File:14th-century unknown painters - Crucifixion with Saints and Noli Me Tangere - WGA23903.jpg
![File:14th-century unknown painters - Crucifixion with Saints and Noli Me Tangere - WGA23903.jpg](https://upload.wikimedia.org/wikipedia/commons/thumb/4/47/14th-century_unknown_painters_-_Crucifixion_with_Saints_and_Noli_Me_Tangere_-_WGA23903.jpg/423px-14th-century_unknown_painters_-_Crucifixion_with_Saints_and_Noli_Me_Tangere_-_WGA23903.jpg?20110613175730)
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Captions
Captions
Crucifixion with Saints and Noli Me Tangere
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Artist |
Unknown Master, Italian (active mid-14th century in Rimini) |
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Title |
Crucifixion with Saints and Noli Me Tangere label QS:Len,"Crucifixion with Saints and Noli Me Tangere" |
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Object type |
painting object_type QS:P31,Q3305213 |
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Date |
circa 1350 date QS:P571,+1350-00-00T00:00:00Z/9,P1480,Q5727902 |
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Medium | tempera and gold on wood | ||||||||||||||||||||||||||
Dimensions |
height: 56 cm (22 in); width: 38 cm (14.9 in) dimensions QS:P2048,56U174728 dimensions QS:P2049,38U174728 |
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Collection |
institution QS:P195,Q774940 |
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References |
https://www.wga.hu/html/m/master/xunk_it/xunk_it2/12crucif.html ![]() |
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Source/Photographer |
Web Gallery of Art: ![]() ![]() reference_wga QS:P973,"http://www.wga.hu/html/m/master/xunk_it/xunk_it2/12crucif.html" |
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Permission (Reusing this file) |
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current | 17:57, 13 June 2011 | ![]() | 853 × 1,208 (194 KB) | JarektUploadBot (talk | contribs) | {{Artwork |artist = {{Unknown Master, Italian (active mid-14th century in Rimini)}} |title = Crucifixion with Saints and Noli Me Tangere |description = |date = {{other date|ca|1350}} |medium |
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JPEG file comment | UNKNOWN MASTER, Italian
(active mid-14th century in Rimini) Crucifixion with Saints and Noli Me Tangere around 1350 Tempera and gold on wood, 56 x 38 cm Pinacoteca, Vatican The painting is attributed to the school of Rimini, mainly because it can be compared to a polyptych in the Museo Civico in Rimini. It could have been an altarpiece for an altar dedicated to Saint Mary Magdalene, who holds a prominent position in both parts of the panel. The panel is divided horizontally in two parts. On the top is the Crucifixion with Saint Peter and Saint Paul, and on the bottom are scenes of the Three Holy Women at the Sepulcher and Noli me tangere. Two types of angels are depicted in this panel. The angels around the cross are reminiscent of figures of angels created first by Giotto, such as the angels in the fresco of the <a onclick="return OpenOther('/html/g/giotto/padova/3christ/scenes_4/chris201.html')" href="/html/g/giotto/padova/3christ/scenes_4/chris201.html">Lamentation over the Dead Christ<A> in the Scrovegni Chapel, Padua, or in the <a onclick="return OpenOther('/html/g/giotto/z_panel/4stefane/13stefan.html')" href="/html/g/giotto/z_panel/4stefane/13stefan.html">Stefaneschi Altarpiece<A> at the Vatican. These angels are able to express emotions, in this case grief. The angel sitting on the tomb is different in appearance and size and is more distinguished than the angels around the Crucifixion. He has an active and important role in the scene, linking the two parts together. He is therefore depicted not light and ephemeral as the mourning angels at the top; and, in contrast to them, he has legs. The panel is divided horizontally in two parts. On the top is the Crucifixion with Saint Peter and Saint Paul, and on the bottom are scenes of the Three Holy Women at the Sepulcher and Noli me tangere. Two types of angels are depicted in this panel. The angels around the cross are reminiscent of figures of angels created first by Giotto, such as the angels in the fresco of the <a onclick="return OpenOther('/html/g/giotto/padova/3christ/scenes_4/chris201.html')" href="/html/g/giotto/padova/3christ/scenes_4/chris201.html">Lamentation over the Dead Christ<A> in the Scrovegni Chapel, Padua, or in the <a onclick="return OpenOther('/html/g/giotto/z_panel/4stefane/13stefan.html')" href="/html/g/giotto/z_panel/4stefane/13stefan.html">Stefaneschi Altarpiece<A> at the Vatican. These angels are able to express emotions, in this case grief. The angel sitting on the tomb is different in appearance and size and is more distinguished than the angels around the Crucifixion. He has an active and important role in the scene, linking the two parts together. He is therefore depicted not light and ephemeral as the mourning angels at the top; and, in contrast to them, he has legs. <P> <TABLE ALIGN=LEFT CELLPADDING=5 BORDER=1 WIDTH=320 BGCOLOR="#99CCCC"> <TR VALIGN=MIDDLE><TD><IMG SRC="/support/gif/listen.gif" BORDER=0 VALIGN=MIDDLE> Suggested listening (streaming mp3, 12 minutes):<BR><A HREF="#" onClick="w=window.open ('/music1/14_cent/gregorian_chants.html', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=350,height=350');w.opener=this;w.focus();return true"><B>Gregorian chants</B></A> </TD></TR></TABLE>
--- Keywords: -------------- Author: UNKNOWN MASTER, Italian Title: Crucifixion with Saints and Noli Me Tangere Time-line: 1301-1350 School: Italian Form: painting Type: religious |
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Structured data
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198,704 byte
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- Pinacoteca Vaticana - Room I
- 14th-century paintings in the Pinacoteca Vaticana
- 14th-century unidentified painters
- 14th-century paintings of the Crucifixion of Christ
- Early Italian paintings of Crucifixion
- Mary Magdalene in crucifixion
- Paintings of the passion of Jesus Christ with multiple episodes
- Paintings of Jesus Christ in the Vatican City
- Feet-kissing in art
- Pages with complex technique templates
- Images from Web Gallery of Art
- CC-PD-Mark
- PD-Art (PD-old-100)
- PD-Art missing SDC copyright status
- Artworks with Wikidata item
- Artworks with Wikidata item missing genre
- Artworks with Wikidata item missing medium
- Artworks digital representation of 2D work
- WGA form: painting
- WGA type: religious
- WGA School: Italian
- WGA time period: 1301-1350