File:2022 Understanding Colombia's Conflict through the Lens of Jesús Abad Colorado - 1.jpg
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Summary[edit]
Description2022 Understanding Colombia's Conflict through the Lens of Jesús Abad Colorado - 1.jpg |
English: Left to right: Tonis Montes, Program Officer, Latin America Program, U.S. Institute of Peace; Jesús Abad Colorado, Colombian Photographer; María Belén Saez de Ibarra, Curator and Director, Center for Cultural Heritage, National University of Colombia
On October 13, USIP, the Washington Office on Latin America, Colombia’s National University and the Atlantic Council hosted the launch of “The Witness,” featuring reflections from Jesús Abad Colorado and María Belén Sáez on the human toll of armed conflict, the deep scars that violence creates on the environment, the resilience of victims, and the voices for peace. A reception followed the conversation. For more information about this event, please visit: www.usip.org/events/understanding-colombias-conflict-thro... |
Date | |
Source | https://www.flickr.com/photos/90805769@N08/52437745154/ |
Author | U.S. Institute of Peace |
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This image was originally posted to Flickr by U.S. Institute of Peace at https://flickr.com/photos/90805769@N08/52437745154. It was reviewed on 11 April 2024 by FlickreviewR 2 and was confirmed to be licensed under the terms of the cc-by-2.0. |
11 April 2024
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current | 02:39, 11 April 2024 | 3,840 × 2,561 (4.34 MB) | Ooligan (talk | contribs) | Uploaded a work by U.S. Institute of Peace from https://www.flickr.com/photos/90805769@N08/52437745154/ with UploadWizard |
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Camera manufacturer | SONY |
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Camera model | ILCE-7RM3 |
Exposure time | 1/100 sec (0.01) |
F-number | f/4 |
ISO speed rating | 1,600 |
Date and time of data generation | 14:10, 13 October 2022 |
Lens focal length | 40 mm |
Width | 7,952 px |
Height | 5,304 px |
Bits per component |
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Pixel composition | RGB |
Orientation | Normal |
Number of components | 3 |
Horizontal resolution | 350 dpi |
Vertical resolution | 350 dpi |
Software used | Adobe Photoshop 23.5 (Macintosh) |
File change date and time | 08:05, 15 October 2022 |
Y and C positioning | Co-sited |
Exposure Program | Manual |
Exif version | 2.31 |
Date and time of digitizing | 14:10, 13 October 2022 |
Meaning of each component |
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Image compression mode | 4 |
APEX shutter speed | 6.643856 |
APEX aperture | 4 |
APEX brightness | 0.99375 |
APEX exposure bias | 0 |
Maximum land aperture | 2.96875 APEX (f/2.8) |
Metering mode | Center weighted average |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Manual exposure |
White balance | Auto white balance |
Digital zoom ratio | 1 |
Focal length in 35 mm film | 40 mm |
Scene capture type | Standard |
Contrast | Normal |
Saturation | Normal |
Sharpness | Normal |
Lens used | FE 24-70mm F2.8 GM |
Rating (out of 5) | 0 |
Date metadata was last modified | 04:05, 15 October 2022 |
Unique ID of original document | B8D97438F901632A866DC310E577F5E3 |