File:1881-empire-bra-vie-parisienne-henri-montaut.gif

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An "empire" (early nineteenth century) brassiere, as depicted by Henri de Montaut in La Vie Parisienne (January 15 1881). In an interesting alternative historical perspective, corsets (such as worn by the woman at lower right) were taken for granted as everyday items in 1881, while the bra (worn by the woman at upper left, who is fiddling with her right bra strap) was then a curious exotic obsolete historical artifact which had to be explained, and which clearly didn't have any commonly-understood name in the French of 1881.

This illustration is interesting as one of the earliest unambiguous depictions of a garment which closely resembles a modern bra (though whether it is accurate in its representation of the early 19th century is another matter). Note that the artist (de Montaut) has imposed the contour of the Empire/Regency gown (which was tight, but not necessarily constricting, just below the breasts, and loose around the waist and hips) onto his depiction of the unclad torso of an Empire/Regency woman -- apparently projecting the situation of his own time (when it is likely enough that habitual wearing of Victorian corsets would leave a permanent impress on the body) back into the early nineteenth century.

Caption in upper right of image:

"LE CORSET EMPIRE. -- Cela peut-il s'appeler un corset? C'était plutôt un «appui». Deux petites poches de satin blanc, réunies et maintenues par un ruban. Le satin, très-mince, afin de soutenir les accidents de terrain; ce corset-là n'était ni encombrant, ni trompeur, et s'enlevait en un tour de main."
THE EMPIRE CORSET: — Can this really be called a corset? It was more of a "support". Two small white satin pockets, held together in place by a ribbon. The satin, extra thin to cope with the accidents de terrain [a hard-to-translate euphemism, perhaps "landscape features", or "lumps and bumps"]; this corset was neither cumbersome, nor deceptive, and could be removed at a deft touch.
(De Montaut hadn't quite thought through all the possibilities when he wrote "ni trompeur"... ;-) )
日期
来源 La Vie Parisienne (January 15 1881)
作者
亨利·德·蒙托  (1829–1889)  wikidata:Q1606060 s:fr:Auteur:Henri de Montaut
 
亨利·德·蒙托
描述 法国copper engraver、​插畫家、​畫家和雕刻师
出生/逝世日期 1829年6月13日 在維基數據編輯 1900年 (or 1890)
出生/逝世地点 巴黎 巴黎
權威控制
creator QS:P170,Q1606060
其他版本
Original artwork

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这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
Public domain

本作品在其来源国以及其他著作权期限是作者逝世后100年或以下的国家和地区属于公有领域


这个作品在美利坚合众国属于公有领域,因为它首次发布早于1929年1月1日,或于该日期之前在美国著作权局登记。

维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。”
因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。

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当前2006年3月19日 (日) 10:412006年3月19日 (日) 10:41版本的缩略图516 × 493(44 KB)Churchh留言 | 贡献upload version with file comment
2006年3月8日 (三) 07:122006年3月8日 (三) 07:12版本的缩略图516 × 493(43 KB)Churchh留言 | 贡献An "empire" (early nineteenth century) brassiere, as depicted by Henri de Montaut in ''La Vie Parisienne'' (January 15 1881). In an interesting alternative historical perspective, corsets (such as worn by the woman at lower r

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