User:ArchaiOptix/Red figure vase painters of Campania

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Dear visitor,
welcome to this partition of my picture gallery.
For my picture galleries about other object categories of ancient art please turn to my general user page (link on the top of this page).

Old Satyr Marsyas with ivy wreath

About me:
I am teaching Classics (Ancient Greek and Latin), Theology, modern Greek and Italian. I am particularly interested in Archaeology and History of Ancient Art. One of my other hobbies is photography. Combining these two hobbies I take lots of pictures in museums and archaeological sites and catalogue the photos according to the scientific literature.

About this picture gallery:
Under the relevant categories (of museums and painting styles) and more systematically on this user page I share a selection of my photos of ancient art.
The site is under construction since January 2020.
I thank all directors of museums who permit photography of the exhibits for private, educational, scientific, non-commercial purposes, thus spreading the knowledge of their treasures in a wider public. I hope that my photos published on wikimedia commons act also as an incentive to visit these museums and admire the works of art directly. Therefore editing the photos I refrain from replacing the background, so that the objects can be seen as displayed in the museum. If you intend to use one of my photos for commercial aims, I would recommend you to contact the museum.

The structure of this picture gallery:
→ workshop / group
→→ painter / subgroup
classified according to Arthur Dale Trendall, The red-figured vases of Lucania, Campania and Sicily, Oxford 1967, with first supplement 1970, second supplement 1973 and third supplement 1983,
abbreviated in the image titles as: LCS II-1 111 = book II (Campanian), part 1, vase number 111 in LCS / suppl.
Campanian fish-plates are classified according to: Ian McPhee, Arthur Dale Trendall, Greek Red-figured Fish-plates, Basel 1987,
abbreviated in the image titles as: GRFFP IIA 11 = part II (Campanian), section A, vase number 11
The common origins of Sicilian and Campanian red-figure painting (in LCS treated in book II, part I) are inserted in the subpage Red figure vase painters of Sicily, since some of these painters started in Sicily and emigrated later to Campania.
additional attributions by other authors ("extra")

part 1: the origins of Campanian red-figure[edit]

early Campanian red-figure vases not attributed to a specific painter or group[edit]

Revel Group[edit]

Revel Painter[edit]

part 2: Capua I[edit]

Cassandra Painter and his circle[edit]

Cassandra Painter[edit]

Painter of Louvre K 491[edit]

Laon Painter[edit]

Spotted Rock Group[edit]

Seated Nike Painter[edit]

Parrish Painter and his circle[edit]

Parrish Painter[edit]

Group of B.M. F 500[edit]

Würzburg Painter[edit]

Campanian red-figure fish-plates section A: associated with the workshop of the Cassandra Painter and his followers[edit]

Grassi Painter[edit]

Lyman Allyn Group[edit]

minor vases of the Cassandra-Parrish Workshop[edit]

Campanian red-figure fish-plates section D: Heligoland Group[edit]

Heligoland Painter[edit]

D‘Agostino Painter[edit]

Heligoland Group, not attributed to a specific painter[edit]

school of the Laghetto, Caivano and Errera Painters[edit]

Laghetto Painter[edit]

Caivano Painter[edit]

Errera Painter[edit]

Painter of London BM F 223[edit]

Campanian red-figure fish-plates section E: Paestanising: Torpedo Group and Bremen Group[edit]

Bremen Group[edit]

Ixion Group[edit]

Ixion Painter[edit]

Campanian red-figure fish-plates section B: associated with the workshop of the Ixion Painter and his followers[edit]

Adelaide-S. Prisco Painter[edit]

Atella Painter and Siamese Painter[edit]

Siamese Painter[edit]

part 3: Capua II[edit]

forerunners of the school of Capua II[edit]

NYN Painter[edit]

workshop of the Capua Painter[edit]

Capua Painter[edit]

Foundling Painter[edit]

AV I: Whiteface Group[edit]

Torchmen Painter[edit]

Whiteface Painter = Frignano Painter = Painter ov Sèvres 50 (identical)[edit]

Painter of London BM F 196[edit]

AV II: Libation Group[edit]

Libation Painter[edit]

Olcott Painter[edit]

Painter of London BM F 190[edit]

closely related to the Libation Painter, not attributed to a specific painter[edit]

Manchester Painter[edit]

AV III: Danaid Group[edit]

Danaid Painter[edit]

vases related to the Danaid Painter, not attributed to a specific painter[edit]

AV IV: Fillet Group[edit]

part 4: Cumae[edit]

Cumae A I: workshop of the CA Painter and the Painter of New York GR 1000[edit]

CA Painter[edit]

Painter of New York GR 1000[edit]

Cumae A II: apulianizing[edit]

Ivy-Leaf Painter[edit]

APZ Painter[edit]

Toulouse Painter[edit]

Cumae B I: Nicholson Group[edit]

Nicholson Painter[edit]

Rio Painter[edit]

Cumae B II: Rhomboid Group[edit]

Branicki Painter[edit]

Painter of London BM F 229[edit]

Cumae C[edit]

Painter of London BM F 247[edit]

TT (Teano-Tübingen) Group[edit]

Vitulazio Painter[edit]

Campanian red-figure fish-plates section C: Robinson Group, probably associated with the fabric of Cumae[edit]

De Bellis Painter[edit]

Painter of the Bordeaux Fish-plate[edit]

Campanian red-figure vases not attributed to a specific painter or group[edit]

(to the best of my knowledge)