File:Madonna z goździkiem, Leonardo da Vinci.jpg
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李奧納多·達文西:聖母的康乃馨 | ||||||||||||||||||||||||||||
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作家 |
artist QS:P170,Q762 |
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標題 |
Madonna of the Carnation translate
label QS:Lit,"Madonna del Garofano"
label QS:Lfr,"La Madone à l'œillet"
label QS:Lth,"พระแม่มารีกับดอกคาร์เนชั่น"
label QS:Lpl,"Madonna z goździkiem"
label QS:Lnl,"Madonna met de anjer"
label QS:Lca,"La Mare de Déu i el clavell"
label QS:Lde,"Madonna mit der Nelke"
label QS:Lpt,"A Virgem do Cravo"
label QS:Len,"Madonna of the Carnation"
label QS:Lru,"Мадонна с гвоздико"
label QS:Lmk,"Богородица Каранфилска"
label QS:Les,"Virgen del clavel" |
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物體類型 | 畫作 | |||||||||||||||||||||||||||
藝術類型 | 宗教藝術 | |||||||||||||||||||||||||||
描述 | ||||||||||||||||||||||||||||
描繪人物 | ||||||||||||||||||||||||||||
日期 |
在1478年到1480年之間 date QS:P571,+1450-00-00T00:00:00Z/7,P1319,+1478-00-00T00:00:00Z/9,P1326,+1480-00-00T00:00:00Z/9 |
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表現方法 | 板上油畫medium QS:P186,Q296955;P186,Q106857709,P518,Q861259 | |||||||||||||||||||||||||||
尺寸 |
高度:62公分;寬度:47.5公分 dimensions QS:P2048,62U174728 dimensions QS:P2049,47.5U174728 |
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藏於 |
institution QS:P195,Q154568 |
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登錄號 |
7779 (巴伐利亞國家繪畫收藏館) |
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展覽史 |
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參考文獻 | ||||||||||||||||||||||||||||
權威檔案 | ||||||||||||||||||||||||||||
來源/攝影者 |
Web Gallery of Art: 圖像 Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/l/leonardo/01/6carnat.html" |
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日期/時間 | 縮圖 | 尺寸 | 使用者 | 備註 | |
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目前 | 2009年1月15日 (四) 22:22 | 802 × 1,058(155 KB) | Jklamo(留言 | 貢獻) | {{Information |Description= |Source= |Date= |Author= |Permission= |other_versions= }} | |
2006年12月10日 (日) 22:11 | 523 × 694(99 KB) | Czarnoglowa(留言 | 貢獻) | {{Information |Description= *pl: Madonna z goździkiem |Source=http://images.google.pl/imgres?imgurl=http://www.gnosis.art.pl/iluminatornia/sztuka_o_inspiracji/leonardo_da_vinci/leonardo_madonna_z_gozdzikiem_1472-78.JPG&imgrefurl=http://gnosis.art.pl/ilum |
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JPEG 檔案備註 | LEONARDO da Vinci
(b. 1452, Vinci, d. 1519, Cloux, near Amboise) The Madonna of the Carnation 1478-80 Oil on panel, 62 x 47,5 cm Alte Pinakothek, Munich A work that would seem to evoke the sketches of a young Leonardo freed from Verrocchio's tutelage, though nevertheless still affected by a passion and taste for the soft textures and dazzle of solid material (as practiced in the workshop of the Florentine artist), is the Madonna sometimes referred to as the Madonna of the Carnation or "Madonna of the flowers". This painting is a free variant of the Benois Madonna in the Hermitage, being more complex in its composition and spatial arrangement, though perhaps somewhat highflown and less spontaneous. How it arrived at the Alte Pinakothek in Munich, after its acquisition by a private German collector, is unknown to us. What is certain is that after a comprehensible, temporary attribution to Verrocchio or his shop, art critics subsequently almost universally assigned the painting to Leonardo, a judgement backed up by the most recent research. In fact, the richness of the drapery, the vastness of the mountain scenery with purple and gold hues tingeing the foothills of peaks that fade into the sky, the vitality of the cut flowers in the crystal vase and the softness of the Child's flesh that foreshadows the tender putti of the Virgin of the Rocks, are elements that show a distancing from the more distinctive Verrocchiesque style and instead assume those formal and chromatic characteristics that would be the mature Leonardo's very own. Moreover, we should not overlook the striking similarities - in facial features and other details - with the Benois Madonna already mentioned (the gem fastening the Virgin's gown over her breast) and with the Uffizi Annunciation, works that in their figurative and expressive invention quite clearly reveal the stamp of Leonardo.
Author: LEONARDO da Vinci Title: The Madonna of the Carnation Time-line: 1451-1500 School: Italian Form: painting Type: religious |
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- WGA form: painting
- WGA type: religious
- WGA School: Italian
- WGA time period: 1451-1500