File:American art and American art collections; essays on artistic subjects (1889) (14760052216).jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file(2,416 × 1,262 pixels, file size: 1.49 MB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary[edit]

Description
English:

Identifier: americanartamer01mont (find matches)
Title: American art and American art collections; essays on artistic subjects
Year: 1889 (1880s)
Authors: Montgomery, Walter
Subjects: Art Artists Art
Publisher: Boston, E.W. Walker & co
Contributing Library: Smithsonian Libraries
Digitizing Sponsor: Smithsonian Libraries

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
he land of Landseer and Holman Hunt; and Mr. Mark Pattison, the accomplished Rectorof Lincoln College, Oxford, affirms that, during the last twenty years, English taste has re-trograded rather than advanced. These eminent authorities may or may not be trustworthy;certainly there is nothing in the London Athenceum s criticism of Mr. Giffords picture tothrow suspicion upon the truth of their testimony. Neither the Cedars of New England norany other of Mr. Giffords riper works is or was intended to be an attempt at realization.Mr. Gifford does not make such an attempt. He knows that it would be in the first placeuseless, because Art never can compete with Nature, but always fails when trying to do so;and in the second place foolish, because Art has a sphere of her own, in which she isgreater than Nature. Madame Tussauds wax-figures are very earnest and laborious attemptsat realization, but probably no adult human being who can read and write ever supposedthat they are works of art. IMSIl
Text Appearing After Image:
Q Pi O P=. I». C5 £ 3 £ Eh n CM ^ y. U H &; AMERICAN ART 255 Mr. Gifford puts himself in his pictures. His landscapes are something more than merescenes in Nature. They are Nature, to be sure, but Nature as he views her, and Naturewith a revelation of his own feelings toward her. The impress of the man is left upon thework, and the work is the measure of the man. He has something fresh to tell us aboutwhat we already know a good deal, and, in addition, he explains to us how this somethinghas gone straight to his heart, and has stirred his emotions. In the last analysis the worthof an artists performance depends upon the worth of the artist himself; his character as wellas his genius is displayed and defined in his works. An ordinary landscape, seen throughhis eyes, becomes full of mystery and of meaning; the meanest flower that blows can,when he has placed it on the canvas, give thoughts that often lie too deep for tears.Mr. Gifford will paint

Note About Images

Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Date
Source

https://www.flickr.com/photos/internetarchivebookimages/14760052216/

Author Internet Archive Book Images
Permission
(Reusing this file)
At the time of upload, the image license was automatically confirmed using the Flickr API. For more information see Flickr API detail.
Volume
InfoField
v. 1
Flickr tags
InfoField
  • bookid:americanartamer01mont
  • bookyear:1889
  • bookdecade:1880
  • bookcentury:1800
  • bookauthor:Montgomery__Walter
  • booksubject:Art
  • booksubject:Artists
  • bookpublisher:Boston__E_W__Walker___co
  • bookcontributor:Smithsonian_Libraries
  • booksponsor:Smithsonian_Libraries
  • bookleafnumber:316
  • bookcollection:smithsonian
Flickr posted date
InfoField
30 July 2014



Licensing[edit]

This image was taken from Flickr's The Commons. The uploading organization may have various reasons for determining that no known copyright restrictions exist, such as:
  1. The copyright is in the public domain because it has expired;
  2. The copyright was injected into the public domain for other reasons, such as failure to adhere to required formalities or conditions;
  3. The institution owns the copyright but is not interested in exercising control; or
  4. The institution has legal rights sufficient to authorize others to use the work without restrictions.

More information can be found at https://flickr.com/commons/usage/.


Please add additional copyright tags to this image if more specific information about copyright status can be determined. See Commons:Licensing for more information.
This image was originally posted to Flickr by Internet Archive Book Images at https://flickr.com/photos/126377022@N07/14760052216. It was reviewed on 15 October 2015 by FlickreviewR and was confirmed to be licensed under the terms of the No known copyright restrictions.

15 October 2015

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current18:02, 21 November 2015Thumbnail for version as of 18:02, 21 November 20152,416 × 1,262 (1.49 MB)SteinsplitterBot (talk | contribs)Bot: Image rotated by 90°
09:48, 15 October 2015Thumbnail for version as of 09:48, 15 October 20151,262 × 2,416 (1.42 MB) (talk | contribs)== {{int:filedesc}} == {{information |description={{en|1=<br> '''Identifier''': americanartamer01mont ([https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&profile=default&fulltext=Search&search=insource%3A%2Famericanartamer01mont%2F find...

There are no pages that use this file.