File:Raffaello Ritratto di Agnolo Doni.jpg
Oprindelig fil (804 × 1.153 billedpunkter, filstørrelse: 145 KB, MIME-type: image/jpeg)
Captions
Beskrivelse[redigér]
Raffaello Santi: Portrait of Agnolo Doni | |||||||||||||||||||||||||||
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Kunstner |
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Titel |
Portrait of Agnolo Doni |
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Object type | maleri | ||||||||||||||||||||||||||
Genre | portræt | ||||||||||||||||||||||||||
Depicted people | Agnolo Doni | ||||||||||||||||||||||||||
Dato |
fra 1505 til 1506 date QS:P,+1505-00-00T00:00:00Z/8,P580,+1505-00-00T00:00:00Z/9,P582,+1506-00-00T00:00:00Z/9 |
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Teknik | olie på plade | ||||||||||||||||||||||||||
Mål |
højde: 65 cm ; bredde: 45 cm dimensions QS:P2048,+65U174728 dimensions QS:P2049,+45U174728 |
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Samling |
institution QS:P195,Q866498
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Museumsnummer |
61 (Galleria Palatina) |
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Genstandens historie | 1506 Collezione Doni; 1826 Palazzo Pitti, Galleria Palatina e Appartamenti, Firenze; 11-6-1940 Villa medicea di Poggio a Caiano, Poggio a Caiano; 31-10-1940 Eremo di Camaldoli, Poppi, Camaldoli; 8-6-1945 Galleria degli Uffizi, Palazzo degli Uffizi, Deposito, Firenze; 6-7-1945 Palazzo Pitti, Museo degli Argenti, Firenze; 1-1-1946 Palazzo Pitti, Galleria Palatina e Appartamenti, Firenze | ||||||||||||||||||||||||||
Noter |
Deutsch: Pendant zum Porträt seiner Gattin Maddalena Doni, geb. Strozzi, ebenso Palazzo Pitti |
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Referencer | Inventario Palatina search/Ricerca per autore: Raffaello] | ||||||||||||||||||||||||||
Kilde/Fotograf |
Web Gallery of Art: Billede Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/r/raphael/2firenze/1/31doni1.html" |
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Andre versioner |
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Licensering[redigér]
Dette er en troværdig, fotografisk gengivelse af et originalt todimensionelt kunstværk. Kopier af kunstværket er offentlig ejendom af følgende grund:
Den officielle holdning, som Wikimedia Foundation følger er, at "faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain". For yderligere oplysninger, se Commons:When to use the PD-Art tag.
Denne fotografiske gengivelse betragtes derfor også som værende offentlig ejendom Vær opmærksom på, at, afhængig af lokale love, kan brug af dette indhold forbydes eller begrænses i dit område. Se Commons:Reuse of PD-Art photographs. |
Filhistorik
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Dato/tid | Miniaturebillede | Dimensioner | Bruger | Kommentar | |
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nuværende | 14. apr. 2006, 13:08 | 804 × 1.153 (145 KB) | Luigi Chiesa (diskussion | bidrag) | Raphael (1483-1520)<br> Portrait of Agnolo Doni<br> Oil on wood, 1506<br> 24 3/4 x 17 5/8 inches (63 x 45 cm)<br> Galleria Palatina (Palazzo Pitti), Florence Source: [http://www.artrenewal.org/index.html Art Renewal Center] {{Creator:Raffael}} {{PD-Art} |
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Metadata
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JPEG-filkommentar | RAFFAELLO Sanzio
(b. 1483, Urbino, d. 1520, Roma) Portrait of Agnolo Doni 1506 Oil on wood, 63 x 45 cm Galleria Palatina (Palazzo Pitti), Florence This is the companion piece of the portrait of Maddalena Doni. The merchant Agnolo Doni married Maddalena Strozzi in 1503, but Raphael's portraits were probably executed in 1506, the period in which the painter studied the art of Leonardo most closely. The composition of the portraits resembles that of the Mona Lisa: the figures are presented in the same way in respect to the picture plane, and their hands, like those of the Mona Lisa, are placed on top of one another. But the low horizon of the landscape background permits a careful assessment of the human figure by providing a uniform light which defines surfaces and volumes. This relationship between landscape and figure presents a clear contrast to the striking settings of Leonardo, which communicate the threatening presence of nature. But the most notable characteristic that distinguishes these portraits from those of Leonardo is the overall sense of serenity which even the close attention to the materials of clothes and jewels (which draw one's attention to the couple's wealth) is unable to attenuate. Every element - even those of secondary importance - works together to create a precise balance. These works, linked not only by the kinship of the subjects, but also by their evident stylistic homogeneity, mark the beginning of Raphael's artistic maturity. The two portraits, which Vasari mentions, were originally in a hinged frame so that they could be opened and closed like a book. In a portrait diptych like this, a form very popular in the Renaissance, the man's portrait was usually on the left, the more important side heraldically.
Author: RAFFAELLO Sanzio Title: Portrait of Agnolo Doni Time-line: 1501-1550 School: Italian Form: painting Type: portrait |
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