File:Joseph meets his father Jacob in the desert (Jean-Antoine Julien de Parme) - Nationalmuseum - 132587.tif

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Julien de Parme: Joseph meets his father Jacob in the desert  wikidata:Q18601244 reasonator:Q18601244
Artist
Jean-Antoine Julien de Parme
image of artwork listed in title parameter on this page
Title
English: Joseph meets his father Jacob in the desert
Svenska: Josef träffar sin far Jakob i öknen, vid portarna till Egypten
Object type painting
object_type QS:P31,Q3305213
Genre religious art Edit this at Wikidata
Description
English: Julien de Parme was of Swiss origin, but worked in Italy and France. In this work, he has used oil paint to try to emulate the plasticity of a sculptural relief. The painting is a typical example of the deep impact that antique sculpture had on artists in the late 18th century. This painting belonged to the Swedish sculptor Johan Tobias Sergel, who lived in Rome in the 1770s, at the same time as Julien de Parme.
Svenska: Julien de Parme var av schweiziskt ursprung, men verksam i Italien och Frankrike. I det här verket har han med oljemålningen som medium försökt efterlikna plasticiteten i en skulpturrelief. Målningen är ett tydligt exempel på den antika skulpturkonstens stora betydelse för konstnärerna under slutet av 1700-talet. Målningen har tillhört den svenske skulptören Johan Tobias Sergel, som på 1770-talet vistades i Rom samtidigt som Julien de Parme.
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English: Julien de Parme was of Swiss origin, but worked in Italy and France. In this work, he has used oil paint to try to emulate the plasticity of a sculptural relief. The painting is a typical example of the deep impact that antique sculpture had on artists in the late 18th century. This painting belonged to the Swedish sculptor Johan Tobias Sergel, who lived in Rome in the 1770s, at the same time as Julien de Parme.
Svenska: Julien de Parme var av schweiziskt ursprung, men verksam i Italien och Frankrike. I det här verket har han med oljemålningen som medium försökt efterlikna plasticiteten i en skulpturrelief. Målningen är ett tydligt exempel på den antika skulpturkonstens stora betydelse för konstnärerna under slutet av 1700-talet. Målningen har tillhört den svenske skulptören Johan Tobias Sergel, som på 1770-talet vistades i Rom samtidigt som Julien de Parme.
Date Unknown date
Unknown date
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions
  • height: 20.4 cm (8 in); width: 40.3 cm (15.8 in)
    dimensions QS:P2048,20.4U174728
    dimensions QS:P2049,40.3U174728
  • Framed: height: 40.3 cm (15.8 in); width: 51 cm (20 in)
    dimensions QS:P2048,40.3U174728
    dimensions QS:P2049,51U174728
institution QS:P195,Q842858
Accession number
NM 7073
Inscriptions
Svenska: Påskrift: Herr Särgell [i rödkrita, a tergo, på ramen]

Påskrift: "Särgell [i blyerts, a tergo, på ramen]

Påklistrad lapp: "B 6" samt fragment av en ytterligare papperslapp med påskrift (oläsl.)
References
Source/Photographer Per-Åke Persson / Nationalmuseum
Permission
(Reusing this file)

This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:

Public domain

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current00:53, 8 October 2016Thumbnail for version as of 00:53, 8 October 20163,355 × 2,730 (26.24 MB)AndreCostaWMSE-bot (talk | contribs){{Artwork |other_fields_1 = |artist = Jean-Antoine Julien de Parme |title = {{en|Joseph meets his father Jacob in the desert}} {{sv|Josef träffar sin far Jakob i öknen, vid portarna till Egypten}...

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