File:Ecce homo by Hieronymus Bosch.jpg
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说明
说明
摘要
[编辑]耶罗尼米斯·博斯:Ecce Homo
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艺术家 |
artist QS:P170,Q130531 |
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标题 |
Ecce Homo translate
label QS:Lit,"Ecce Homo"
label QS:Lhu,"Ecce homo"
label QS:Let,"Ecce homo"
label QS:Leu,"Ecce homo"
label QS:Lca,"Ecce Homo"
label QS:Lde,"Ecce homo"
label QS:Lpt,"Ecce Homo"
label QS:Lfr,"Ecce homo"
label QS:Lnl,"Ecce Homo"
label QS:Lbg,"Ecce Homo"
label QS:Ltr,"Ecce Homo"
label QS:Lro,"Ecce Homo"
label QS:Lja,"この人を見よ"
label QS:Lscn,"Ecci homu"
label QS:Lru,"Се человек"
label QS:Lsl,"Ecce homo"
label QS:Lpl,"Ecce homo"
label QS:Luk,"Ecce Homo"
label QS:Lla,"Ecce homo"
label QS:Lmk,"Ете човек"
label QS:Les,"Ecce homo"
label QS:Lgl,"Ecce Homo"
label QS:Len,"Ecce Homo"
label QS:Lel,"Ιδού ο άνθρωπος"
label QS:Lbr,"Ecce Homo"
label QS:Lcs,"Ecce homo" |
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所属实体 |
Ecce Homo Triptych ![]() |
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物体类型 |
画作 ![]() |
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艺术类型 |
宗教艺术 ![]() |
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描述 | ||||||||||||||||||||||||||||
描绘人物 |
耶稣 ![]() |
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日期 |
在1480年到1490年之间 date QS:P571,+1450-00-00T00:00:00Z/7,P1319,+1480-00-00T00:00:00Z/9,P1326,+1490-00-00T00:00:00Z/9 |
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表现形式 | 油彩和蛋彩畫在橡木板上方 | |||||||||||||||||||||||||||
尺寸 |
高度:71厘米;宽度:61厘米 dimensions QS:P2048,71U174728 dimensions QS:P2049,61U174728 |
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藏于 |
institution QS:P195,Q163804 |
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登录号 |
1577 |
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创作地点 | 斯海尔托亨博斯 | |||||||||||||||||||||||||||
收藏史 |
Della Faille, 根特 1889年前后date QS:P,+1889-00-00T00:00:00Z/7,P1326,+1889-00-00T00:00:00Z/9 : Baron de Crombrugge-Pycke, 根特1899年前后 date QS:P,+1899-00-00T00:00:00Z/7,P1326,+1899-00-00T00:00:00Z/9 : Louis Maeterlinck (1846-1926), 根特1902年: acquired by Richard von Kaufmann, 柏林, from Louis Maeterlinck, 根特 |
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展览史 |
Exposition des primitifs flamands et d'art ancien, Provinciaal Hof Brugge, 布鲁日, 1902年6月15日–1902年9月15日, 目录编号 137, p. 59. |
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题记 |
上方 左侧: Ecce homo
中间: Crucifige eu[m]
下方 左侧: Salva nos Christe redemptor
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参考 |
匿名Unknown author, Städel Museum, 作为 Ecce Homo, 1480/90, 高度:71厘米;宽度:61厘米 dimensions QS:P2048,71U174728 dimensions QS:P2049,61U174728 .
匿名Unknown author, RKDimages, Art-work number 59775, as Ecce Homo, 约1476年date QS:P,+1476-00-00T00:00:00Z/9,P1480,Q5727902 or later (1470-1486), 高度:75厘米;宽度:61厘米dimensions QS:P2048,75U174728 dimensions QS:P2049,61U174728
匿名Unknown author, Royal Institute for Cultural Heritage Photolibrary, object number 40002054, as Ecce homo, 约1486年date QS:P,+1486-00-00T00:00:00Z/9,P1480,Q5727902 , 高度:75厘米;宽度:61厘米dimensions QS:P2048,75U174728 dimensions QS:P2049,61U174728 .匿名Unknown author, Bildindex der Kunst und Architektur, object 00004134, 作为 Ecce Homo, 年份未知 Unknown date , 高度:75厘米;宽度:61厘米dimensions QS:P2048,75U174728 dimensions QS:P2049,61U174728 Fierens-Gevaert, [Hippolyte] (1912) ‘Jérôme Bosch’, Les Primitifs Flamands. Volume II, Bruxelles: G. van Oest & Cie., p. 175, 没有图像, 作为 Christ présenté au peuple, collection von Kaufmann. Fourcaud, L. de (1912年1月–1912年2月) ‘Hieronymus van Aken, dit Jérôme Bosch (vers 1460 † 1516). I-II’, La Revue de l'Art Ancien et Moderne, vol. XXXI, p. 168, 没有图像, 作为 Ecce Homo. Fourcaud, L. de (1912年1月–1912年2月) ‘Hieronymus van Aken, dit Jérôme Bosch (vers 1460 † 1516). III-V’, La Revue de l'Art Ancien et Moderne, vol. XXXI, p. 280-281, with image in black and white on p. 283, 作为 Ecce Homo. Friedländer, Max J. (1969) Early Netherlandisch Painting. Volume V. Geertgen tot Sint Jans and Jerome Bosch, Leyden: A.W. Slijthof, Brussels: La Connaissance, p. 83, cat. 77, 作为 Christ Shown to the People. date QS:P,+1476-00-00T00:00:00Z/9,P1480,Q5727902 or later, 高度:75厘米;宽度:61厘米dimensions QS:P2048,75U174728 dimensions QS:P2049,61U174728 , with color image.Tolnay, Charles de (1986 [1984]) Hieronymus Bosch, Alphen aan den Rijn: Atrium, ISBN 90-6113-164-2, 目录编号 5, p. 340-341, 作为 Ecce Homo, 年份未知 Unknown date , 高度:75厘米;宽度:61厘米dimensions QS:P2048,75U174728 dimensions QS:P2049,61U174728 , with color image. |
