File:Keramic studio (1911) (14763536304).jpg

Identifier: keramicstud1319111912leon (find matches)
Title: Keramic studio
Year: 1899 (1890s)
Authors: Leonard, Anna B Robineau, Adelaide Alsop, 1865?-1929
Subjects: Pottery Decoration and ornament
Publisher: Syracuse, N.Y. (etc.) : Keramic Studio Publishing Co
Contributing Library: Smithsonian Libraries
Digitizing Sponsor: Smithsonian Libraries

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Text Appearing Before Image:
dark parts of design with Black.The grey background, flower pots and leaves in the windowwith a thin wash of Brown Green and a little Blood Red.Flowers in window a thin wash of Blood Red and a verylittle Violet No. 2. Third Fire.—Go over large pot with same color as insecond fire. Leaves in large pot Moss Green, a little VioletNo. 2 and a very little Black. Light flowers. Blood Red anda little Carnation. TUBEROSE Treatment by Jessie M. Bard FIRST Fire—Trace in design carefully, outline withGrey for Flesh and then fire. Second Fire—With special tinting oil and a littleGrey for Flesh paint in background, pad this, then dustthis (after cleaning out the white flowers) with PearlGrey, two parts, Apple Green, i part, and a pinch of Greyfor Flesh. Fire this. Third Fire—Oil leaves with special oil. Apply oilvery thin. Dust with Apple Grey, two parts. Grey for Flesh, I part. The flowers are painted in. Use Yellowthin toward centers. On shadow side use a little Violetand Grey for Flesh.
Text Appearing After Image:
TUBEROSE—ALICE WILLITS DONALDSON 16 KERAMIC STUDIO CHILDHOOD (Sttpplement) Charles C. CurranWATER COLOR CHOOSE a heavy, fairly smooth paper employing thewet method at the first, laying in the general tonesof the picture without attempting to complete the subtlemodelling in the first painting. The outline of the child andflowers should be carefully made before wetting the paper, amedium hard pencil being used to make light delicate lines—only drawing the larger forms. The entire picture can easily be painted with CobaltBlue, Rose Madder, Lemon Cadmium and a little Raw Siennafor use in the darkest parts. The sky tone is made with Co-balt Blue, a little Lemon Cadmium and a slight trace of RoseMadder, not too evenly put on. The childs face and arm are mostly Rose Madder andLemon Cadmium. In the cheek very little Blue is necessaryto secure the gradations, in the neck and arm more Blue, andsome Raw Sienna will be needed to get the depth of tone. In finishing the delicate modelling of th

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