File:Qingming in Brief.jpg
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張擇端:清明易簡圖
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艺术家 |
未知Unknown artist |
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标题 |
Qingming in Ease and Simplicity Qingming in Brief 清明易簡圖 |
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物体类型 |
畫作 ![]() |
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藝術類型 |
panoramic painting ![]() |
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描述 |
At the left side of the painting is a columnar rock upon which is a signature that reads "Submitted by Your Servant, Zhang Zeduan, Painter of the Hanlin [Academy]" (翰林畫史臣張擇端進呈). Even though the painting was traditionally attributed to Zhang Zeduan (張擇端, fl. early 12th century), it actually appears to be a copy from the Ming dynasty (1368–1644). This work is therefore a later interpretation based on the original Along the River during the Qingming Festival (清明上河圖) by Zhang Zeduan. Many of the shop signs in the painting correspond to names of shops in the Record of Dream Splendors at the Eastern Capital (東京夢華錄), a text from the Southern Song period about the Northern Song capital Bianjing (汴京, present-day Kaifeng). The type of masonry of the city wall here had not yet appeared in the Northern Song period. The landforms and vegetation seem to reveal an influence from the style of the painter Qiu Ying (ca. 1494-1552). The blue, green, and red washes for the buildings and palaces is typical for Suzhou fakes. The scroll also contains spurious seals of Wang Shizhen (王世貞, 1526–1590) and Yan Shifan (嚴世藩, 1513–1565). In conclusion, this seems to be a late Ming work based on a Southern Song description of the Northern Song city. The title refers to the Commentary on the Book of Changes (易經.繫辭) wherein it is stated "with ease it is easily understood, and with brevity it is free of labor" (易則易知,簡則易從). It is thus likely that the artist intended for the viewer to easily grasp the full scope of the painting by simplifying its elements. |
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日期 | Ming dynasty (1368–1644) | ||||||||||||||||||||||||||
表现形式 | Handscroll, ink and colors on silk | ||||||||||||||||||||||||||
尺寸 | 38 x 673.4 cm | ||||||||||||||||||||||||||
藏于 |
institution QS:P195,Q540668 |
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登录号 | |||||||||||||||||||||||||||
创作地点 | China during the Ming dynasty | ||||||||||||||||||||||||||
题记 |
Frontispiece attributed to Emperor Gaozong of Qing (清高宗):
Colophon attributed to Emperor Gaozong of Qing (清高宗):
Signature attributed to Zhang Zeduan (張擇端), actually a copy by the unknown artist:
Colophon attributed to Su Shunju (蘇舜舉):
Colophon attributed to Emperor Gaozong of Qing (清高宗):