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来源/摄影师 | 未知Unknown | |||||||||||||||||||||||||||
其他版本 | Category:Ecce Homo by Hieronymus Bosch |
许可协议
[编辑]
这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。”
因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。 |
注解 InfoField | 该图片含有注解:在维基媒体共享资源上查看注解 |
Ecce homo (Behold the man)
Crucifige eu[m] (Crucify him)
Salva nos Christe redemptor (Save us, Christ, our Saviour)
文件历史
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当前 | 2008年5月14日 (三) 14:28 | ![]() | 901 × 1,073(162 KB) | BetacommandBot(留言 | 贡献) | move approved by: User:G.dallorto This image was moved from Image:05ecce1Bosch.jpg {{Information |Description={{it|Hieronymus Bosch, ''Ecce Homo'', 1475c.jpeg, 166027c.jpg, 901x1073px.jpg, http://www.wga.hu/art/b/bosch/1early/05ecce1.jp |
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文件用途
以下12个页面使用本文件:
- Ecce Homo by Hieronymus Bosch
- Exposition des primitifs flamands à Bruges
- File:1485 Bosch Ecce Homo anagoria.JPG
- File:After Jheronimus Bosch Ecce Homo 16th century 1.jpg
- File:Bosch Ecce homo.jpg
- File:Ecce Homo (SM 1249).png
- File:Ecce Homo (SM 1577).png
- File:Ecce homo by Hieronymus Bosch.jpg
- File:Eccehomo workshop bosch.jpg
- File:Hieronymus Bosch - Ecce Homo - Google Art Project.jpg
- File:J. Bosch Frankfurt Ecce Homo before restoration.gif
- File:Jheronimus Bosch 116.jpg
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JPEG文件备注 | BOSCH, Hieronymus
(b. ca. 1450, 's-Hertogenbosch, d. 1516, 's-Hertogenbosch) Ecce Homo 1475-80 Tempera and oil on oak panel, 71 x 61 cm Städelsches Kunstinstitut, Frankfurt Among the works generally ascribed to Bosch's first period of activity (c. 1470-85) may be included several small biblical scenes: the Epiphany (Adoration of the Magi) in Philadelphia, the Ecce Homo in Frankfurt (with a related version in Boston, Museum of Fine Arts) and an altar wing in Vienna, the Christ Carrying the Cross. Their early date is suggested by their relatively simple compositions and their adherence to traditional compositional types. In the Ecce Homo, crowned with thorns and his flesh beaten raw by the scourge, Christ stands with Pilate and his companions before the angry mob. The dialogue between Pilate and the crowd is indicated by the Gothic inscriptions. From the mouth of Pilate issue the words Ecce Homo (Behold the Man). There is no need to decipher the inscription Crufige Eum (Crucify Him), the cry which rises from the people below; their animosity is unmistakably conveyed by their facial expressions and threatening gestures. The third inscription Salve nos Christe redemptor (Save us, Christ Redeemer) once emerged from two donors at lower left, but their figures have been painted over. The heathen character of the men surrounding Christ is suggested by their strange dress and headgear, including pseudo-oriental turbans. The scene's essential wickedness is further indicated by such traditional emblems of evil as the owl in the niche above Pilate and the giant toad sprawled on the back of a shield carried by one of the soldiers. In the background appears a city square, the Turkish crescent fluttering from one of its towers. The enemies of Christ have been identified with the power of Islam which in Bosch's day, and long afterwards, controlled the most holy places of Christendom. The buildings, however, are late Gothic; only the oddly bulging tower in the distance evokes a feeling of far-off places. The Dutch character of this early work is unmistakable. The homely faces and animated gestures of Christ's tormentors recall Passion scenes in Dutch manuscripts of the second and third quarters of the fifteenth century, where we encounter similar physical types, slight in proportion, flatly modelled and often unsubstantial beneath their heavy robes.
Author: BOSCH, Hieronymus Title: Ecce Homo Time-line: 1451-1500 School: Netherlandish Form: painting Type: religious |
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- Pages with complex technique templates
- Objects with inscriptions in Latin needing translation
- Template Unknown (unspecified)
- Artworks with known accession number
- Artworks with Wikidata item
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- CC-PD-Mark
- PD-Art (PD-old-100)
- PD-Art missing SDC copyright status
- Images with annotations
- WGA form: painting
- WGA type: religious
- WGA School: Netherlandish
- WGA time period: 1451-1500