File:A nightmare (BM 1859,0709.848).jpg
Original file (1,000 × 906 pixels, file size: 205 KB, MIME type: image/jpeg)
Captions
Summary
[edit]A nightmare ( ) | ||||||||||||||||||||||||
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Artist |
Print made by: Frederick Sandys
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Title |
A nightmare |
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Description |
English: A parody of John Everett Millais's painting 'A Dream of the Past: Sir Isumbras at the Ford' with John Ruskin as a braying ass ridden by Millais, and Hunt and Rossetti as the two children whom the old knight in the painting is carrying across the ford; a tower and arched bridge in the background, three figures representing Titian, Raphael and Michelangelo praying by the side of a pond with a scroll lettered, "Orate p[ro] nobis". From the knight's armour hangs a can of paint with the lettering "PRB", and branded onto the backside of the donkey is "J[ohn]R[uskin] OXON"; three columns of verse on a scroll below the image. 1857
Zincotype |
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Depicted people | Portrait of: John Everett Millais | |||||||||||||||||||||||
Date |
1857 date QS:P571,+1857-00-00T00:00:00Z/9 |
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Medium | paper | |||||||||||||||||||||||
Dimensions |
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Collection |
institution QS:P195,Q6373 |
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Current location |
Prints and Drawings |
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Accession number |
1859,0709.848 |
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Notes |
The portrayal of Ruskin as a braying donkey is a reference to his savage criticism of Millais's painting, exhibited at the Royal Academy, London in 1857. Sandys had made Rossetti's acquaintance when he called on him in order to study his appearance at first hand and the two men became friends; after the death of Rossetti's wife in 1862 Sandys became one of his intimate circle for a few years. For further information, see 'Burlington Magazine', cvii (1965), p. 251; J. A. Gere, Pre-Raphaelite Drawings, 1994; Betty Elzea, "Frederick Sandys, 1829-1904: A Catalogue Raisonné" (Antique Collectors' Club, 2001, p.130-133). |
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Source/Photographer | https://www.britishmuseum.org/collection/object/P_1859-0709-848 | |||||||||||||||||||||||
Permission (Reusing this file) |
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0 |
Licensing
[edit]This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
This tag is designed for use where there may be a need to assert that any enhancements (eg brightness, contrast, colour-matching, sharpening) are in themselves insufficiently creative to generate a new copyright. It can be used where it is unknown whether any enhancements have been made, as well as when the enhancements are clear but insufficient. For known raw unenhanced scans you can use an appropriate {{PD-old}} tag instead. For usage, see Commons:When to use the PD-scan tag. Note: This tag applies to scans and photocopies only. For photographs of public domain originals taken from afar, {{PD-Art}} may be applicable. See Commons:When to use the PD-Art tag. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 15:16, 15 May 2020 | 1,000 × 906 (205 KB) | Copyfraud (talk | contribs) | British Museum public domain uploads (Copyfraud/BM) Coloured lithographs in the British Museum 1857 #7,131/21,781 |
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Metadata
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Camera manufacturer | Phase One |
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Camera model | P 45 |
Date and time of data generation | 17:51, 15 May 2007 |
ISO speed rating | 50 |
Width | 7,230 px |
Height | 5,428 px |
Bits per component |
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Compression scheme | Uncompressed |
Pixel composition | RGB |
Number of components | 3 |
Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Exif version | 0.48 |
Image width | 5,624 px |
Image height | 5,093 px |
Date and time of digitizing | 17:51, 15 May 2007 |
File change date and time | 10:59, 16 May 2007 |
Software used | Adobe Photoshop CS2 Macintosh |
Date metadata was last modified | 10:59, 16 May 2007 |