Colophon attributed to Shen Deqian (沈德潛):
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参考 |
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来源/摄影师 |
Stitched and then resized from the original files located at: A Special Exhibition of Paintings on "Up the River During Qingming" in the Museum Collection (exhibit). Taipei: National Palace Museum. |
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See also InfoField | Original files as given in the source:
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许可协议
[编辑]
这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。”
因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。 |
註解 InfoField | 該圖片含有註解:在維基媒體共享資源上查看註解 |
夢華陳亦
以易易難簡易繁。舜舉兩字卓識括萬端。世間祇知清明上河圖。誰知羲經妙義乃於世道關。爾時宣和朝士班。蔡童王高甲第攢。君臣嬉樂答韶節。惜無長繩繫流年。亦有舟車賓遠域。酒樓豪飲銀杯擲。綱來花石競新奇。豈計閭閻被辛螫。囊金橐幣輸朱門。百姓膏脂飽鬼蜮。汴京富貴瞥眼銷。可憐畫圖淪草棘。展轉流傳數百年。分宜豪敓誰能匿。嚴敗尤物入大內。小監竊取藏精粹。徒供失得閱荊凡。那有謨猷告房魏。徵詩閱月並書呈。大耋欣猶食履泰。擘箋和韻速就能。畫譜考證何須明。納忠因事吾所悉。廣平不異圖無逸。 今歲新正。沈德潛以此圖進。而未有題句。且考書畫譜。止有清明上河圖。無所為易簡圖者。易簡之名。始見於蘇舜舉詩。而未詳其義。又張丑清河書畫舫。載圖有張著跋。而此卷亦無之。因以詢之德潛。且賜葠助其頤養。並徵其詩。及考識。茲既成長什。兼疏舉一二。繕箋呈至。悉出手書。九衣失餘老人。能拈弄筆墨若此。即可為希世珍。不特擇端畫卷足傳而已。其無可考證者。皆不妨概置之。既以德潛作裝池。附綴於後。即用其韻題卷中。戊子(西元一七六八年)暮春月中澣。御筆。
翰林畫史臣張擇端進呈。
清明易簡新圖成。汴河橋上新煙生。春光盈眼客船淨。桃花逐浪柴門清。微茫沙岸繞紅綠。隱隱層城燦花竹。江航初渡浣花津。楚客時歸市廛屋。百家技藝向春售。千里農商喧日晝。卷舒熟視若有聲。靜聽只如空宙(點去)宇宙。村墟都市遙相通。碧瓦朱甍一望中。旅雁上雲歸紫塞。家人求火鑽青楓。煙花媚景一朝會。忻喜憂虞情不類。何勞周舉禁寒食。辟榖忘餐此為最。依然賈傅門前井。彷彿君平在真境。公輸猶構定王城。世祿之家設綵屏。翡翠樓高雲霧深。鴛鴦睡暖堆重衾。五陵豪俊驕肥馬。百代公侯朋盍簪。蒼然粉墨真可嘉。須知筆興超煙霞。依稀收盡人間事。郭薛張吳有幾家。何日溪花能笑日。幾年客舟卓橋邊出。今朝共賞不知暮。千載常欽古人筆。元貞元年(西元一二九五年)月正上日。蘇舜舉賦。
卷後舊有天輔五年賜錢妃字。按天輔為金太祖年號。其時方開并。豈有錢妃之事。且其年為宋宣和三年。彼時汴京無恙。亦尚未興助金滅遼之議。此畫不應入金。沈德潛考證。則云童貫蔡攸。嘗奉使助金滅遼。安知不以此圖媚金。第求金之事。在宣和四年。即如所云。此卷亦不應預為金有。是天輔款字。蓋出於庸手妄作。然是圖聲價自在。無藉別資羶薌。而多一贗款。適足滋惑。因命重裝時。裁偽存真。亦有合於易簡之道。固可不煩言而解也。戊子(西元一七六八年)清和月中澣。畫禪室再識。
題清明易簡圖。 清明上河事纖繁。宋臣寫者張擇端。宮殿橋梁及人物。舟車市肆連重關。尊卑老少男婦班。萬人角戢角戢蜂蟻攢。鬚眉生動形態別。書穴心摹寫逾一年。可惜畫圖流傳滯絕域。金玉陡向沙漠擲。播遷轉入鈐山堂。父子鋒芒肆辛螫。嚴敗旋經入內廷。寺人攫出同鬼蜮。詭云麋爛太液池。實售豪民置荊棘。靈物埋藏二百春。神光焯爍難遮匿。小臣偶得之。上呈九重內。敢將魚目混珠光。漫取碔砆昭玉粹。題中易簡二字有深思。宋代奢華異唐魏。此圖深得聖人心。公正和平永康泰。乾以易知。坤以簡能。易簡而天下之理得。聖心易象同光明。他人觀圖賞纖悉。聖人觀圖等無逸。 清明易簡圖疏解。 張擇端清明畫圖。本有二幅。一在張英公家者。名上河圖。有張著跋。一留汴京者。無跋。意即易簡圖也。(見吳匏菴集)。金天輔五年。即宋徽宗宣和三年。中國之物。不應遽入外邦。按宣和四年。遣童貫蔡攸助金伐遼。二人邪佞。又皆工畫。時子女玉帛。皆不吝惜。安知不以此圖媚金。天輔得之以賜錢妃。一時事也。金貞元二年。即金主亮。亮於圖上有題字及璽。明代此圖歸李東陽賓之。圖上有二印。又歸王世貞元美亦有印。嚴嵩巧取豪敓。歸嵩。(見歷代鑒藏畫家)。嵩有分宜二印。子世蕃。有東樓二印。嚴敗。入大內。為小內臣竊出。詭云藏御溝石洞。積雨麋爛。(見書畫譜)。實售與吳中吳家。今子孫不復存矣。清明上河。宋代積久豪華。擇端本翰林。寓諷諫。畫一年餘。難矣。而轉曰易。人一萬餘。繁矣。而轉曰簡。乾以易知。坤以簡能。包涵大易精義。外人但稱上河。從其便也。詠詩之人。俱無可考。張英公本。今藝苑不傳。臣學殖淺陋。家無藏書。故所見祇此。臣沈德潛。年九十有六。
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水平分辨率 | 350 dpi |
垂直分辨率 | 350 dpi |
使用软件 | Adobe Photoshop CC (Windows) |
文件修改日期时间 | 2017年12月30日 (六) 23:15 |
色彩空间 | 未标定 |
数字化日期时间 | 2017年12月30日 (六) 23:45 |
元数据最后修改日期 | 2017年12月31日 (日) 00:15 |
原始文件唯一ID | xmp.did:96411809-81ef-b245-803f-44773d09333b |
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