File:A history of painting... - with a preface by Frank Brangwyn (1911) (14598223558).jpg

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Identifier: historyofpainti01macf (find matches)
Title: A history of painting... / with a preface by Frank Brangwyn
Year: 1911 (1910s)
Authors: Macfall, Haldane, 1860-1928
Subjects: Painting Painters
Publisher: Boston : Dana Estes and Co.
Contributing Library: PIMS - University of Toronto
Digitizing Sponsor: University of Toronto

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Text Appearing Before Image:
e, and typical, of the friars beauty ofcolouring and tenderness, and displays his gift of expressingthe winsome sweetness for which his Madonnas are famous—the whole set in a glowing colour-harmony, and treatedwith wondrous finesse. This design of the ArchangelGabriel announcing to the Virgin Mary that she has beenchosen to be the Mother of the Christ, became a favouritesubject of the painters of the Renaissance. Fra FilippoLippi, or Lippo Lippi as he is called for short, revealedsuch a beautiful sense of colour, that one regrets his earlytraining for the Church. He was at heart a romantic poet.88 VI FRA FILIPPO LIPPI 1406 ? - 1469 TUSCAN SCHOOL THE ANNUNCIATION (National Gallery) The Archangel Gabriel is seen in the act of announcing to the Virginthat she shall be the Mother of the Christ. A lunette-shaped picture painted for Cosimo de Medici and markedwith his crest, three feathers tied together in a ring. Painted in tempera on wood. 2 ft. 2 in. h. x 4 ft. 11^ in. w. (o66i x1-51).
Text Appearing After Image:
OF PAINTING His decorations in the choir of the cathedral (Duomo) at WHEREINPrato, wherein he painted the Legends of John the Baptist and WE ARESaint Stephen, reveal his grasp of portraiture, his gift of INTRO-character, and harmonious skill in grouping. In the danceof Salome before Herod, all his poetic sense is displayed. _Here are the movement of the dance, dramatic force, and ljovINCbeauty of form. Here Lippo Lippi discovered the oneness eyEof the arts of colour and music. Filippo Lippis place in the development of the art ofpainting is difficult to set down clearly unless as a parallelgrowth of Fra Angelicos artistry and significance—whatmay be called the Francis of Assisi mood—side by side withthe tragic intensity of the growth of Masaccios art. He owedhis chief inspiration to Fra Angelico and the cloister that bredthe soul of Fra Angelico; but his art, whilst it displays afuller development of the craft of painting, lacks, as his lifelacked, the tenderness and rarity of spi

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Source https://www.flickr.com/photos/internetarchivebookimages/14598223558/
Author Internet Archive Book Images
Permission
(Reusing this file)		 At the time of upload, the image license was automatically confirmed using the Flickr API. For more information see Flickr API detail.
Volume
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1
Flickr tags
InfoField
  • bookid:historyofpainti01macf
  • bookyear:1911
  • bookdecade:1910
  • bookcentury:1900
  • bookauthor:Macfall__Haldane__1860_1928
  • booksubject:Painting
  • booksubject:Painters
  • bookpublisher:Boston___Dana_Estes_and_Co_
  • bookcontributor:PIMS___University_of_Toronto
  • booksponsor:University_of_Toronto
  • bookleafnumber:150
  • bookcollection:pimslibrary
  • bookcollection:toronto
Flickr posted date
InfoField
30 July 2014

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This image was originally posted to Flickr by Internet Archive Book Images at https://flickr.com/photos/126377022@N07/14598223558. It was reviewed on 26 July 2015 by FlickreviewR and was confirmed to be licensed under the terms of the No known copyright restrictions.

26 July 2015

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