File:Scuola di Atene (rito orfico).jpg
Scuola_di_Atene_(rito_orfico).jpg (238 × 212 pixel, dimensione del file: 13 KB, tipo MIME: image/jpeg)
Didascalie
Didascalie
Dettagli
[modifica]DescrizioneScuola di Atene (rito orfico).jpg |
Italiano: Particolare della Scuola di Atene di Raffaello |
Fonte | Opera propria |
Autore | Raffaello |
Licenza
[modifica]Public domainPublic domainfalsefalse |
![]() |
Quest'opera è nel pubblico dominio anche in tutti i Paesi e nelle aree in cui la durata del copyright è la vita dell'autore più 70 anni o meno. ![]() Nota che in alcuni Paesi i termini del copyright durano più di 70 anni: in Messico 100, in Giamaica 95, in Colombia 80, in Guatemala e Samoa 75 anni. Questa immagine potrebbe non essere nel pubblico dominio in questi Paesi, che inoltre non applicano la regola della durata più breve. L'Honduras ha un termine generale di 75 anni, ma questo paese applica la regola della durata più breve.
|
Questo file è stato identificato come libero da restrizioni conosciute riguardanti le leggi sul copyright, compresi tutti i diritti connessi e vicini. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
Cronologia del file
Fare clic su un gruppo data/ora per vedere il file come si presentava nel momento indicato.
Data/Ora | Miniatura | Dimensioni | Utente | Commento | |
---|---|---|---|---|---|
attuale | 08:26, 27 ott 2012 | ![]() | 238 × 212 (13 KB) | Xinstalker (discussione | contributi) | Particolare della Scuola di Atene di Raffaello. Così lo storico della filosofia Giovanni Reale interpreta la raffigurazione: {{q|Si tratta di un particolare molto spesso frainteso, e non poche volte interpretato come raffigurante addirittura Epicuro p... |
Impossibile sovrascrivere questo file.
Utilizzo del file
Nessuna pagina utilizza questo file.
Utilizzo globale del file
Anche i seguenti wiki usano questo file:
- Usato nelle seguenti pagine di it.wikipedia.org:
Metadati
Questo file contiene informazioni aggiuntive, probabilmente aggiunte dalla fotocamera o dallo scanner usati per crearlo o digitalizzarlo. Se il file è stato modificato, alcuni dettagli potrebbero non corrispondere alla realtà.
Note dell'utente | O Sanzio
(b. 1483, Urbino, d. 1520, Roma) The School of Athens 1509 Fresco, width at the base 770 cm Stanza della Segnatura, Palazzi Pontifici, Vatican The School of Athens is a depiction of philosophy. The scene takes place in classical times, as both the architecture and the garments indicate. Figures representing each subject that must be mastered in order to hold a true philosophic debate - astronomy, geometry, arithmetic, and solid geometry - are depicted in concrete form. The arbiters of this rule, the main figures, Plato and Aristotle, are shown in the centre, engaged in such a dialogue. The School of Athens represents the truth acquired through reason. Raphael does not entrust his illustration to allegorical figures, as was customary in the 14th and 15th centuries. Rather, he groups the solemn figures of thinkers and philosophers together in a large, grandiose architectural framework. This framework is characterized by a high dome, a vault with lacunar ceiling and pilasters. It is probably inspired by late Roman architecture or - as most critics believe - by Bramante's project for the new St Peter's which is itself a symbol of the synthesis of pagan and Christian philosophies. The figures who dominate the composition do not crowd the environment, nor are they suffocated by it. Rather, they underline the breadth and depth of the architectural structures. The protagonists - Plato, represented with a white beard (some people identify this solemn old man with Leonardo da Vinci) and Aristotle - are both characterized by a precise and meaningful pose. Raphael's descriptive capacity, in contrast to that visible in the allegories of earlier painters, is such that the figures do not pay homage to, or group around the symbols of knowledge; they do not form a parade. They move, act, teach, discuss and become excited. The painting celebrates classical thought, but it is also dedicated to the liberal arts, symbolized by the statues of Apollo and Minerva. Grammar, Arithmetic and Music are personified by figures located in the foreground, at left. Geometry and Astronomy are personified by the figures in the foreground, at right. Behind them stand characters representing Rhetoric and Dialectic. Some of the ancient philosophers bear the features of Raphael's contemporaries. Bramante is shown as Euclid (in the foreground, at right, leaning over a tablet and holding a compass). Leonardo is, as we said, probably shown as Plato. Francesco Maria Della Rovere appears once again near Bramante, dressed in white. Michelangelo, sitting on the stairs and leaning on a block of marble, is represented as Heraclitus. A close examination of the intonaco shows that Heraclitus was the last figure painted when the fresco was completed, in 1511. The allusion to Michelangelo is probably a gesture of homage to the artist, who had recently unveiled the frescoes of the Sistine Ceiling. Raphael - at the extreme right, with a dark hat - and his friend, Sodoma, are also present (they exemplify the glorification of the fine arts and they are posed on the same level as the liberal arts). The fresco achieved immediate success. Its beauty and its thematic unity were universally accepted. The enthusiasm with which it was received was not marred by reservations, as was the public reaction to the Sistine Ceiling.
Author: RAFFAELLO Sanzio Title: The School of Athens Time-line: 1501-1550 School: Italian Form: painting Type: religious |
---|