File:Catarino Veneziano - Madonna and Child, the Crucifixion, and Saints - Walters 37635.jpg

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Catarino Veneziano: Crucifixion   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Catarino Veneziano  (fl. 1367 / 1386)  wikidata:Q4217193
 
Alternative names
Catarino Veneziano the Elder; Caterino Veneziano I; Caterino Veneziano; Catarino di Marco di Venezia; Catarino
Description Italian painter
Date of birth 14th century
date QS:P,+1350-00-00T00:00:00Z/7
 Edit this at Wikidata
Work period 1362-1382
Authority file
artist QS:P170,Q4217193
Title
Madonna and Child, Crucifixion
label QS:Les,"Crucifixión"
label QS:Lfr,"Crucifixion"
label QS:Lru,"распятие на кресте"
label QS:Lde,"Kreuzigung"
label QS:Lpt,"Crucificação"
label QS:Lda,"korsfæstelse"
label QS:Lsl,"Križanje"
label QS:Lpl,"Ukrzyżowanie"
label QS:Lhe,"צליבה"
label QS:Lla,"crucificio"
label QS:Lsu,"ristiinnaulitseminen"
label QS:Lsv,"korsfästelse"
label QS:Lse,"Korsfästelse"
label QS:Len,"Crucifixion"
label QS:Lit,"Crocifissione"
label QS:Lmk,"Распетие"
label QS:Lnl,"De kruisiging"
, and Saints
Description
English: Painting during a period when artists no longer worked as anonymous craftsmen, Catarino signed this altarpiece prominently, "Catarino from Venice painted [this]." Juxtaposed with the donor's coat of arms (lower center, now missing), this signature aligns him with the patron, who kneels at Mary's feet. The patron shows his devotion through his commission, the artist through his skill. The glowing face on Mary's dress associates her with the "woman clothed with the sun" (Revelation 12:1) of the Bible. Both Mary and the Woman were understood to be symbols of the Christian Church.

Sts. Anthony Abbot and John the Baptist stand to Mary's right. To her left are Sts. Christopher and James the Great. St. Lucy, with her lamp, and St. Catherine of Alexandria, with her wheel, flank the Crucifixion with Mary and John at the top. The half-length figures, from left to right, are Sts. Ursula, Bartholomew, Clare, and Barbara. (Ursula and Barbara have been mislabeled but may be recognized by their attributes-Ursula holds an arrow, and Barbara holds a monstrance, a container used to display the consecrated wafer.)

For more information on this polyptych, please see Zeri catalogue number 34, pp. 56-58.
Date between circa 1380 and circa 1389
date QS:P571,+1380-00-00T00:00:00Z/8,P1319,+1380-00-00T00:00:00Z/9,P1326,+1389-00-00T00:00:00Z/9,P1480,Q5727902
(Middle Ages
era QS:P2348,Q12554
)
Medium tempera and gold on panel
Dimensions H with frame and original base: 69 1/2 x W: 73 3/16 in. (176.5 x 185.9 cm); Framed height: 176.5 cm (69.4 in); width: 186.1 cm (73.2 in); depth: 12.1 cm (4.7 in)
dimensions QS:P2048,176.5U174728
dimensions QS:P2049,186.1U174728
dimensions QS:P5524,12.1U174728
; Panel with Madonna, Child and donor, including reserved margins height: 117.5 cm (46.2 in); width: 62.5 cm (24.6 in)
dimensions QS:P2048,117.5U174728
dimensions QS:P2049,62.5U174728
; Panels with SS. Anthony Abbot, John the Baptist, Christopher, James the Great, each approx. height: 102.5 cm (40.3 in); width: 29.5 cm (11.6 in)
dimensions QS:P2048,102.5U174728
dimensions QS:P2049,29.5U174728
; Panel with Crucifixion height: 42 cm (16.5 in); width: 31 cm (12.2 in)
dimensions QS:P2048,42U174728
dimensions QS:P2049,31U174728
; Panel with St. Catherine height: 39 cm (15.3 in); width: 16 cm (6.2 in)
dimensions QS:P2048,39U174728
dimensions QS:P2049,16U174728
; Panel with St. Lucy height: 38.2 cm (15 in); width: 16 cm (6.2 in)
dimensions QS:P2048,38.2U174728
dimensions QS:P2049,16U174728
; Panel with SS. Ursula and Bartholomew, approx. height: 32 cm (12.5 in); width: 59 cm (23.2 in)
dimensions QS:P2048,32U174728
dimensions QS:P2049,59U174728
; Panel with SS. Clare and Barbara, approx. height: 30.5 cm (12 in); width: 58.4 cm (22.9 in)
dimensions QS:P2048,30.5U174728
dimensions QS:P2049,58.4U174728
; Min. original panel D: 1.3 cm (0.5 in); Max. original panel D: 2.5 cm (0.9 in)
institution QS:P195,Q210081
Accession number
37.635
Place of creation Venice, Italy
Object history
  • Unknown family, Osimo (?) [date of acquisition unknown], by commission
  • Count Giovanni Orsi, Ancona, prior to 1855 [mode of acquisition unknown]
  • Piccoli, Venice [date and mode of acquisition unknown]
  • Henry Walters, Baltimore, 1908-1909 [mode of acquisition unknown]
  • 1931: bequeathed to Walters Art Museum by Henry Walters
Exhibition history The International Style: The Arts in Europe Around 1400. The Walters Art Gallery, Baltimore. 1962.
Credit line Acquired by Henry Walters, 1908-1909
Inscriptions [Transcription] In upper tier, panels from left to right: S BARBARA; S BA...TOLI (?); S LVCIA; I.N.R.I.; S CATARINA; S CHLA[RA]; MAR...; [Transcription] In main row, in scroll held by John the Baptist: ECCE / AGN / V DE / I ECC / E QVI / TOLI / PECA / TA M / VNDI; [Transcription] Signed in center of base: CHATARI / NVS. DE / VENECII / PINXIT.
Source Walters Art Museum: Home page  Info about artwork
Permission
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current05:10, 26 March 2012Thumbnail for version as of 05:10, 26 March 20121,799 × 1,680 (3.76 MB)File Upload Bot (Kaldari) (talk | contribs)== {{int:filedesc}} == {{Walters Art Museum artwork |artist = Catarino Veneziano (Italian, active 1362-1382) |title = ''Madonna and Child, the Crucifixion, and Saints'' |description = {{en|Painting during a period when artists...

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