File:American art and American art collections; essays on artistic subjects (1889) (14783228655).jpg

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Identifier: americanartamer01mont (find matches)
Title: American art and American art collections; essays on artistic subjects
Year: 1889 (1880s)
Authors: Montgomery, Walter
Subjects: Art Artists Art
Publisher: Boston, E.W. Walker & co
Contributing Library: Smithsonian Libraries
Digitizing Sponsor: Smithsonian Libraries

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Text Appearing Before Image:
ages 177, 225, 377) Boat-Landing, Powder Mills, and Arched Strata;by Richardson, (pages 224, 433) Rising Sun and the Brink of the Horseshoe; by Halliwell,(page 277) a Planters Home; by Bobbett, (page 429) Willamette Falls; by Anthony (pages441, 457) the Whirlpool, and High Falls, Trenton. •I need not spend so many words upon the second volume, though in no respect inferior tothe first. Enough to mention a few of the cuts that first strike me: Sinking Run above Tyrone,and Monument Rock (pages 144, 181), by Quartley; Dial Rocks, Laramie Plains (page 171),by Filmer; Truckee River (page 193), by Morse; Pine Forest on the Susquehanna (page 213), 474 AMERICAN ART by Langndge; Old Mill, and Silver Cascade (pages 296, 297), by Harley; Ascent of White/ace(page 414), by Slader, an Englishman, one of the most effective and at the same time the mostdelicate in the two volumes; and Walls of the Grand Canon (page 509), by Annin, which Iwould call the most careful and the best of the whole series.
Text Appearing After Image:
Ascent of W h iteface. — Engraved by Slader. From Picturesque America. Published by D. Appleton & Co. The English engravers (beside Quartley and Slader) represented are Henry Linton, MeasomCranston, Palmer, Alfred Harral, and myself. The work of the two first named is rather belowthan above the general average: the best I find, Goshen Pass (Vol. I. p. 352), by H Lintonand Washington Rock (Vol. II. p. 49), by Measom. Cranston has a good cut (Vol II p 127)Looking South from South Mountain; Palmer a few in Vol. II., the best of which are MossGlen Cascade (page 287) and the Ausable Chasm (page 415)-an excellent engraving, butwanting transparency in the water. Alfred Harral has many in both volumes. I would callattention to Calking on the Neversink (page 178), Gorge of the Yellowstone (page 296), andMtll on the Antietam Road (page 335), all in Vol. I., as specimens of his ability. It will not

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Volume
InfoField
v. 1
Flickr tags
InfoField
  • bookid:americanartamer01mont
  • bookyear:1889
  • bookdecade:1880
  • bookcentury:1800
  • bookauthor:Montgomery__Walter
  • booksubject:Art
  • booksubject:Artists
  • bookpublisher:Boston__E_W__Walker___co
  • bookcontributor:Smithsonian_Libraries
  • booksponsor:Smithsonian_Libraries
  • bookleafnumber:591
  • bookcollection:smithsonian
Flickr posted date
InfoField
30 July 2014



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