File:Concert by Lorenzo Costa.jpg
Pradinė rinkmena (739 × 946 taškų, rinkmenos dydis: 113 KiB, MIME tipas: image/jpeg)
Captions
Aprašymas[keisti]
Lorenzo Costa: A Concert | ||||||||||||||||||||||||||||
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Autorius |
artist QS:P170,Q357807 |
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Pavadinimas | ||||||||||||||||||||||||||||
Object type | paveikslas | |||||||||||||||||||||||||||
Data |
1485 m. - 1495 m. date QS:P,+1450-00-00T00:00:00Z/7,P1319,+1485-00-00T00:00:00Z/9,P1326,+1495-00-00T00:00:00Z/9 |
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Technika | oil on panel | |||||||||||||||||||||||||||
Matmenys |
aukštis: 95,3 cm ; plotis: 75,6 cm dimensions QS:P2048,+95.3U174728 dimensions QS:P2049,+75.6U174728 |
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Kolekcija |
institution QS:P195,Q180788 |
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Dabartinė vieta |
room 6 |
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Leidimo numeris |
NG2486 |
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Dati di acquisizione | Salting Bequest, 1910 | |||||||||||||||||||||||||||
Riferimenti | ||||||||||||||||||||||||||||
Šaltinis/Fotografas | http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/work?workNumber=NG2486 |
Licencija[keisti]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
Suteikiamas leidimas kopijuoti, platinti ir/ar redaguoti šį dokumentą pagal GNU Free Documentation licencijos versijos 1.2 ar bet kurios vėlesnės versijos sąlygas, publikuotas Free Software Foundation; be nekintamų dalių, be priekinių ir galinių tekstinių žymų viršeliuose. Šios licencijos kopija įtraukta dalyje, pavadintoje GNU Free Documentation License.http://www.gnu.org/copyleft/fdl.htmlGFDLGNU Free Documentation Licensetruetrue |
Šiam failui taikoma Creative Commons Attribution-Share Alike 3.0 Unported licencija. | ||
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Licencijos šablonas buvo priskirtas šiam failui kaip GFDL licencijos atnaujinimo dalis.http://creativecommons.org/licenses/by-sa/3.0/CC BY-SA 3.0Creative Commons Attribution-Share Alike 3.0truetrue |
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Data/Laikas | Miniatiūra | Matmenys | Naudotojas | Paaiškinimas | |
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dabartinis | 22:16, 13 gruodžio 2007 | 739 × 946 (113 KiB) | Estrilda (aptarimas | indėlis) | Reverted to version as of 01:07, 27 January 2005 | |
16:47, 29 lapkričio 2007 | 739 × 946 (113 KiB) | Canpacor (aptarimas | indėlis) | Reverted to version as of 01:07, 27 January 2005 | ||
01:07, 27 sausio 2005 | 739 × 946 (113 KiB) | Agostino64~commonswiki (aptarimas | indėlis) | Costa |
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- File:Concert.jpg (failo peradresavimas)
- File:Concert by Lorenzo Costa.jpg
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- Gènere musical
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JPEG failas komentarą | COSTA, Lorenzo
(b. ca. 1460, Ferrara, d. 1535, Mantova) Concert 1485-95 Oil on wood, 95,3 x 75,6 cm National Gallery, London Costa was a native of the northern Italian city-state of Ferrara, and much influenced by Cosimo Tura. By 1483 he had settled in Bologna, working for the ruling Bentivoglio family. After the death of Mantegna in 1506, Costa succeeded him as court painter in mantua, where he died. Although this painting is dated to Costa's Bolognese period, it may more accurately reflect performances at the court of Ferrara, where music was especially appreciated and secular music evolved earlier than in other Italian centres. It is unlikely, however, to be a portrait commissioned by the sitters. Most probably it was one of a series decorating a room: whether other pictures would have represented more musicians with different instruments, or the 'sister arts' of poetry, dance and so on, we do not know. Costa captures faithfully the effect of making music in concert. The singer-lutenist in the centre leads, his eyes on the music book on the ledge before him. The others join him in polyphonic song - we can tell they are sounding different notes by the different shapes formed by their open mouths - beating time to keep together. The man on the right looks at the leader carefully, the woman on the left places her arm on his shoulder the better to follow. At some stage during the performance these two musicians might accompany the lead singer on the fiddle and recorder in the foreground. While the Concert is rare for the period in having no religious or symbolic connotations, it is by no means the only instance of a late fifteenth-century artist seeking to suggest polyphonic sound - see for example the angels singing in Piero della Francesca's Nativity. Costa was later to adopt a softer painting manner, but this work, like his bust-length portraits, tries to emulate the meticulous realism of Netherlandish painting.
Author: COSTA, Lorenzo Title: Concert Time-line: 1451-1500 School: Italian Form: painting Type: genre |
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Structured data
A Concert anglų
copyright status anglų
copyrighted anglų
A Concert anglų
media type anglų
image/jpeg
checksum anglų
e74a2a488ccca1642a4ad09f9f03594fc092de36
data size anglų
115 352 Baitas
946 pikselis
739 pikselis
- Paintings by Lorenzo Costa
- Italian Renaissance paintings in the National Gallery, London
- Green clothing in art, female
- Italian Renaissance paintings of concerts
- Lutenists in paintings
- Oud players
- People with ouds
- Singing in art
- Women with necklaces in art
- 15th-century oil on panel paintings in the United Kingdom
- 1490s fashion
- 1490s paintings from Italy
- 1490s paintings in the United Kingdom