File:Brita's Forty Winks. From A Home (26 watercolours) (Carl Larsson) - Nationalmuseum - 24216.tif
Original file (3,528 × 2,409 pixels, file size: 24.34 MB, MIME type: image/tiff)
Captions
Carl Larsson: Brita's Forty Winks. From A Home (26 watercolours) | ||||||||||||||||||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Artist |
artist QS:P170,Q187310 |
|||||||||||||||||||||||||||
Title |
English: Brita's Forty Winks. From A Home (26 watercolours) Svenska: Britas tupplur. Ur Ett hem (26 akvareller) |
|||||||||||||||||||||||||||
Object type |
painting object_type QS:P31,Q3305213 |
|||||||||||||||||||||||||||
Description |
English: This ideal was also propagated by others, including Ellen Key, who advocated homes that were in a new and light style, in her essay “Skönhet för alla” (Beauty for All) in 1899.
The Larssons moved to Lilla Hyttnäs, a house in Sundborn, in the summer of 1889. Here, Carl and Karin together created the interiors that made their home famous. Karin designed the furniture and textiles, which she embroidered and wove. A studio was fitted up in one of the hallways. It features many eye-catching details, including the funny man crowning a column. When a larger studio extension was added, this room became a workshop for the whole family. The interiors of the Larsson home were characterised by rural simplicity. Nevertheless, every detail was carefully designed, with influences from England, Scotland and Japan. The kitchen, which was first and foremost a place for household chores, did not display the same modern interior style and comfort as the rest of the house.Svenska: Hos Carl och Karin Larsson möttes ett nytt formspråk och gammal tradition. De praktiska ändamålen styrde inredningen, men lika viktigt var att möblerna och föremålen samspelade i en harmoni. Dessa idéer förespråkades också till exempel av Ellen Key. Hon pläderade för nya och ljusa hem i sin uppsats ”Skönhet för alla” från 1899.
Larssons flyttade till huset Lilla Hyttnäs i Sundborn sommaren 1889. Carl och Karin skulle där tillsammans skapa den inredning som gjorde hemmet berömt. Karin formgav både möbler och textilier som hon broderade och vävde. En av tamburerna inreddes tidigt till ateljé. Där finns rikligt av iögonfallande detaljer, till exempel den lustige figuren på krönet till stolpen. När en större ateljé byggdes blev detta rum en verkstad för hela familjen. Inredningarna i det Larssonska hemmet gav sken av en lantlig enkelhet. Samtidigt var allt noga genomtänkt och influenserna hämtades bland annat från England, Skottland och Japan. Köket som främst var en plats för hushållsarbete och matlagning hade dock inte samma moderna inredningsstil och bekvämlighet som de övriga rummen. |
|||||||||||||||||||||||||||
Depicted people | Brita Larsson | |||||||||||||||||||||||||||
Original caption InfoField | English: This ideal was also propagated by others, including Ellen Key, who advocated homes that were in a new and light style, in her essay “Skönhet för alla” (Beauty for All) in 1899.
The Larssons moved to Lilla Hyttnäs, a house in Sundborn, in the summer of 1889. Here, Carl and Karin together created the interiors that made their home famous. Karin designed the furniture and textiles, which she embroidered and wove. A studio was fitted up in one of the hallways. It features many eye-catching details, including the funny man crowning a column. When a larger studio extension was added, this room became a workshop for the whole family. The interiors of the Larsson home were characterised by rural simplicity. Nevertheless, every detail was carefully designed, with influences from England, Scotland and Japan. The kitchen, which was first and foremost a place for household chores, did not display the same modern interior style and comfort as the rest of the house.Svenska: Hos Carl och Karin Larsson möttes ett nytt formspråk och gammal tradition. De praktiska ändamålen styrde inredningen, men lika viktigt var att möblerna och föremålen samspelade i en harmoni. Dessa idéer förespråkades också till exempel av Ellen Key. Hon pläderade för nya och ljusa hem i sin uppsats ”Skönhet för alla” från 1899.
