File:Durer selfporitrait.jpg
原始文件 (801 × 1,116像素,文件大小:93 KB,MIME类型:image/jpeg)
说明
摘要[编辑]
阿尔布雷希特·丢勒:自画像 | |||||||||||||||||||||||||||
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艺术家 | |||||||||||||||||||||||||||
标题 |
自画像 |
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系列标题 | Self-portraits by Albrecht Dürer | ||||||||||||||||||||||||||
物体类型 | 画作 | ||||||||||||||||||||||||||
艺术类型 | 自画像 | ||||||||||||||||||||||||||
描述 |
Deutsch: Frontalporträt mit Idealisierung vergleichbar mit Christusdarstellungen; betonter Blick und die schöpferische Hand als Werkzeuge des Künstlers |
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描绘人物 | 阿尔布雷希特·丢勒 | ||||||||||||||||||||||||||
日期 |
1500年 date QS:P571,+1500-00-00T00:00:00Z/9 |
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表现形式 | 油彩在石灰上方 | ||||||||||||||||||||||||||
尺寸 |
高度:67.1厘米;宽度:48.9厘米 dimensions QS:P2048,67.1U174728 dimensions QS:P2049,48.9U174728 |
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藏于 |
institution QS:P195,Q154568 |
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现存地点 |
1st floor room IX Room IX |
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登录号 |
537 |
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收藏史 | 1805 aus Nürnberg angekauft | ||||||||||||||||||||||||||
展览史 | |||||||||||||||||||||||||||
题记 | 右侧 [Albertus Dürers Noricus / ipsum me propriis sic effin / gebam coloribus aetatis / anno XXVIII] | ||||||||||||||||||||||||||
参考 |
Alte Pinakothek RKDimages, Art-work number 218748 |
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来源/摄影师 |
Web Gallery of Art: 图像 Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/d/durer/1/03/1self28.html" |
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其他版本 |
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许可协议[编辑]
这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。”
因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。 |
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当前 | 2008年1月13日 (日) 10:14 | 801 × 1,116(93 KB) | Caravaggio(留言 | 贡献) | {{Information |Description=Autoritratto con pelliccia.jpeg, 94783c.jpg, 801x1116px.jpg |Source=http://www.wga.hu/art/d/durer/1/03/1self28.jpg |Date=13/01/2008 |Author=Scala Source |Permission=GFDL |other_versions= }} |
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JPEG文件备注 | DÜRER, Albrecht
(b. 1471, Nürnberg, d. 1528, Nürnberg) Self-Portrait in a Fur-Collared Robe 1500 Oil on lime panel, 67,1 x 48,7 cm Alte Pinakothek, Munich The last of Dürer's three magnificent self-portraits was painted early in 1500, before his 29th birthday on 21 May. The picture is proudly inscribed: `Thus I, Albrecht Dürer from Nuremburg, painted myself with indelible colours at the age of 28 years.' It is a sombre image, painted primarily in browns, set against a plain dark background. The face is striking for its resemblance to the head of Christ. In late medieval art, Jesus was traditionally presented in this manner, looking straight ahead in a symmetrical pose. Christ's brown hair in these images is parted towards the middle and falls over the shoulders. For the first and last time in Western art history, an artist was to portray himself in a Christ-like scheme. Given his idealized appearance as the underdrawing shows, his nose was originally irregular in shape - Dürer is approaching us in "imitatio Christi", in imitation of Christ. He has a short beard and moustache. Dürer has even painted himself with brown hair, although the other self-portraits show that it was actually reddish-blond. Dürer deliberately set out to create a Christ-like image, with his hand raised to his chest almost in a pose of blessing. But this was no gesture of arrogance or blasphemy. It was a statement of faith: Christ was the son of God and God had created Man. For Dürer, the painting was an acknowledgment that artistic skills were a God-given talent. However, Dürer has subtly departed from the traditional image of Christ in his self-portrait. Despite initial appearances, the picture is not quite symmetrical. The head lies just off the centre of the panel to the right and the parting of the hair is not exactly in the middle, with the strands of hair falling a little differently on the two sides. The eyes stare slightly towards the left of the panel. Dürer also wears contemporary clothing, a fashionable fur-lined mantle. The result is a highly personal image, one whose `indelible colours' still influence the way we imagine Dürer looked in his later years. The deceptive illusionism in which the picture is painted is also, however, a reference to the classical artistic legend about Apelles, with whom he had been compared by contemporary humanists.
Author: DÜRER, Albrecht Title: Self-Portrait in a Fur-Collared Robe Time-line: 1501-1550 School: German Form: painting Type: portrait |
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- WGA form: painting
- WGA type: portrait
- WGA School: German
- WGA time period: 1501-1550