File:A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century (1871) (14576724777).jpg

Identifier: historyofpaintin01crow (find matches)
Title: A history of painting in north Italy; Venice, Padua, Vicenza, Verona, Ferrara, Millan, Friuli, Brescia, from the fourteenth to the sixteenth century
Year: 1871 (1870s)
Authors: Crowe, J. A. (Joseph Archer), 1825-1896 Cavalcaselle, G. B. (Giovanni Battista), 1820-1897
Subjects: Painting Painting, Gothic Painting, Renaissance
Publisher: London, J. Murray
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

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Text Appearing Before Image:
s againis No. 421 in the Venice Academy,a picture of hard red tone and wiryoutline unlike Cimas. Akin to the Madonna of PrinceNapoleon, we have a similar onecalled Cima in the Manfrini Palaceat Venice. No. 239, wood. TheVirgin here has her hand on the childs head, not on his shoulder.Ruder treatment, more broken dra-pery, and colour more opaque thanCimas proclaim the presence of acopyist here who may be Pasqua-lino. ^ Venice Acad, wood, m. 208 h.by 140. The frame of the Saviouris cold from cleaning and re-touching. (See the engraving inZanotto, Pinac. deir Accad. Fasc.XVI.) The figures are very cleanlydetached from the distance. Thefigure to the right of the Saviour isS Magnus. ■* Venice, wood, figures half life-size, signed on a scroll: Joanesbaptiste Coneglian. opus. Thescene is a landscape of cold tone,but this may be owing to the badcondition of the piece, sjilit hori-zontally in tAvo places and scaling.See the engraving in Zanotto. (Pin.Yen. Fasc. I.) North Italy. Vol. I p 24-3
Text Appearing After Image:
THE TNCREDDLITY OF ST. THOMAS; an allarpiece by Giraa da Coneglia-JO i in the Venice Acidemy. I Chap. X. CIMA. 243 Academy at Venice;^ and S^^ Sebastian and Mark in thecollection of the late Sir Charles Eastlake.- Following Cimas works into distant places where thetaste of collectors have taken theni; we shall bring agoodly list together^ if we mention only those that areof most importance. There is a small Madonna betweenthe Baptist and S^ Catherine^ in which the infant maybe seen taking the cross from the former and holdingthe mystic ring in readiness for the latter; it belongsto Mr. Watts Russell, and was exhibited at Man-chester.^ Another picture of this class is the Virginand child between S John the Baptist and S* Paulin the Venice Academy/ a panel unlike some in thisrepository which betray the employment of Girolamoof Udine or other followers of Cima s manner.-^ In the 1 Venice Acad. No. 582, wood,m. 410 h. by 2* 10, Virgin and childbetween S^ Sebastian, George,Nicholas, Cather

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