To the right of the Palazzo Ducale (much diminished in width) are the Prigioni and Palazzo Dandolo (today the Hotel Danieli); moored to the left of the Bucintoro with its oars raised is the fusta, the Doge’s usual single-masted galleon. |
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Date |
vers 1733-1734 date QS:P,+1733-00-00T00:00:00Z/8,P1319,+1733-00-00T00:00:00Z/9,P1326,+1734-00-00T00:00:00Z/9,P1480,Q5727902 |
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Technique / matériaux | huile sur toile | |||||||||||||||||||||||||||||
Dimensions |
hauteur : 76,8 cm ; largeur : 125,4 cm dimensions QS:P2048,+76.8U174728 dimensions QS:P2049,+125.4U174728 |
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Collection |
institution QS:P195,Q1459037
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Numéro d’inventaire |
RCIN 404417 (Royal Collection) |
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Historique de conservation | Joseph Smith from whom bought by George III | |||||||||||||||||||||||||||||
Expositions |
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Notes |
English: Canaletto probably first depicted the scene in a drawing of 1729, below, and the composition was painted many times by the artist and his followers. This version must have been painted at around the same time as its companion piece. This pair is much larger than the other twelve views on the Grand Canal, and were engraved as the final two plates of Visentini's Prospectus Magni Canalis Venetiarum (Venice, 1735), thus providing an uncontested date for completion. Visentini's engravings are based on Canaletto's series of Grand Canal views which were all at one time in the collection of Joseph Smith and are now in the Royal Collection. |
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Références |
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Source / photographe | istitutosuperioredadda.it = version Royal Collection | |||||||||||||||||||||||||||||
Autres versions |
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Journal des téléversements d’origine[modifier]
- 2005-10-25 02:16 Honbicot 1251×770× (200539 bytes) ''Return of the Bucentoro to the Molo on Ascension Day'' by [[Canaletto]], 1732. [[Royal Collection]], [[Windsor Castle|Windsor]].'
Conditions d’utilisation[modifier]
Ceci est une reproduction photographique fidèle d'une œuvre d'art originale en deux dimensions. L'œuvre d'art elle-même est dans le domaine public pour la raison suivante :
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Historique du fichier
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Date et heure | Vignette | Dimensions | Utilisateur | Commentaire | |
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actuel | 18 avril 2015 à 18:02 | 2 000 × 1 199 (488 kio) | Арриги Джузеппе (d | contributions) | {{Information |Description ={{it|1=bacino di San Marco nel giorno dell'Ascensione}} |Source =http://www.istitutosuperioredadda.it/joomla/materiale_didattico/Minonzio/CANALETTO/07%20ritorno%20del%20bucintoro.jpg |Author ={{Creator:Gio... |
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Utilisations locales du fichier
Les 22 pages suivantes utilisent ce fichier :
- Canaletto catalogue raisonné, 1968 Puppi
- Canaletto catalogue raisonné, 1976 Constable and Links
- Canaletto exhibition, 1989
- Canaletto in England. A Venetian Artist Abroad, 1746-1755
- Canaletto in Venice: The Queen's Gallery, Palace of Holyroodhouse
- Giovanni Antonio Canal
- Gondola
- Paintings by Giovanni Antonio Canal
- Paintings in the Royal Collection of the United Kingdom
- The royal collection of paintings at Buckingham Palace and Windsor Castle with 180 photogravures
- User:Blairall
- User:OgreBot/Watercraft/2015 April 16-20
- File:Bacino di San Marco nel giorno dell'Ascensione.jpg
- File:Canal, Giovanni Antonio (Canaletto) - Return of the Bucentoro to the Molo on Ascension Day, c. 1733-4. Royal Collection Buckingham Palace.jpg
- File:Canaletto, The Bucintoro at the Molo on Ascension Day, c. 1732.jpg
- File:Canaletto (Venice 1697-Venice 1768) - The Bacino di San Marco on Ascension Day - RCIN 404417 - Royal Collection.jpg (redirection de fichier)
- File:Canaletto in Venice book cover.jpg
- File:Giovanni Antonio Canal, il Canaletto - Return of the Bucentoro to the Molo on Ascension Day (detail) - WGA03893.jpg
- File:Giovanni Antonio Canal, il Canaletto - Return of the Bucentoro to the Molo on Ascension Day (detail) - WGA03894.jpg
- File:Giovanni Antonio Canal - The Return of the Bucintoro at the Mole on Ascension Day - Royal Collection Buckingham Palace - c. 1733-4.jpg
- Category:Bacino di San Marco (Venice) with view of the south facade of the Doge's Palace by Giovanni Antonio Canal
- Category talk:Paintings by Giovanni Antonio Canal
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- Q19660618
- Wikidata:WikiProject sum of all paintings/Creator/Canaletto
- Wikidata:WikiProject sum of all paintings/Catalog/Canaletto in England. A Venetian Artist Abroad, 1746-1755
- Wikidata:WikiProject sum of all paintings/Catalog/Canaletto: Giovanni Antonio Canal, 1697–1768
- Wikidata:WikiProject sum of all paintings/Catalog/Canaletto
- Wikidata:WikiProject sum of all paintings/Collection/Royal Collection
- Wikidata:WikiProject sum of all paintings/Catalog/The royal collection of paintings at Buckingham Palace and Windsor Castle with 180 photogravures
Métadonnées
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Auteur | THE ROYAL COLLECTION |
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Détenteur des droits d’auteur | The Royal Collection © Her Majesty Queen Elizabeth II |
Code de localisation de la transmission originale | p-tYmIy2gD5--z3Y8tM9 |
Données structurées
Éléments décrits dans ce fichier
dépeint
image/jpeg
d5509eee5774a02173eb10c600acdc17434d3aeb
499 332 octet
1 199 pixel
2 000 pixel
- Bacino di San Marco (Venice) with view of the south facade of the Doge's Palace by Giovanni Antonio Canal
- 1730s paintings by Giovanni Antonio Canal
- Paintings by Giovanni Antonio Canal in the Royal Collection of the United Kingdom
- Italian Baroque paintings in the Royal Collection of the United Kingdom
- 18th-century paintings in the Royal Collection of the United Kingdom
- Festa della Sensa (Venice)
- Gondolas in paintings
- Marriage of the Sea ceremony
- Oil paintings of ships
- Paintings of events in Venice
- Paintings of the Bucentaur in Venice
- Paintings of the Doge's Palace and campanile of St. Mark's Basilica facing the sea
- Paintings of regattas in Venice
- Venice in the 1730s
- 1733 in Venice
- 1733 oil on canvas paintings
- 1734 oil on canvas paintings
- Joseph Smith (art collector)
- King George III Collection
- Canaletto and the Art of Venice