File:Masaccio trinity.jpg
![File:Masaccio trinity.jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/d/d2/Masaccio_trinity.jpg/296px-Masaccio_trinity.jpg?20090901162817)
原始檔案 (531 × 1,073 像素,檔案大小:121 KB,MIME 類型:image/jpeg)
說明
說明
摘要
[編輯]馬薩其奧:聖三位一體
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作家 | ||||||||||||||||||||||||
標題 |
聖三位一體 |
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物體類型 |
fresco ![]() |
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藝術類型 |
宗教藝術 ![]() |
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描述 |
The "Trinity" was one of the first painting to show a greater understanding of one point perspective in an interior space. The barrel vault shows the grandeur of Rome. Figures shown are Mary, Saint John and the petitioners on the lower step. |
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描繪人物 |
耶穌 ![]() |
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日期 |
在1425年到1428年之間 date QS:P571,+1425-00-00T00:00:00Z/8,P1319,+1425-00-00T00:00:00Z/9,P1326,+1428-00-00T00:00:00Z/9 |
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表現方法 |
濕壁畫 medium QS:P186,Q25631150 |
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尺寸 |
高度:667公分;寬度:317公分 dimensions QS:P2048,667U174728 dimensions QS:P2049,317U174728 |
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藏於 |
institution QS:P195,Q51175
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目標地點 |
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參考文獻 |
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權威檔案 | ||||||||||||||||||||||||
來源/攝影者 |
Web Gallery of Art: ![]() ![]() reference_wga QS:P973,"http://www.wga.hu/html/m/masaccio/trinity/trinity.html" |
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授權許可 (重用此檔案) |
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其他版本 | See Category:Trinity_(Masaccio) |
授權條款
[編輯]
此為如實地拍攝平面藝術品的相片複製本。原作位於公有領域,是因下列原因:
維基媒體基金會的官方立場認為:「針對平面公有領域的藝術作品進行忠實重製,其重製後的照片也屬於公有領域。」
因此,可認定本重製照片屬於公有領域。在其他司法管轄區,再利用此照片可能會被限制;參見再利用PD-Art照片以獲得進一步資訊。 |
檔案歷史
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日期/時間 | 縮圖 | 尺寸 | 使用者 | 備註 | |
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目前 | 2009年9月1日 (二) 16:28 | ![]() | 531 × 1,073(121 KB) | Flekstro(留言 | 貢獻) | A higher resolution was available from the same source ( http://www.wga.hu/html/m/masaccio/trinity/trinity.html ) |
2005年11月13日 (日) 09:36 | ![]() | 380 × 767(152 KB) | JoJan(留言 | 貢獻) | edited image from en.wikpedia Image:Masaccio trinity.jpg |
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JPEG 檔案備註 | MASACCIO
(b. 1401, San Giovanni Valdarno, d. 1428, Roma) Trinity 1425-28 Fresco, 667 x 317 cm Santa Maria Novella, Florence This is the most famous work of Masaccio beside the frescoes in the Cappelle Brancacci. There are various opinions as to exactly when this fresco was painted between 1425 and 1428. It was described in detail by Vasari in 1568, who emphasized the virtuosity of the "trompe l'oeil" in the architectural structure of the painting: "a barrel vault drawn in perspective, and divided into squares with rosettes which diminish and are foreshortened so well that there seems to be a hole in the wall." Only two years after Vasari's book was published, the erection of a stone altar caused the fresco to be covered up by a panel of the Madonna of the Rosary painted by Vasari himself. Thus the fresco remained unknown for further generations from 1570 to 1861 when owing to the removal of the 16th century altar it was again uncovered. After being removed and placed on the internal facade of the church between the left and the central doors, it was put back in its original position in 1952, as a result of the discovery, beneath the 19th century neo-Gothic altar, of the lower section of the fresco with Adam's skeleton and the painted altar table, once part of the whole work. The reconstructed work was taken up by critics as the symbol and revelation of Brunelleschi's principles in architecture and the use of perspective, to the point that some believed Brunelleschi to have had a direct hand in the work. The most likely interpretation of the Trinity is that the painting alludes to the traditional medieval double chapel of Golgotha, with Adam's tomb in the lower part (the skeleton) and the Crucifixion in the upper part. But it can also assume the significance of the journey the human spirit must undertake to reach salvation, rising from the earthly life (the corruptible body) through prayer (the two petitioners) and the intercession of the Virgin and saints (John the Evangelist) to the Trinity. A close-up view of the skeleton in the sarcophagus also revealed the ancient warning, in clear letters: I WAS WHAT YOU ARE AND WHAT I AM YOU SHALL BE.
Author: MASACCIO Title: Trinity Time-line: 1401-1450 School: Italian Form: painting Type: religious |
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