File:Académiciens d'autrefois (1914) (14784666275).jpg

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Identifier: acadmiciensda00font (find matches)
Title: Académiciens d'autrefois
Year: 1914 (1910s)
Authors: Fontaine, André Jean Charles
Subjects: Académie royale de peinture et de sculpture (France) Artists, French Art
Publisher: Paris, H. Laurens
Contributing Library: University of British Columbia Library
Digitizing Sponsor: University of British Columbia Library

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prit. Tout le plaisir quon prend aux chosesvisibles, ajoutait-elle, diminue autant la vie de la Grâce3. »Les arts sadressent aux sens; donc ils sont condamnables! En réalité, les amis de Philippe et de Jean-Baptiste de Cham-paigne avaient autant destime pour certains peintres que dan-tipathie ou de mépris pour certains autres. Ceux qui, commeMignard, flattaient de parti pris la coquetterie féminine, oumême ne songeaient, comme Le Brun, quà enrichir de com-positions mythologiques les appartements du roi et ceux des i. Les éléments de cette étude ont été puisés dans un article sur lEsthétique jan-séniste que javais publié dans le n° du 10 août 1908 de la Revue de lArt ancien etmoderne. 2. Lettre dun ecclésiastique à un sien ami sur le sujet des peintures nues, publiéepar la Revue universelle des Arts, t. XXI, p. 209-217. 3. Mot cité par M. André Hallays dans la préface écrite pour louvrage de M. Au-gustin Gazier, Port-Royal au XVII siècle, Paris, 1909. ri. ix.
Text Appearing After Image:
La Cène, gravure anonyme.Daprès J.-IS. de Champaigne (? ■ (Cullectiou A. Gazier.) LESTHETIQUE JANSÉNISTE. i45 particuliers, leur paraissaient souvent coupables et toujoursdangereux. Mais ils savaient trop bien quelle impression pro-fonde peuvent laisser en nous les œuvres dart pour ne pasy chercher un moyen de rendre les hommes meilleurs et deles aïièrmir dans la foi. Lorsque Martin de Barcos, abbé deSaint-Cyran, écrit à Jean-Baptiste de Champaigne que ses« excellents tableaux excitent la dévotion et ladmiration deceux qui entrent dans son église4 », il faut voir là autrechose quune vaine formule de politesse. Lart ainsi comprisne passe par les sens, en quelque sorte purifiés, que poursadresser à lesprit. Nombreuses sont les œuvres dart sorties de Port-Royalou des milieux jansénistes. Pascal vient-il à mourir ? Son vi-sage est immédiatement moulé, et Quesnel dessine son por-trait daprès ce masque mortuaire. Même soin pieux de lapart de Coyzevox au décès de N

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  • bookid:acadmiciensda00font
  • bookyear:1914
  • bookdecade:1910
  • bookcentury:1900
  • bookauthor:Fontaine__Andr___Jean_Charles
  • booksubject:Acad__mie_royale_de_peinture_et_de_sculpture__France_
  • booksubject:Artists__French
  • booksubject:Art
  • bookpublisher:Paris__H__Laurens
  • bookcontributor:University_of_British_Columbia_Library
  • booksponsor:University_of_British_Columbia_Library
  • bookleafnumber:196
  • bookcollection:ubclibrary
  • bookcollection:toronto
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30 July 2014
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