File:(Venice) Allegory of Astrology by Alessandro Varotari - Biblioteca Nazionale Marciana.jpg
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Biblioteca Nazionale Marciana (Venice) - Interior - Allegory of Astrology by Alessandro Varotari | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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- ↑ The deliberation of the procurators de supra (Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1634, 12 aprile) states the intention to copy two damaged roundels. The originals were by Giulio Licinio and Giambattista Zelotti for which commissions were given to Bernardo Strozzi and Padovanino respectively. Padovanino received higher payment due to the greater number of figures involved (see Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1635, 26 November).
- ↑ La délibération de les procureurs de supra (Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1634, 12 avril) déclare l'intention de copier deux cocardes endommagées. Les originaux étaient de Giulio Licinio et Giambattista Zelotti pour lesquels les commandes furent respectivement confiées à Bernardo Strozzi et Padovanino. Padovanino a reçu un paiement plus élevé en raison du plus grand nombre de personnages impliqués (voir Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1635, 26 novembre).
- ↑ La deliberazione di i procuratori de supra (Archivio, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1634, 12 aprile) dichiarano l'intenzione di copiare due tondi danneggiati. Gli originali erano di Giulio Licinio e Giambattista Zelotti per i quali furono commissionati rispettivamente Bernardo Strozzi e Padovanino. Padovanino ricevette compensi maggiori per il maggior numero di personaggi coinvolti (vedi Archivio, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1635, 26 novembre).
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Image title |
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Camera manufacturer | NIKON CORPORATION |
Camera model | NIKON D850 |
Author | Didier Descouens |
Exposure time | 1/30 sec (0.033333333333333) |
F-number | f/6.3 |
ISO speed rating | 10,000 |
Date and time of data generation | 12:47, 11 May 2023 |
Lens focal length | 50 mm |
Short title |
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Orientation | Normal |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop 25.4 (Windows) |
File change date and time | 19:59, 3 February 2024 |
Exposure Program | Manual |
Exif version | 2.31 |
Date and time of digitizing | 12:47, 11 May 2023 |
APEX shutter speed | 4.906891 |
APEX aperture | 5.310704 |
APEX exposure bias | 0 |
Maximum land aperture | 4 APEX (f/4) |
Metering mode | Center weighted average |
Light source | Unknown |
Flash | Flash did not fire |
DateTime subseconds | 28 |
DateTimeOriginal subseconds | 28 |
DateTimeDigitized subseconds | 28 |
Color space | Uncalibrated |
Focal plane X resolution | 2,301.3246154785 |
Focal plane Y resolution | 2,301.3246154785 |
Focal plane resolution unit | 3 |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Auto white balance |
Focal length in 35 mm film | 50 mm |
Scene capture type | Standard |
Scene control | High gain up |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Subject distance range | Unknown |
Serial number of camera | 6017486 |
Lens used | 24.0-120.0 mm f/4.0 |
Rating (out of 5) | 0 |
Date metadata was last modified | 20:59, 3 February 2024 |
Unique ID of original document | 3858B4FDF30B1113F1B01B85DD14F1AB |
Keywords | Venice |