File:The Coast at Gréville (Jean-François Millet) - Nationalmuseum - 18592.tif
Original file (3,957 × 3,260 pixels, file size: 36.94 MB, MIME type: image/tiff)
Captions
Jean-François Millet: The Coast at Gréville | |||||||||||||||||||||||||||
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Artist |
artist QS:P170,Q148458 |
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Title |
English: The Coast at Gréville Svenska: Havsstrand vid Gréville |
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Object type |
painting object_type QS:P31,Q3305213 |
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Genre | marine art | ||||||||||||||||||||||||||
Description |
English: Coastal scenes from northern France became increasingly common in the second half of the 19th century. As the region became popular as a resort, the market for this type of images increased. Millet’s coastal seascape is a study for a larger painting. It is not clear whether the lines in the painting are part of a sketch that the artist intended to paint over – or if they were intended to outline the cliffs, as an aid to memory when working on the larger painting. Millet was best known for his paintings of rural life and harsh farm labour. Svenska: Kustmotiven från norra Frankrike blev allt vanligare under 1800-talets lopp. I takt med att dessa trakter blev populära utflyktsmål, växte en marknad för den här typen av bilder fram. Millets kustlandskap är en studie för en större målning. Det oklart om linjerna i målningen är underteckning som konstnären egentligen haft för avsikt att måla över – eller om de var avsedda att tydligt ange klippornas former som stöd i arbetet med den större målningen. Millet var annars mest känd för sina skildringar av landsbygden och det hårda jordbruksarbetet. |
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Original caption InfoField | English: Coastal scenes from northern France became increasingly common in the second half of the 19th century. As the region became popular as a resort, the market for this type of images increased. Millet’s coastal seascape is a study for a larger painting. It is not clear whether the lines in the painting are part of a sketch that the artist intended to paint over – or if they were intended to outline the cliffs, as an aid to memory when working on the larger painting. Millet was best known for his paintings of rural life and harsh farm labour. Svenska: Kustmotiven från norra Frankrike blev allt vanligare under 1800-talets lopp. I takt med att dessa trakter blev populära utflyktsmål, växte en marknad för den här typen av bilder fram. Millets kustlandskap är en studie för en större målning. Det oklart om linjerna i målningen är underteckning som konstnären egentligen haft för avsikt att måla över – eller om de var avsedda att tydligt ange klippornas former som stöd i arbetet med den större målningen. Millet var annars mest känd för sina skildringar av landsbygden och det hårda jordbruksarbetet. |
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Date |
Unknown date Unknown date |
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Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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Dimensions |
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Collection |
institution QS:P195,Q842858 |
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Accession number |
NM 1588 |
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Exhibition history |
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Inscriptions |
Svenska: Signerad: J. F. Millet [med schablon] |
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References | |||||||||||||||||||||||||||
Source/Photographer | Erik Cornelius / Nationalmuseum | ||||||||||||||||||||||||||
Permission (Reusing this file) |
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File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 12:40, 7 October 2016 | 3,957 × 3,260 (36.94 MB) | AndreCostaWMSE-bot (talk | contribs) | {{Artwork |other_fields_1 = |artist = {{Creator:Jean-François Millet (II)}} |title = {{en|The Coast at Gréville}} {{sv|Havsstrand vid Gréville}} |wikidata = Q18574286 |object_type = paint... |
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Metadata
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Camera manufacturer | NIKON CORPORATION |
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Camera model | NIKON D2X |
Author | Nationalmuseum / The National Museum of Fine Arts |
Exposure time | 1/60 sec (0.016666666666667) |
F-number | f/7.1 |
ISO speed rating | 100 |
Date and time of data generation | 15:10, 6 March 2007 |
Lens focal length | 60 mm |
Width | 3,957 px |
Height | 3,260 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Image data location | 30,930 |
Orientation | Normal |
Number of components | 3 |
Number of rows per strip | 3,260 |
Bytes per compressed strip | 38,699,460 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Data arrangement | chunky format |
Software used | Adobe Photoshop CS2 Windows |
File change date and time | 14:34, 5 March 2007 |
Exposure Program | Manual |
Exif version | 2.21 |
Date and time of digitizing | 15:10, 6 March 2007 |
APEX shutter speed | 5.906891 |
APEX aperture | 5.655638 |
APEX exposure bias | −1.6666666666667 |
Maximum land aperture | 3 APEX (f/2.83) |
Metering mode | Pattern |
Light source | Flash |
Flash | Flash did not fire |
DateTimeOriginal subseconds | 49 |
DateTimeDigitized subseconds | 49 |
Color space | Uncalibrated |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Manual white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 90 mm |
Scene capture type | Standard |
Scene control | None |
Contrast | Soft |
Saturation | Normal |
Sharpness | Soft |
Subject distance range | Unknown |
Structured data
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- Content made available through Wikimedia Sverige partnerships
- CC-PD-Mark
- PD-old-100
- Images from the Nationalmuseum Stockholm
- PD-Art (PD-old-auto)
- Licensed-PD-Art missing SDC copyright license
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- Media contributed by Nationalmuseum Stockholm: 2016-10