File:A Week in the Life of a Man, Dublin (296691092).jpg
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DescriptionA Week in the Life of a Man, Dublin (296691092).jpg |
Jerzy Stuhr (born April 18th 1947 in Kraków) is one of the most popular Polish actors. He also works as a screenplay writer, film director, and drama professor. Having obtained a degree in Polish literature from the Jagiellonian University in 1970, Stuhr spent the next two years studying acting at the Kraków National Drama School (Państwowa Wyższa Szkoła Teatralna/PWST), with which he retained close ties ever since. From the early 1970s, Stuhr appeared in Polish theatre and screen productions, making his debut with the role of Beelzebub in Adam Mickiewicz's Dziady. Having met film director Krzysztof Kieślowski in the mid-1970s, he continued to work with him until Kieślowski's death in 1996. To an international audience, Stuhr may be best known for his minor role as thick-witted hairdresser Jurek in Kieślowski's Three Colors: White, in which he starred alongside Julie Delpy, Janusz Gajos, and Zbigniew Zamachowski. In Poland, he is probably best-known for the part of Max in Juliusz Machulski's 1985 dystopian cult comedy Seksmisja, and - to the youngest audience - for lending his voice to the talking donkey in the dubbed Polish version of the Shrek trilogy. Other important films include Kieślowski's "The Scar" (Blizna, 1976), "Camera Buff" (Amator, 1979) and Part 10 of his Decalogue series (1988), Machulski's Kingsize (1987), Kiler (1997) and Kiler 2 (1999), and Zanussi's Life for Life (1988). Stuhr also cooperated with Polish directing legends Agnieszka Holland, Andrzej Wajda and Krzysztof Zanussi. In 1985, Stuhr made his own directing debut staging the Polish version of Patrick Süskind's play The Double Bass, in which he also played the (only) role. In spite of the production's success, it was not until 1995 that Stuhr began directing films as well, with "List of Adulteresses" (Spis cudzołożnic) based on a novel by Jerzy Pilch. Critics favourably compared his next effort "Love Stories" (Historie miłosne, 1997) to Kieślowski's work. The film consists of four unconnected episodes with Stuhr playing the lead role in each. Further movies directed by Stuhr are "Big Animal" (Duże zwierzę, 2000 - based on a Kieślowski screenplay) and "Tomorrow's Weather" (Pogoda na jutro, 2003). For these two, Stuhr employed the Polish alternative rock band Myslovitz who composed the title tracks and also had walk-on roles in the latter. From 1990 to 1997, and again from 2002, Stuhr held the position of rector at the Kraków National Drama School, where he had learned his craft two decades before; in 1994 he formally obtained the title of professor in dramatic arts. Source: Wikipedia |
Date | |
Source | A Week in the Life of a Man, Dublin |
Author | Michal Osmenda from Brussels, Belgium |
Camera location | 53° 20′ 40.56″ N, 6° 15′ 53.64″ W | View this and other nearby images on: OpenStreetMap | 53.344601; -6.264899 |
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current | 05:00, 3 February 2013 | 1,800 × 1,200 (1.25 MB) | File Upload Bot (Magnus Manske) (talk | contribs) | Transferred from Flickr by User:russavia |
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Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D50 |
Exposure time | 1/60 sec (0.016666666666667) |
F-number | f/5 |
ISO speed rating | 400 |
Date and time of data generation | 21:30, 12 November 2006 |
Lens focal length | 18 mm |
Orientation | Normal |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop CS2 Windows |
File change date and time | 20:46, 13 November 2006 |
Exposure Program | Normal program |
Exif version | 2.21 |
Date and time of digitizing | 21:30, 12 November 2006 |
APEX shutter speed | 5.906891 |
APEX aperture | 4.643856 |
APEX exposure bias | 0 |
Maximum land aperture | 3.6 APEX (f/3.48) |
Metering mode | Pattern |
Light source | Unknown |
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DateTime subseconds | 10 |
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DateTimeDigitized subseconds | 10 |
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Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
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Digital zoom ratio | 1 |
Focal length in 35 mm film | 27 mm |
Scene capture type | Standard |
Scene control | None |
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Subject distance range | Unknown |
Image width | 1,800 px |
Image height | 1,200 px |
Lens used | 18.0-55.0 mm f/3.5-5.6 |
Rating (out of 5) | 0 |
Date metadata was last modified | 20:46, 13 November 2006 |
IIM version | 2 |