File:Maes Old Woman Dozing.jpg
原始檔案 (770 × 1,025 像素,檔案大小:102 KB,MIME 類型:image/jpeg)
說明
摘要
[編輯]Nicolaes Maes:An Old Woman Dozing | |||||||||||||||||||||||||||
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作家 |
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標題 | |||||||||||||||||||||||||||
物體類型 | 畫作 | ||||||||||||||||||||||||||
藝術類型 | 風俗藝術 | ||||||||||||||||||||||||||
日期 | 約 | ||||||||||||||||||||||||||
表現方法 |
布面油畫 medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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尺寸 |
高度:135公分;寬度:105公分 dimensions QS:P2048,135U174728 dimensions QS:P2049,105U174728 |
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藏於 |
institution QS:P195,Q377500 |
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目前所在位置 | |||||||||||||||||||||||||||
登錄號 |
2983 (比利時皇家美術博物館) |
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參考文獻 |
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來源/攝影者 |
Web Gallery of Art: 圖像 Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/m/maes/olddozin.html" |
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授權許可 (重用此檔案) |
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日期/時間 | 縮圖 | 尺寸 | 使用者 | 備註 | |
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目前 | 2005年1月5日 (三) 16:37 | 770 × 1,025(102 KB) | Stahlkocher(留言 | 貢獻) | Maes_Old_Woman_Dozing, {{PD-old}} |
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檔案用途
下列10個頁面有用到此檔案:
- Elderly
- Nicolaes Maes
- Nicolaes Maes catalogue raisonné, 1914
- Paintings by Nicolaes Maes
- Royal Museums of Fine Arts
- File:Maes Old Woman Dozing.jpg
- File:Nicolaas Maes - Oude slapende vrouw.jpg
- File:Nicolaes Maes (1634-1693) - Ingedutte oude vrouw - KMSK Brussel 25-02-2011 12-55-13.jpg
- File:Nicolaes maes, donna anziana assopita, 1650-90 ca.JPG
- Category:Old Woman Dozing by Nicolaes Maes
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JPEG 檔案備註 | MAES, Nicolaes
(b. 1634, Dordrecht, d. 1693, Amsterdam) Old Woman Dozing 1656 Oil on canvas, 135 x 105 cm Musées Royaux des Beaux-Arts, Brussels This domestic scene - a superb example of the Dutch genre tableau - also has, though less obviously for a modern viewer, a moralising purpose as an allegory of sloth or laziness. An old woman has fallen asleep while reading. In her heavily veined right hand, resting on an open book on her lap, she holds a pair of reading glasses. Here the artist not only depicts tellingly a universally recognisable scene of human behaviour. Using pictorial language which would have been immediately understood by a 17th century Calvinist, he expresses, via a number of objects in the room, a judgement - and a highly negative one at that - about this behaviour. This verdict contrasts sharply with the positive feelings of modern viewers, who are inclined to project their emotion or tenderness into the artist's intentions when looking at his model. In particularly older viewers, who will soon be called to give a reckoning of their deeds at the Last Judgement, are sharply reminded of the severe punishments that await them after their death if they forsake their daily duties. A key on the wall points revealingly to a page in an open Bible on the table, where the name of Amos, a prophet of doom, is clearly readable. An hourglass in which time is passing props up the heavy book. Neither age nor tiredness, following on a spiritual effort, can excuse the capitulation to a human weakness. The call to be constantly awake and vigilant is directed not only at the spiritual individual but also at citizens in their daily activities. On the corner of the red cloth-covered table, a lace cushion, with light falling onto it, draws our eye. This symbol of domestic industry has been pushed aside by the woman. This deeper meaning was repeated and supplemented in other paintings with similar motifs from the same period, Experts date this early work, in which Rembrandt's influence can be clearly felt, at around 1656.
Author: MAES, Nicolaes Title: Old Woman Dozing Time-line: 1651-1700 School: Dutch Form: painting Type: genre |
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- Images from Web Gallery of Art
- CC-PD-Mark
- PD-Art (PD-old-100)
- Artworks with Wikidata item
- Artworks with accession number from Wikidata
- Artworks with known accession number
- Artworks digital representation of 2D work
- WGA form: painting
- WGA type: genre
- WGA School: Dutch
- WGA time period: 1651-1700
- KMSKB images from Web Gallery of Art