Larssons flyttade till huset Lilla Hyttnäs i Sundborn sommaren 1889. Carl och Karin skulle där tillsammans skapa den inredning som gjorde hemmet berömt. Karin formgav både möbler och textilier som hon broderade och vävde. En av tamburerna inreddes tidigt till ateljé. Där finns rikligt av iögonfallande detaljer, till exempel den lustige figuren på krönet till stolpen. När en större ateljé byggdes blev detta rum en verkstad för hela familjen. Inredningarna i det Larssonska hemmet gav sken av en lantlig enkelhet. Samtidigt var allt noga genomtänkt och influenserna hämtades bland annat från England, Skottland och Japan. Köket som främst var en plats för hushållsarbete och matlagning hade dock inte samma moderna inredningsstil och bekvämlighet som de övriga rummen. |
|||||||||||||||||||||||||||
Date |
Unknown date Unknown date |
|||||||||||||||||||||||||||
Medium |
Svenska: Akvarell. Glasad |
|||||||||||||||||||||||||||
Dimensions |
|
|||||||||||||||||||||||||||
Collection |
institution QS:P195,Q842858 |
|||||||||||||||||||||||||||
Accession number |
NMB 275 |
|||||||||||||||||||||||||||
Exhibition history |
|
|||||||||||||||||||||||||||
Inscriptions |
Svenska: Signerad: C.L. [monogram] |
|||||||||||||||||||||||||||
References | ||||||||||||||||||||||||||||
Source/Photographer | Nationalmuseum | |||||||||||||||||||||||||||
Permission (Reusing this file) |
|
File history
Click on a date/time to view the file as it appeared at that time.
Date/Time | Thumbnail | Dimensions | User | Comment | |
---|---|---|---|---|---|
current | 23:44, 7 October 2016 | 3,528 × 2,409 (24.34 MB) | AndreCostaWMSE-bot (talk | contribs) | {{Artwork |other_fields_1 = |artist = {{Creator:Carl Larsson}} |title = {{en|Brita's Forty Winks. From A Home (26 watercolours)}} {{sv|Britas tupplur. Ur Ett hem (26 akvareller)}} |wikidata = Q1858713... |
You cannot overwrite this file.
File usage on Commons
The following 5 pages use this file:
File usage on other wikis
The following other wikis use this file:
- Usage on en.wikipedia.org
- Usage on la.wikipedia.org
- Usage on sv.wikipedia.org
- Usage on sv.wikisource.org
- Usage on www.wikidata.org
- Q17480860
- Q18587137
- Wikidata:WikiProject sum of all paintings/Creator/Carl Larsson
- Wikidata:WikiProject sum of all paintings/Possible portraits
- Wikidata:WikiProject sum of all paintings/Old European art missing genre/Sweden
- Wikidata:WikiProject sum of all paintings/Collection/Nationalmuseum/19th Century
Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Width | 3,528 px |
---|---|
Height | 2,409 px |
Bits per component |
|
Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 21,548 |
Number of components | 3 |
Number of rows per strip | 2,409 |
Bytes per compressed strip | 25,496,856 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop 7.0 |
File change date and time | 15:07, 19 April 2005 |
Color space | Uncalibrated |
Structured data
Items portrayed in this file
depicts
image/tiff
8290e6197e350b5e0ee61dd6c92cd6eaf354b166
25,518,448 byte
2,409 pixel
3,528 pixel
- Unknown date
- Content made available through Wikimedia Sverige partnerships
- CC-PD-Mark
- PD-old-100
- Images from the Nationalmuseum Stockholm
- PD-Art (PD-old-auto)
- Licensed-PD-Art missing SDC copyright license
- Artworks with known accession number
- Artworks with Wikidata item
- Artworks with Wikidata item missing genre
- Artworks digital representation of 2D work
- Media contributed by Nationalmuseum Stockholm: 2016-10